Black House (The Talisman #2)

Half a dozen feeble voices rise in agreement.

"Come on, people, you can do better than that! I want to hear it for this wonderful day, this wonderful time we're all having, and for all the wonderful help and assistance given us by our volunteers and staff!"

A slightly more exuberant clamor rewards his efforts.

"All right! Hey, you know what? As George Rathbun would say, even a blind man could see what a great time we're all having. I know I am, and we're not done yet! We got the greatest deejay you ever heard, a fellow called Symphonic Stan, the Big-Band Man, waiting to put on a great, great show in the common room, music and dancing right up to the big Strawberry Fest dinner, and we got him cheap, too — but don't tell him I said that! So, friends and family, it's time to say your good-byes and let your loved ones cut a rug to the golden oldies, just like them, ha ha! Golden oldies one and all, that's all of us here at Maxton's. Even I'm not as young as I used to be, ha ha, so I might take a spin across the floor with some lucky lady.

"Seriously, folks, it's time for us to put on our dancing shoes. Please kiss Dad or Mom, Granddad or Grandma good-bye, and on your way out, you may wish to leave a contribution toward our expenses in the basket on top of Ragtime Willie's piano right over here, ten dollars, five dollars, anything you can spare helps us cover the costs of giving your mom, your dad, a bright, bright day. We do it out of love, but half of that love is your love."

And in what may seem to us a surprisingly short amount of time, but does not to Chipper Maxton, who understands that very few people wish to linger in an elder-care facility any longer than they must, the relatives bestow their final hugs and kisses, round up the exhausted kiddies, and file down the paths and over the grass into the parking lot, along the way a good number depositing bills in the basket atop Ragtime Willie's upright piano.

No sooner does this exodus begin than Pete Wexler and Chipper Maxton set about persuading, with all the art available to them, the oldsters back into the building. Chipper says things like, "Now don't you know how much we all want to see you trip the light fantastic, Mrs. Syverson?" while Pete takes the more direct approach of, "Move along, bud, time to stir your stumps," but both men employ the techniques of subtle and not-so-subtle nudges, pushes, elbow grasping, and wheelchair rolling to get their doddering charges through the door.