"Did he say where he was going next?" Although the cops almost surely missed it, Paul's own practiced ear sensed the minutest of hesitations - there could be a trap here, a snare which might spring at once or after a short delay. No, she said at last, although he had headed west, so she assumed he must have gone toward Springer's Road and the few farms out that way.
"Thank you, ma'am, for your cooperation," David said. "We may have to check back with you."
"All right," Annie said. "Feel free. I don't see much company these days."
"Would you mind if we looked "m your barn?" Goliath asked abruptly.
"Not at all. Just be sure to say howdy when you go in."
"Howdy to who, ma'am?" David asked.
"Why, to Misery," Annie said. "My pig."
31
She stood in the doorway looking at him fixedly - so fixedly that his face began to feel warm and he supposed he was blushing. The two cops had left fifteen minutes ago.
"You see something green?" he asked finally.
"Why didn't you holler?" Both cops had tipped their hats to her as they got in their cruiser, but neither had smiled, and there had been a look in their eyes Paul had been able to see even from the narrow angle afforded by the corner of his window. They knew who she was, all right. "I kept expecting you to holler. They would have fallen on me like an avalanche."
"Maybe. Maybe not."
"But why didn't you?"
"Annie, if you spend your whole life thinking the worst thing you can imagine is going to happen, you have to be wrong some of the time."
"Don't be smart with me!" He saw that beneath her assumed impassivity she was deeply confused. His silence did not fit well into her view of all existence as a sort of Big-Time Wrestling match: Honest Annie vs. that all-time, double-ugly tag-team of The Cockadoodie Brats.
"Who's being smart? I told you I was going to keep my mouth shut and I did. I want to finish my book in relative peace. And I want to finish it for you." She looked at him uncertainly, wanting to believe, afraid to believe... and ultimately believing anyway. And she was right to believe, because he was telling the truth.
"Get busy, then," she said softly. "Get busy right away. You saw the way they looked at me."
32
For the next two days life went on just as it had before Duane Kushner; it was almost possible to believe Duane Kushner had never happened at all. Paul wrote almost constantly. He had given the typewriter up for the nonce. Annie put it on the mantel below the picture of the Arc de Triomphe without comment. He filled three legal pads in those two days. There was only one left. When he had filled that one, he would move on to the steno pads. She sharpened his half-dozen Berol Black Warrior pencils, he wrote them dull, and Annie sharpened them again. They shrank steadily as he sat in the sun by the window, bent over, sometimes scratching absently with the great toe of his right foot at the air where the sole of his left foot had been, looking through the hole in the paper. It had yawned wide open again, and the book rushed toward its climax the way the best ones did, as if on a rocket sled. He saw everything with perfect clarity - three groups all hellbent for Misery in the crenellated passages behind the idol's forehead, two wanting to kill her, the third - consisting of Ian, Geoffrey, and Hezekiah - trying to save her... while below, the village of the Bourkas burned and the survivors massed at the one point of egress - the idol's left ear - to massacre anyone who happened to stagger out alive.
This hypnotic state of absorption was rudely shaken but not broken when, on the third day after the visit of David and Goliath, a cream-colored Ford station wagon with KTKA / Grand Junction written on the side pulled into Annie's driveway. The back was full of video equipment.
"Oh God!" Paul said, frozen somewhere between humor, amazement, and horror. "What's this f**k-a-row?" The wagon had barely stopped before one of the rear doors flew open and a guy dressed in combat-fatigue pants and a Deadhead tee-shirt leaped out. There was something big and black pistol-gripped in one hand and for one wild moment Paul thought it was a tear-gas gun. Then he raised it to his shoulder, and swept it toward the house, and Paul saw it was a minicam. A pretty young woman was getting out of the front passenger seat, fluffing her blow-dried hair and pausing for one final appraising look at her makeup in the outside rear-view mirror before joining her camera-man.
The eye of the outside world, which had slipped away from the Dragon Lady these last few years, had now returned with a vengeance.
Paul rolled backward quickly, hoping he had been in time.
Well, if you want to know for sure, just check the six o'clock news, he thought, and then had to raise both hands to his mouth to plug up the giggles.
The screen door banged open and shut.
"Get the hell out of here!" Annie screamed. "Get the hell off my land!" Dimly: "Ms Wilkes, if we could have just a few - "
"You can have a couple of loads of double-ought buck up your cockadoodie bumhole if you don't get out of here!"
"Ms Wilkes, I'm Glenna Roberts from KTKA - "
"I don't care if you're John O. Jesus Johnnycake Christ from the planet Mars! Get off my land or you're DEAD!"
"But - " KAPOW!
Oh Annie oh my Jesus Annie killed that stupid broad - He rolled back and peeked through the window. He had no choice - he had to see. Relief gusted through him. Annie had fired into the air. That seemed to have done quite well. Glenna Roberts was diving head-first into the KTKA newsmobile. The camera-man swung his lens toward Annie, Annie swung her shotgun toward the camera-man; the camera-man, deciding he wanted to live to see the Grateful Dead again more than he wanted to roll tape on the Dragon Lady, immediately dropped into the back seat again. The wagon was reversing down the driveway before he got his door all the way closed.
Annie stood watching them go, the rifle held in one hand, and then she came slowly back into the house. He heard the clack as she put the rifle on the table. She came down to Paul's room. She looked worse than he had ever seen her, her face haggard and pate, her eyes darting constantly.
"They're back," she whispered.
"Take it easy."
"I knew all those brats would come back. And now they have."
"They're gone, Annie. You made them go."
"They never go. Someone told them that cop was at Dragon Lady's house before he disappeared. So here they are."
"Annie - "
"You know what they want?" she demanded.
