CHAPTER 36
REID
Earlier this week, the film wrapped up and I said goodbye to Vancouver and goodbye to Olaf for at least a week, because John began insisting that I say goodbye to my moral high ground.
“I get the whole abstinence makes the heart fonder thing,” he said last night, and I thought What? “But come on
—you’re home now.”
I wondered if John was attempting a play on words, but maybe he was right. Maybe abstinence does make the heart grow fonder. Other than leaping from the wagon that one night with Tadd and Rob, I’d been clean the whole time I was in Vancouver, and I stil couldn’t forget her.
“There’s this party—” he began.
“Real y? A party? I’m not familiar…”
“Shut up. Jorge and Daniel are coming, too. We’l hit a couple of the clubs near UCLA, grab a few col ege girls who wil be swayed by my buttload of charm and your passable looks and il ustrious celebrity status.”
“Ah, buttload of charm,” I laughed. God, I’d missed John.
He’s such a jackass. “That’l have them lining up.” When four guys in a Hummer limo pul up in front of a nightclub—three trust fund babies and one celebrity—there is no standing in line. John, Daniel and Jorge fal in behind me, and it’s as though I never left this life. Once we’re inside, I lean to John. “You guys gather whoever you want to bring with us. I’m getting a few shots in before I decide to ditch this whole night.”
He narrows his eyes. “No ditching al owed. It’s like riding a bike, Reid. Jump on and pedal like hel , man.” I shrug. “Whatever. I’l be at the bar. And, uh, don’t mention my name to any of them, okay? I’m not in the mood.”
“Not in the mood for sex?” He looks appal ed.
“Not in the mood for some chick who just wants to have sex with Reid Alexander. Find me a cute girl who has no idea who I am, and I’l consider it.”
He shakes his head, dark hair fal ing into his eyes. “You, son, are il , and we’re going to get you the cure tonight if it kil s me. Or you.”
I sigh. “Give me enough time to get a little numb first, wil ya?”
*** *** ***
Dori
I’ve avoided the LA club scene for years, while most of my friends were doing anything to get in. The music is so loud that I almost can’t hear it. I feel it, though. Kayla did my makeup and styled my hair in long waves, and Aimee dressed me in a black miniskirt and fuchsia tank so tight that I feel claustrophobic. I’m teetering on heels that could give me a nosebleed.
Holding Deb’s driver’s license, I try to appear like a confident 26-year-old. Kayla and Aimee swear that despite the age difference, Deb and I look (looked) similar enough
—same coloring, height, bone structure—and that using her ID is better than trying to sneak a fake past a bouncer. I hope the intimidating guy at the door doesn’t examine it too closely. Any direct interrogation and I’l col apse into a heap and start confessing.
He inspects the license itself more closely than he examines me. Three cover charges later, we’re through the door, Aimee with her cousin’s license and Kayla with a fake from Arizona that cost a fortune.
Step One—get in—was easier than I thought it would be.
Step Two: drink until I stop thinking about Deb. Stop thinking about Reid. Stop thinking about the future I can no longer clearly see, and the faith I no longer feel.
***
“I haven’t seen you here before, beautiful girl.” I’ve danced with at least a dozen guys, and here’s lucky number thirteen.
I’m not used to strangers standing so close. Or cal ing me beautiful. Leaning one elbow on the table in interested nonchalance, I sip the drink in my hand, which looks like a coke and tastes like a coke with a side of ingestible flames. I think it’s my third, maybe fourth. Over the rim of the glass I see blondish hair and bluish eyes. The eyes regard me in the lazy manner of a predator sizing up dinner, and al of my instincts say run. Which is exactly why I do the opposite. Because my instincts are overly protective and useless.
A tilt of my head and a little smile back, and he’s moved even closer.
“Let’s dance,” he says. Here we go again.
