Forty-one
Utrecht
Everything takes too long. The train is late. The bike share line is too long. So I catch a bus instead and it stops to pick up every old lady in town. I shouldn’t have left so late, but it was already late when I got hold of Sara this morning. Then it took a bit of cajoling before she finally remembered there was a letter. No, she didn’t read it. No, she didn’t remember where it came from. But she thinks she forwarded to the address on file. The one in Utrecht. Not that long ago.
By the time I get to Bloemstraat, it’s almost noon. The second tech rehearsal is at 2:00 back in Amsterdam. I have nothing but time in my life, but never enough of it when I need it.
I ring the eyeball bell. There’s no answer. I have no idea who lives here anymore. I texted Broodje on the train over but he didn’t answer. Then I remembered that he’s in the middle of the Aegean somewhere. With Candace. Whose name he knows, whose telephone number and email address he got before he left Mexico.
The front door is locked but I still have my key and it still works. The first good sign.
“Hello,” I call, my voice echoing through the empty house. It no longer looks like the place I lived in. No more lumpy sofa. No more boy smell. Even the Picasso flowers are gone.
There’s a dining room table, with the post scattered all over it. I rifle through the stacks as quickly as possible, but I see nothing, so I make myself slow down and methodically go through each piece of mail, dividing it into neat piles: for Broodje, for Henk, for W, even some for Ivo, who’s still getting letters here, for a couple of unfamiliar girls who must be living here now. There is some mail for me, mostly dead letters from the university and a travel catalog from the agency I used to book our Mexico tickets.
I look up the stairs. Perhaps the letter is up there. Or in the attic in my old room. Or in one of the cabinets. Or maybe it isn’t the one Sara forwarded. Maybe it’s still back on the Nieuwe Prinsengracht. Or somewhere in Marjolein’s office.
Or maybe there is no letter from her. Maybe it’s just another false hope I’ve conjured for myself.
I hear ticking. On the mantel, where the Picasso used to hang, there’s an old-fashioned wooden clock, like the kind Saba once had in his Jerusalem apartment. It was one of the few pieces Yael kept after he died. I wonder where it is now.
It’s half past twelve. If I want to get the train back in time for the tech rehearsal, I have to leave now. Otherwise, I’ll be late. And being late for tech? The only thing worse in Petra’s book would be not showing for a performance. I think of the original understudy, replaced because he had to miss three rehearsals. It’s too late for her to replace me, but that’s not to say she can’t fire me. I’m nothing but a shadow, anyhow.
Being fired won’t make any material difference in my life right now. Except I don’t want to be fired. And more than that, I don’t want to hand over that decision to Petra. If I’m late, that’s exactly what will happen.
The house seems huge all of a sudden, like it would take years to search all the rooms. The moment seems even bigger.
I’ve given up on Lulu before. In Utrecht. In Mexico. But that felt like surrendering. Like it was me I was really giving up on. This feels different, somehow. Like maybe Lulu brought me to this place, and for the first time in a long time, I’m on the cusp of something real. Maybe this is the point of it all. Maybe this is where the road is meant to end.
I think of the postcards I left in her suitcase. I’d written sorry on one of them. Only now do I understand what I really should’ve written was thank you.
“Thank you,” I say quietly to the empty house. I know she’ll never hear it, but somehow that seems besides the point.
Then I drop my mail in the recycling and head back to Amsterdam, closing the door behind me.