You Can't Go Home Again

Yes, the same thing that explained the plight the town had come to might also explain Judge Rumford Bland. What was it he had said on the train: “Do you think you can ‘go home again?” And: “Don’t forget I tried to warn you.” Was this, then, what he had meant? If so, George understood him now.

Around them in the cemetery as George thought these things and spoke of them, the air brooded with a lazy, drowsy warmth. There was the last evening cry of robins, and the thrumming bullet noises in undergrowth and leaf, and broken sounds from far away—a voice in the wind, a boy’s shout, the barking of a dog, the tinkle of a cowbell. There was the fragrance of intoxicating odours—the resinous smell of pine, and the smells of grass and warm sweet clover. All this was just as it had always been. But the town of his childhood, with its quiet streets and the old houses which had been almost obscured below the leafy spread of trees, was changed past recognition, scarred now with hard patches of bright concrete and raw dumps of new construction. It looked like a battlefield, cratered and shell torn with savage explosions of brick, cement, and harsh new stucco-And in the interspaces only the embowered remnants of the old and pleasant town remained—timid, retreating, overwhelmed—to remind one of the liquid leather shuffle in the quiet streets at noon when the men came home to lunch, and of laughter and low voices in the leafy rustle of the night. For this was lost!

An old and tragic light was shining faintly on the time-enchanted hills. George thought of Mrs. Delia Flood, and what she had said of Aunt Maw’s hope that some day he’d come home again to stay.. And as he stood there with Margaret quietly by his side the old and tragic light of fading day shone faintly on their faces, and all at once it seemed to him that they were fixed there like a prophecy with the hills and river all round them, and that there was something lost, intolerable, foretold and come to pass, something like old time and destiny—some magic that he could not say.

Down by the river’s edge, in darkness now, he heard the bell, the whistle, and the pounding wheel of the night express coming into town, there to pause for half an hour and then resume its northward journey. It swept away from them, leaving the lonely thunder of its echoes in the hills and the flame-flare of its open firebox for a moment, and then just heavy wheels and rumbling cars as the great train pounded on the rails across the river—and, finally, nothing but the silence it had left behind. Then, farther off and almost lost in the traffic of the town, he heard again and for the last time its wailing cry, and it brought to him once more, as it had done for ever in his childhood, its wild and secret exultation, its pain of going, and its triumphant promise of morning, new lands, and a shining city. And something in his heart was saying, like a demon’s whisper that spoke of flight and darkness: “Soon! Soon! Soon!”

Then they got in the car and drove rapidly away from the great hill of the dead, the woman towards the certitude of lights, the people, and the town; the man towards the train, the city, and the unknown future.





BOOK II


The World that Jack Built


_Back in New York the autumn term at the School for Utility cultures had begun, and George Webber took up again the old routine of academic chores. He hated teaching worse than ever, and found that even in his classes he was thinking about his new book and looking forward eagerly to his free hours when he could work upon it. It was hardly more than just begun, but for some reason the writing was going well, and George knew from past experience that he’d better take advantage of every moment while the frenzy of creation was upon him. He felt, too, almost desperately, that he ought to get as much of the new book written as he could before the first was published. That event, at once so desired and dreaded, now loomed before him imminently. He hoped the critics would be kind, or at least would treat his novel with respect. Fox Edwards said it ought to have a good critical reception, but that you couldn’t tell anything about sales: better not think too much about it.

George was seeing Esther Jack every day, just as always, but in his excitement over the approaching publication of Home to Our Mountains and his feverish absorption in the new writing he was doing, she no longer occupied the forefront of his thoughts and feelings. She was aware of this and resented it, as women always do. Perhaps that’s why she invited him to the party, believing that in such a setting she would seem more desirable to him and that thus she could recapture the major share of his attention. At any rate, she did invite him. It was to be an elaborate affair. Her family and all her richest and most brilliant friends were to be there, and she begged him to come.

Thomas Wolfe's books