"Of course. I've dealt with the press. They want the same two things they always want - for you to f**k up while the tape's running and for someone else to buy the martinis when Happy Hour rolls around. But, Annie, you've got: to settle d- " I "This is what they want," she said, and raised one hooked hand to her forehead. She pulled down suddenly, sharply, opening four bloody furrows. Blood ran into her eyebrows, down her cheeks, along either side of her nose.
"Annie! Stop it!"
"And this!" She slapped herself across the left cheek with her left hand, hard enough to leave an imprint. "And this!" The right cheek, even harder, hard enough to make droplets of blood fly from the fingernail gouges.
"STOP it!" he screamed.
"It's what they want!" she screamed back. She raised her hands to her forehead and pressed them against the wounds, blotting them. She held her bloody palms out toward him for a moment. Then she plodded out of the room.
After a long, long time, Paul began to write again. It went slowly at first - the image of Annie pulling those furrows into her skin kept intruding - and he thought it was going to be no good, he had just better pack it in for the day, when the story caught him and he fell through the hole in the paper again.
As always these days, he went with a sense of blessed relief
33
More police came the next day: local yokels this time. With them was a skinny man carrying a case which could only contain a steno machine. Annie stood in the driveway with them, listening, her face expressionless. Then she led them into the kitchen.
Paul sat quietly, a steno pad of his own on his lap (he had finished the last legal pad the previous evening), and listened to Annie's voice as she made a statement which consisted of all the things she had told David and Goliath four days ago. This, Paul thought, was nothing more than blatant harassment. He was amused and appalled to find himself feeling a little sorry for Annie Wilkes The Sidewinder cop who asked most of the questions began by telling Annie she could have a lawyer present if she wanted. Annie declined and simply re-told her story. Paul could detect no deviations.
They were in the kitchen for half an hour. Near the end one of them asked how she had come by the ugly-looking scratches on her forehead.
"I did it in the night," she said. "I had a bad dream."
"What was that?" the cop asked.
"I dreamed that people remembered me after all this time and started coming out here again," Annie said.
When they were gone, Annie came to his room. Her face was doughy and distant and ill.
"This place is turning into Grand Central," Paul said.
She didn't smile. "How much longer?" He hesitated, looked at the pile of typescript with the ragged stack of handwritten pages on top, then back at Annie. "Two days," he said. "Maybe three."
"The next time they come they'll have the search warrant," she said, and left before he could reply.
34
She came in that evening around quarter of twelve and said: "You should have been in bed an hour ago, Paul." He looked up, startled out of the story's deep dream Geoffrey - who had turned out to be very much the hero of this one - had just come face to face with the hideous queen bee, whom he would have to battle to the death for Misery's life.
"It doesn't matter," he said. "I'll turn in after awhile. Sometimes you get it down or it gets away." He shook his hand, which was sore and throbbing. A large hard growth, half callus and half blister, had risen on the inside of his index finger, where the pencil pressed most firmly. He had pills, and they would take away the pain, but they would also blur his thoughts.
"You think it's good, don't you?" she asked softly. "Really good. You're not doing it just for me anymore, are you?"
"Oh no," he said. For a moment he trembled on the edge of saying something more - of saying, It was never for you, Annie, or all the other people out there who sign their letters "Your number-one fan." The minute you start to write all those people are at the other end of the galaxy, or something. It was never for my ex-wives, or my mother, or for my father. The reason authors almost always put a dedication on a book, Annie, is because their selfishness even horrifies themselves in the end.
But it would be unwise to say such a thing to her.
He wrote until dawn was coming up in the east and then fell into bed and slept for four hours. His dreams were confused and unpleasant. In one of them Annie's father was climbing a long flight of stairs. He had a basket of what appeared to be newspaper clippings in his arms. Paul tried; to cry out to him, to warn him, but every time he opened his mouth nothing came out but a neatly reasoned paragraph of narration - although this paragraph was different each time he tried to scream, it always opened the same way: "One day, about a week later... " And now came Annie Wilkes, screaming, rushing down the hall, hands out-stretched to give her father the killing push... only her screams were becoming weird buzzing noises, and her body was rippling and humping and changing under her skirt and cardigan sweater, because Annie was changing into a bee.
35
No one official came by the following day, but lots of i unofficial people showed up. Designated Gawkers. One of the cars was full of teenagers. When they turned into the driveway to reverse direction, Annie rushed out and screamed at them to get off her land before she shot them for the dirty dogs they were.
"Fuck off, Dragon Lady!" one of them shouted.
"Where'd you bury him?" another yelled as the car backed out in a boil of dust.
A third threw a beer-bottle. As the car roared away, Paul could make out a bumper sticker pasted to the rear window. SUPPORT THE SIDEWINDER BLUE DEVILS, it read.
An hour later he saw Annie stalk grimly past his window, drawing on a pair of work-gloves as she headed for the barn. She came back some time later with the chain. She had taken the time to interlace its stout steel loops with barbed wire. When this prickly knitting was padlocked across the driveway, she reached into her breast pocket, and took out some red pieces of cloth. These she tied to several of the links to aid visibility.
"It won't keep the cops out," she said when she finally came in, "but it'll keep the rest of the brats away."
"Yes."
"Your hand... it looks swollen."
"Yes."
"I hate to be a cockadoodie pest, Paul, but... "
"Tomorrow," he said.
"Tomorrow? Really?" She brightened at once.
"Yes, I think so. Probably around six."
"Paul, that's wonderful! Shall I start reading now, or - "
"I'd prefer that you wait."
"Then I will." That tender, melting look had crept into her eyes again. He had come to hate her most of all when she looked that way. "I love you, Paul. You know that, don't you?"
"Yes," he said. "I know." And bent over his pad again.