"Hi, Miss Ratcliffe!" someone called. Sally jerked the envelope down and hid it in the folds of her skirt. Her heart bumped guiltily.
It was little Billy Marchant, cutting across the playground with his skateboard under his arm. Sally waved to him and then got quickly back into the car. Her face felt hot. She was blushing. It was silly-no, crazy-but she was behaving almost as if Billy had caught her doing something she shouldn't.
Well, weren't you? Weren't you trying to peek at a letter that isn't yours?
She felt the first twinges of jealousy then. Maybe it was hers; a lot of people in Castle Rock knew she had been driving Lester's car as much as she had been driving her own these past few weeks.
And even if it wasn't hers, Lester Pratt was. Hadn't she just been thinking, with the solid, pleasant complacency which only Christian women who are young and pretty feel so exquisitely, that he would jump through hoops of fire for her?
Lovey.
No one had left that envelope for her, she was sure of that much.
She didn't have any women friends who called her Sweetheart or Darling or Lovey. It had been left for Lester. AndThe solution suddenly struck her, and she collapsed against the powder-blue bucket seat with a little sigh of relief. Lester taught Phys Ed at Castle Rock High. He only had the boys, of course, but lots of girls-young girls, impressionable girls-saw him every day.
And Les was a good-looking young man.
Some little high school girl with a crush slipped a note into his car.
That's all it is. She didn't even dare leave it on the dashboard where he would see i't right away.
"He wouldn't mind if I opened it," Sally said aloud, and tore off the end of the envelope in a neat strip which she put in the ashtray where no cigarette had ever been parked. "We'll have a good laugh about it tonight."
She tilted the envelope, and a Kodak print fell out into her hand.
She saw it, and her heart stuttered to a stop for a moment.
Then she gasped. Bright red suffused her cheeks, and her hand covered her mouth, which had pursed itself into a small, shocked O of dismay.
Sally had never been in The Mellow Tiger and so she didn't know that was the background, but she wasn't a total innocent; she had watched enough TV and been to enough movies to know a bar when she saw one. The photo showed a man and a woman sitting at a table in what appeared to be one corner (a cozy corner, her mind insisted on calling it) of a large room. There was a pitcher of beer and two Pilsner glasses on the table. Other people were sitting at other tables behind and around them. In the background was a dance-floor.
The man and the woman were kissing.
She was wearing a sparkly sweater top which left her midriff exposed and a skirt of what appeared to be white linen. A very short skirt. One of the man's hands pressed familiarly against the skin of her waist. The other was actually under her skirt, pushing it up even further. Sally could see the blur of the woman's panties.
That little chippie, Sally thought with angry dismay.
The man's back was to the photographer; Sally could make out only his chin and one ear. But she could see that he was very muscular, and that his black hair was mown into a rigorously short crewcut. He was wearing a blue tee-shirt-what the schoolkids called a muscle-shirt-and blue sweatpants with a white stripe on the side.
Lester.
Lester exploring the landscape under that chippies skirt.
No! her mind proclaimed in panicky denial. It can't be him!
Lester doesn't go out to bars! He doesn't even drink! And he'd never kiss another woman, because he loves me! I know he does, because...
"Because he says so." Her voice, dull and listless, was shocking to her own ears. She wanted to crumple the picture up and throw it out of the car, but she couldn't do that-someone might find it if she did, and what would that someone think?
She bent over the photograph again, studying it with jealous, intent eyes.
The man's face blocked most of the woman's, but Sally could see the line of her brow, the corner of one eye, her left cheek, and the line of her jaw. More important, she could see how the woman's dark hair was cut-in a shag, with bangs feathered across the forehead.
Judy Libby had dark hair. And Judy Libby had it cut in a shag, with bangs feathered across the forehead.
You're wrong. No, worse than that-you're crazy. Les broke up with Judy when she left the church. And then she went away.
To Portland or Boston or someplace like that. This is someone's twisted, mean idea of a joke. You know Les would neverBut did she know? Did she really?
All of her former complacency now rose up to mock her, and a voice which she had never heard before today suddenly spoke up from some deep chamber of her heart: The trust of the innocent is the liar's most useful tool.
It didn't have to be Judy, though; it didn't have to be Lester, either. After all, you couldn't really tell who people were when they were kissing, could you? You couldn't even tell for sure at the movies if you came in late, not even if they were two famous stars.