The Dark Half

Thad was upstairs in his study, writing, when the police came. Liz was reading a book in the living room while William and Wendy goofed with each other in the oversized playpen they shared. She went to the door, looking out through one of the narrow ornamental windows which flanked it before opening it. This was a habit she had gotten into since what was jokingly called Thad's 'debut' in People magazine. Visitors - vague acquaintances for the most part, with a generous mixture of curious town residents and even a few total strangers (these latter unanimously Stark fans) thrown in for good measure - had taken to dropping by. Thad called it the 'see the living-crocodiles syndrome' and said it would peter out in another week or two. Liz hoped he was right. In the meantime, she worried that one of the new callers might be a mad crocodile-hunter of the sort who had killed John Lennon, and peeked through the side window first. She didn't know if she would recognize a bona fide madman if she saw one, but she could at least keep Thad's train of thought from derailing during the two hours each morning he spent writing. After that he went to the door himself, usually throwing her a guilty little-boy look to which she didn't know how to respond.

The three men on the front doorstep this Saturday morning were not fans of either Beaumont or Stark, she guessed, and not madmen either . . . unless some of the current crop had taken to driving state police cruisers. She opened the door, feeling the uneasy twinge even the most blameless people must feel when the police show up without being called. She supposed if she'd had children old enough to be out whooping and hollering this rainy Saturday morning, she would already be wondering if they were okay.

'Yes?'

'Are you Mrs Elizabeth Beaumont?' one of them asked.

'Yes, I am. May I help you?'

'Is your husband home, Mrs Beaumont?' a second asked. These two were wearing identical gray rain-slickers and state police hats.

No, that's the ghost of Ernest Hemingway you hear clacking away upstairs, she thought of saying, and of course didn't. First came the has-anybody-had-an-accident fright, then the phantom guilt which made you want to come out with something harsh or sarcastic, something which said,

no matter what the actual words: Go away. You are not wanted here. We have done nothing wrong. Go and find someone who has.

'May I ask why you'd like to see him?'

The third policeman was Alan Pangborn. 'Police business, Mrs Beaumont,' he said. 'May we speak with him, please?'

2.

Thad Beaumont did not keep anything resembling an organized journal, but he did sometimes write about the events in his own life which interested, amused, or frightened him. He kept these accounts in a bound ledger, and his wife did not care much for them. They gave her the creeps, in fact, although she had never told Thad so. Most were strangely passionless, almost as if a part of him was standing aside and reporting on his life with its own divorced and almost disinterested eye. Following the visit of the police on the morning of June 4th, he wrote a long entry with a strong and unusual subcurrent of emotion running through it. I understand Kafka's The Trial and Orwell's 1984 a little better now [Thad wrote]. To read them as political novels and no more is a serious mistake. I suppose the depression I went through after finishing Dancers and discovering there was nothing waiting behind it

? except for Liz's miscarriage, that is - still counts as the most wrenching emotional experience of our married life, but what happened today seems worse. I tell myself it's because the experience is still fresh, but I suspect it's a lot more than that. I suppose if my time in the darkness and the loss of those first twins are wounds which have healed, leaving only scars to mark the places where they were, then this new wound will also heal . . . but I don't believe time will ever gloss it over completely. It will also leave its scar, one which is shorter but deeper - like the fading tattoo of a sudden knife-slash. I'm sure the police behaved according to their oaths (if they still take them, and I guess they do). Yet there was then and still is now a feeling that I was in danger of being pulled into some faceless bureaucratic machine, not men but a machine which would go methodically on about its business until it had chewed me to rags . . . because chewing people to rags is the machine's business. The sound of my screams would neither hurry nor delay that machine's chewing action.

I could tell Liz was nervous when she came upstairs and told me the police wanted to see me about something but wouldn't tell her what it was. She said one of them was Alan Pangborn, the Castle County sheriff. I may have met him once or twice before, but I only really recognized him because his picture is in the Castle Rock Call from time to time. I was curious, and grateful for a break from the typewriter, where my people have been insisting on doing things I don't want them to do for the last week. If I thought anything, I suppose I thought it might have something to do with Frederick Clawson, or some bit of fallout from the People article. And so it did, although not in the way I thought.

I don't know if I can get the tone of the meeting which followed right or not. I don't know if it even matters, only that it seems important to try. They were standing in the hall near the foot of the stairs, three large men (it's no wonder people call them bulls) dripping a little water onto the carpet.

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