You Can't Go Home Again

That simple question, asked with advance knowledge of the fact, had a wonderful sound. It had a ring, not only of congratulation that his book was being published, but also of implication that the distinguished house of Rodney had been fortunate to secure it. That was the way it sounded, and it was probably also the way it was meant. He had the feeling, therefore, that in the eyes of his own people he had “arrived”. He was no longer a queer young fellow who had consumed his substance in the deluded hope that he was—oh, loaded word!—“a writer”. He was a writer. He was not only a writer, but a writer who was about to be published, and by the ancient and honourable James Rodney & Co.

There is something good in the way people welcome success, or anything—no matter what—that is stamped with the markings of success. It is not an ugly thing, really. People love success because to most of them it means happiness, and, whatever form it takes, it is the image of what they, in their hearts, would like to be. This is more true in America than anywhere else. People put this label on the image of their heart’s desire because they have never had an image of another kind of happiness. So, essentially, this love of success is not a bad thing, but a good thing. It calls forth a general and noble response, even though the response may also be mixed with self-interest. People are happy for your happiness because they want so much to be happy themselves. Therefore it’s a good thing. The idea behind it is good, anyhow. The only trouble with it is that the direction is misplaced.

That was the way it seemed to George. He had gone through a long and severe period of probation, and now he was approved. It made him very happy. There is nothing in the world that will take the chip off of one’s shoulder like a feeling of success. The chip was off now, and George didn’t want to fight anybody. For the first time he felt that it was good to be home again.

Not that he did not have his apprehensions. He knew what he had written about the people and the life of his home town. He knew, too, that he had written about them with a nakedness and directness which, up to that time, had been rare in American fiction. He wondered how they would take it. Even when people congratulated him about the book he could not altogether escape a feeling of uneasiness, for he was afraid of what they would say and think after the book came out and they had read it.

These apprehensions took violent possession of him one night in a most vivid and horrible dream. He thought he was running and stumbling over the blasted heath of some foreign land, fleeing in terror from he knew not what. All that he knew was that he was filled with a nameless shame. It was wordless, and as shapeless as a smothering fog, yet his whole mind and soul shrank back in an agony of revulsion and self-contempt. So overwhelming was his sense of loathing and guilt that he coveted the place of murderers on whom the world had visited the fierceness of its wrath. He envied the whole list of those criminals who had reaped the sentence of mankind’s dishonour—the thief, the liar, the trickster, the outlaw, and the traitor—men whose names were anathema and were spoken with a curse, but which were spoken; for he had committed a crime for which there was no name, he was putrescent with a taint for which there was neither comprehension nor cure, he was rotten with a vileness of corruption that placed him equally beyond salvation or vengeance, remote alike from pity, love, and hatred, and unworthy of a curse. Thus he fled across the immeasurable and barren heath beneath a burning sky, an exile in the centre of a planetary vacancy which, like his own shameful self, had no place either among things living or among things dead, and in which there was neither vengeance of lightning nor mercy of burial; for in all that limitless horizon there was no shade or shelter, no curve or bend, no hill or tree or hollow: there was only one vast, naked eye—searing and inscrutable—from which there was no escape, and which bathed his defenceless soul in its fathomless depths of shame.

And then, with bright and sharp intensity, the dream changed, and suddenly he found himself among the scenes and faces he had known long ago. He was a traveller who had returned after many years of wandering to the place he had known in his childhood. The sense of his dreadful but nameless corruption still hung ominously above him as he entered the streets of the town again, and he knew that he had returned to the springs of innocence and health from whence he came, and by which he would be saved.

Thomas Wolfe's books