I put the drink down, glance at Kayla (who gives me an eyebrow waggle and a thumbs up) and Aimee (whose eyes are wandering over tonight’s selection of hot guys), and slip from the barstool into this stranger’s arms. He slides an arm around my waist as I balance myself. As we move towards the dance floor, I could swear I hear Aimee say,
“Oh my God. Kayla, look—have I had too many shots of tequila or is that Reid—”
I don’t catch the end of her sentence before I’m out of earshot. She can’t mean who I think she means, even if she did say his name, which is debatable, as difficult as it is to hear anything over the music. I glance around, but everything is a whirl of color and noise and then this guy’s hands are on my hips, and we’re grinding into each other, fol owing the beat. Closing my eyes, I hook my arms around his neck.
“What’s your name?” he asks, leaning in close.
My eyes open and his face is close enough to see his eyes. Ice blue, not like Reid’s stormy blue at al . I don’t want to think about Reid. “Dori,” I answer.
“Dori. Cute, just like you. I’m Reece.”
Rats. Too close to Reid. I don’t want to think about him.
I dance with Reece-who-is-not-Reid until I’m hot and thirsty, breaking off mid-song and heading for the table. I resist the urge to look back and see if he’s fol owing. I don’t real y care. If he doesn’t, someone else wil .
I’m downing the rest of the rum and coke and Reece settles a hip on Aimee’s barstool as she leads another guy to the dance floor. Always another guy. Did I notice this before, how many there are? I was carrying the weight of the world on my shoulders, trying to make a difference, never doing anything reckless or pleasurable, not since Colin. Wel . That’s not quite true. Reid was reckless and pleasurable. But I’m not thinking about him.
In the end I just wasted my time trying to better the world, and so did Deb.
I force my thoughts away from my sister, too, who sits in her chair and stares at nothing, with everything she’d learned, everything she’d become, everything she wanted to be—doctor, girlfriend, wife— gone. Reece signals a waitress for two more drinks when I begin to spin the ice in my otherwise empty glass. His fingers trail along my arm, back and forth, like a magician with a hypnotic watch. “Tel me more about you, Dori with the big innocent eyes.” I arch a brow at this. “So I look innocent, do I?”
“Are you?” Another lazy smile. His repertoire of facial expressions appears to be limited.
“Maybe. Is that a problem?”
His nostrils flare slightly, and his lazy smile has turned into the other one. The hungry one. Truth is, I’m a little afraid of him, but it doesn’t matter. Nothing matters.
“Depends.” The drinks arrive, and he throws his back, finishing half of it in one long swal ow.
“On?” I ask, slamming half of mine as wel , shuddering after. It’s amazing how easy it is to drink fire once you get accustomed to it.
He leans closer, and I feel his warm breath on my cheek.
“On whether you want to stay that way.” He doesn’t pul back, and neither do I, even as he begins to nuzzle my ear, his tongue swirling over the tip of it.
Too fast too fast my brain says, but my new powers of repression shut it up quick. I turn my face towards his and he’s kissing me, and within seconds, his hands are wandering, caressing too roughly. It doesn’t matter. It doesn’t matter. The music deafens me and his arm encircles me, pressing me to his side though I’m stil sitting on the high stool and he’s standing. He’s wearing too much cologne, and it’s not the right smel . Too sweet, almost. Not earthy.
“Let’s get out of here—the place a couple of doors down is way better.”
I don’t recal another club on this block, but it feels like days ago that we came in. I glance across the dance floor, spotting Aimee, and gesture that I’m leaving. She goes to mime call me with the wrong hand and almost spil s her drink in her ear.
Reece finishes his drink and points to my glass. “You’ve stil got half of yours.” I gulp the rest, tipping it back until the ice cubes bounce off of my upper lip. “Nice,” he says, leaning closer. “Time for innocent little Dori to learn some of leaning closer. “Time for innocent little Dori to learn some of the sweet facts of life.” My body is moving off of the barstool, and I look down and his hands are at my waist, large hands, holding me, keeping me from fal ing. Or from running away.
“Wait.” Gripping the table, I close my eyes and wish the room would quit spinning. Closing my eyes helps, but I worry that won’t be the case once this last drink finds its way into my bloodstream. I want to be numb, but al I am is dizzy and everything is loud and flashing and this isn’t how I thought it would be and I just want to sit back down and cry.
“You’l feel better when we’re outside,” he says, supporting my weight and guiding me towards the exit.