You Can't Go Home Again

Then with a vigorous and jubilant movement she flung the covers off of her small and opulent body, which was clothed with a long, sleeveless garment of thin yellow silk. She bent her knees briskly, drew her feet from beneath the covers, and straightened out flat again. She surveyed her small feet with a look of wonder and delight. The sight of her toes in perfect and solid alignment and of their healthy, shining nails filled her with pleasure.

With the same expression of childlike wonder and vanity she slowly lifted her left arm and began to revolve the hand deliberately before her fascinated eyes. She observed with tender concentration how the small and delicate wrist obeyed each command of her will, and she gazed raptly at the graceful, winglike movement of the hand and at the beauty and firm competence that were legible in its brown, narrow back and in the shapely fingers.. Then she lifted the other arm as well, and turned both hands upon their wrists, still gazing at them with a tender concentration of delight.

“What magic!” she thought. “What magic and strength are in them! God, how beautiful they are, and what things they can do! The design for everything I undertake comes out of me in the most wonderful and exciting way. It is all distilled and brewed inside of me—and yet nobody ever asks me how it happens! First, it is all one piece—like something solid in the head,” she thought comically, now wrinkling her forehead with an almost animal-like expression of bewildered difficulty. “Then it all breaks up into little particles, and somehow arranges itself, and then it starts to move!” she thought triumphantly. “First I can feel it coming down along my neck and shoulders, and then it is moving up across my legs and belly, then it meets and joins together like a star. Then it flows out into my arms until it reaches down into my finger-tips—and then the hand just does what I want it to. It makes a line, and everything I want is in that line. It puts a fold into a piece of cloth, and no one else on earth could put it in that way, or make it look the same. It gives a turn to the spoon, a prod to the fork, a dash of pepper when I cook for George,” she thought, “and there’s a dish the finest chef on earth could never equal—because it’s got me in it, heart and soul and all my love,” she thought with triumphant joy. “Yes! And everything I’ve ever done has been the same—always the clear design, the line of life, running like a thread of gold all through me back to the time I was a child.”

Now, having surveyed her deft and beautiful hands, she began deliberately to inspect her other members. Craning her head downwards, she examined the full outlines of her breasts, and the smooth contours of her stomach, thighs, and legs. She stretched forth her hands and touched them with approval. Then she put her hands down at her sides again and lay motionless, toes evenly in line, limbs straight, head front, eyes staring gravely at the ceiling—a little figure stretched out like a queen for burial, yet still warm, still palpable, immensely calm and beautiful, as she thought:

“These are my hands and these are my fingers, these are my legs and hips, these are my fine feet and my perfect toes—this is my body.”

And suddenly, as if the inventory of these possessions filled her with an immense joy and satisfaction, she sat up with a shining face and placed her feet firmly on the floor. She wriggled into a pair of slippers, stood up, thrust her arms out and brought the hands down again behind her head, yawned, and then put on a yellow quilted dressing-gown which had been lying across the foot of the bed.

Esther had a rosy, jolly, delicate face of noble beauty. It was small, firm, and almost heart-shaped, and in its mobile features there was a strange union of child and woman. The instant anyone met her for the first time he felt: “This woman must look exactly the way she did when she was a child. She can’t have changed at all.” Yet her face also bore the markings of middle age. It was when she was talking to someone and her whole countenance was lighted by a merry and eager animation that the child’s face was most clearly visible.

When she was at work, her face was likely to have the serious concentration of a mature and expert craftsman engaged in an absorbing and exacting labour, and it was at such time that she looked oldest. It was then that one noticed the somewhat fatigued and minutely wrinkled spaces round her eyes and some strands of grey that were beginning to sprinkle her dark-brown hair.

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