'Let's not dance, okay? I've got to call New York with these other two names, and you've got to put on your thinking cap and see if there are any more names I should have. Publishers . . . editors
. . . I don't know. Meantime, you tell me the guy we want actually thinks he is George Stark. We were theorizing about it Saturday night, blue-skying it, and tonight you tell me it's a stone fact. Then, to back it up, you throw the footprints at me. Either you've made some dizzying leap of deduction based on the facts we have in common, or you know something I don't. Naturally, I like the second alternative better. So give.'
But what did he have? Blackout trances which were announced by thousands of sparrows crying in unison? Words that he might have written on a manuscript after Alan Pangborn had told him those same words were written on the living-room wall of Frederick Clawson's apartment?
More words written on a paper which had been torn to shreds and then fed into the English-Math Building's incinerator? Dreams in which a terrible unseen man led him through his house in Castle Rock and everything he touched, including his own wife, self-destructed? I could call what I.believe a known fact of the heart instead of an intuition of the mind, he thought, but there's still no proof, is there? The fingerprints and saliva suggested something was very odd - sure! - but that odd?
Thad didn't think so.
'Alan,' he said slowly, 'you'd laugh. No - I take it back. I know you better than that now. You wouldn't laugh - but I strongly doubt if you would believe me, either. I've been up and down on this, but that's how it shakes out: I really don't think you'd believe me.'
Alan's voice came back at once, urgent, imperative, hard to resist. 'Try me.'
Thad hesitated, looked at Liz, then shook his head. 'Tomorrow. When we can look at each other face to face. Then I will. For tonight you'll just have to take my word that it doesn't matter, that what I've told you is everything of any practical value that I can tell you.'
'Thad, what I said about having you held as a material witness 'If you have to do it, do it. There will be no hard feelings on my part. But I won't go any further than I have right now until I see you, regardless of what you decide.'
Silence from Pangborn's end. Then a sigh. 'Okay.
'I want to give you a scratch description of the man the police are looking for. I'm not entirely sure it's right, but I think it's close. Close enough to give the cops in New York, anyway. Have you got a pencil?'
'Yes. Give it to me.'
Thad closed the eyes God had put in his face and opened the one God had put in his mind, the eye which persisted in seeing even the things he didn't want to look at. When people who had read his books met him for the first time, they were invariably disappointed. This was something they tried to hide from him and could not. He bore them no grudge, because he understood how they felt . . . at least a little bit. If they liked his work (and some professed even to love it), they thought of him beforehand as a guy who was first cousin to God. Instead of a God they saw a guy who stood six-feet-one, wore spectacles, was beginning to lose his hair, and had a habit of tripping over things. They saw a man whose scalp was rather flaky and whose nose had two holes in it, just like their own.
What they could not see was that third eye inside his head. That eye, glowing in the dark half of him, the side which was in constant shade . . . that was like a God, and he was glad they could not see it. If they could, he thought many of them would try to steal it. Yes, even if it meant gouging it right out of his flesh with a dull knife.
Looking into the dark, he summoned up his private image of George Stark - the real George Stark, who looked nothing like the model who had posed for the jacket photo. He looked for the shadow-man who had accreted soundlessly over the years, found him, and began showing him to Alan Pangborn.
'He's fairly tall,' he began. 'Taller than me, anyway. Six-three, maybe six-four in a pair of boots. He's got blonde hair, cut short and neat. Blue eyes. His long vision is excellent. About five years ago he took to wearing glasses for close work. Reading and writing, mostly.