You Can't Go Home Again

What was important, perhaps, was not that the beggar was drunk and reeling, but that he was mounted on his horse, and, however unsteadily, was going somewhere.

This thought was comforting to George, and he pondered it for some time, yet it did not altogether remove the edge of guilt that faintly tinged his contentment. There was still a possible flaw in the argument: His inconsistency in coming back-to Esther—was it wise or foolish?...Must the beggar on horseback for ever reel?

Esther awoke as quick and sudden as a bird. She lay upon her back and stared up at the ceiling straight and wide. This was her body and her flesh, she was alive and ready in a moment.

She thought at once of George. Their reunion had been a joyous re-discovery of love, and all things were made new again. They had taken up the broken fragments of their life and joined them together with all the intensity and beauty that they had known in the best days before he went away. The madness that bad nearly wrecked them both had now gone out of him entirely. He was’ still full of his, unpredictable moods and fancies, but she had not seen a trace of the old black fury that used to make him lash about and beat his knuckles bloody against the wall. Since he returned he had seemed quieter, surer, in better control of himself, and in everything he did he acted as if he wanted to show her that he loved her. She had never known such perfect happiness. Life was good.

Outside, on Park Avenue, the people had begun to move along the pavements once more, the streets of the city began to fill and thicken. Upon the table by her bed the little dock ticked eagerly its pulse of time as if it hurried forward for ever like a child towards some imagined joy, and a clock struck slowly in the house with a measured, solemn chime. The morning sun steeped each object in her room with casual light, and in her heart she said, “It is now.”

Nora brought coffee and hot rolls, and Esther read the paper. She read the gossip of the theatre, and she read the names of the cast that had been engaged for the new German play that the Community Guild was going to do in the autumn, and she read that “Miss Esther Jack has been engaged to design the show”. She laughed because they called her “Miss”, and because she could see the horrified look on his face when he read it, and because she remembered his expression when the little tailor thought she was his wife, and because it gave her so much pleasure to see her name in the paper—“Miss Esther Jack, whose work has won her recognition as one of the foremost modern designers.”

She was feeling gay and happy and pleased with herself, so she put the paper in her bag, together with some other clippings she had saved, and took them with her when she went down-town to Twelfth Street for her daily visit to George. She handed them to him, and sat opposite to watch his face as he read them. She remembered all the things they had written about her work:

“...subtle, searching, and hushed, with a wry and rueful humour of its own…”

“...made these old eyes shine by its deft, sure touch of whimsey as nothing else in this prodigal season of dramatic husks has done…”

“...the gay insouciance of her unmannered settings, touched with those qualities which we have come to expect in all her ardent services to that sometimes too ungrateful jade, the drama…”

“...the excellent fooling that is implicit in these droll sets, elvishly sly, mocking, and, need we add or make apology for adding, expert?...”

She could hardly keep from laughing at the scornful twist of his mouth and the mocking tone of his comment as he bit off the phrases.

“‘Elvishly sly!’ Now isn’t that too God-damned delightful!” he said with mincing precision. “‘Made these old eyes shine!’ Why, the quaint little bastard!...‘That sometimes too ungrateful jade!’ Oh, deary me, now!...‘And need we add—!’ I am swooning, sweetheart: pass the garlic!”

He threw the papers on the floor with an air of disgust and turned to her with a look of mock sternness that crinkled the corners of his eyes.

“Well,” he said, “do I get fed, or must I starve here while you wallow in this bilge?”

She could control herself no longer and shrieked with glee. “I didn’t do it!” she gasped. “I didn’t write it! I can’t help it if they write like that! Isn’t it awful?”

“Yes, and you hate it, don’t you?” he said. “You lap it up! You arc sitting there licking your lips over it now, gloating on it, and on my hunger! Don’t you know, woman, that I haven’t had a bite to eat all day? Do I get fed, or not? Will you put your deft whimsey in a steak?”

“Yes,” she said. “Would you like a steak?”

“Will you make these old eyes shine with a chop and a delicate dressing of young onions?”

“Yes,” she said. “Yes.”

He came over and put his arms about her, his eyes searching hers in a look of love and hunger. “Will you make me one of your causes that is subtle, searching, and hushed?”

“Yes,” she said. “Whatever you like, I will make it for you.”

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