You Can't Go Home Again

He thought about the work he wanted to do. Somehow the events which he had witnessed here to-night had helped to resolve much of his inner chaos and confusion. Many of the things which had been complex before were now made simple. And it all boiled down to this: honesty, sincerity, no compromise with truth—those were the essentials of any art—and a writer, no matter what else he had, was just a hack without them.

And that was where Esther and this world of hers came in. In America, of all places, there could be no honest compromise with special privilege. Privilege and truth could not lie down together. He thought of how a silver dollar, if held close enough to the eye, could blot out the sun itself. There were stronger, deeper tides and currents running in America than any which these glamorous lives to-night had ever plumbed or even dreamed of. Those were the depths that he would like to sound.

As he thought these things, a phrase that had been running through his head all evening, like an overtone to everything that he had seen and heard, now flashed once more into his consciousness:

—He who lets himself be whored by fashion will be whored by time.

Well, then—a swift thrust of love and pity pierced him as Esther finished speaking and he looked down at her enraptured, upturned face—it must be so: he to his world, she to hers.

But to-night. He could not tell her so to-night. Tomorrow----

Yes, tomorrow he would tell her. It would be better so. He would tell it to her straight, the way he understood it now—tell it so she could not fail to understand it, too. But tell it—get it over with—tomorrow.

And to make it easier, for her as well as for himself, there was one thing he would not tell her. It would be surer, swifter, kinder, not to tell her that he loved her still, that he would always love her, that no one else could ever take her place. Not by so much as a glance, a single word, the merest pressure of the hand, must he let her know that this was the hardest thing he would ever have to do. It would be far better if she did not know that, for if she knew, she’d never understand----

—Never understand tomorrow----

—That a tide was running in the hearts of men----

—And he must go.

They said little more that night. In a few minutes he got up, and with a sick and tired heart he went away.

BOOK III. AN END AND A BEGINNING

_When a cicada comes out of the ground to enter the last stage of its life cycle, it looks more like a fat, earth-stained grub-worm than a winged thing. Laboriously it climbs up the trunk of a tree, pulling itself along on legs that hardly seem to belong to it, for they move with painful awkwardness as though the creature had not yet got the hang of how to use them. At last it stops in its weary climb and clings to the bark by its front feet. Then, suddenly, there is a little popping sound, and one notices that the creature’s outer garment has split down the back, as neatly as though it had come equipped with a zipper. Slowly now the thing inside begins to emerge, drawing itself out through the opening until it has freed its body, head, and all its members. Slowly, slowly, it accomplishes this amazing task, and slowly creeps out into a patch of sun, leaving behind the brown and lifeless husk from which it came.

The living, elemental protoplasm, translucent, pale green now, remains motionless for a long time in the sun, but if one has the patience to watch it further, one will see the miracle of change and growth enacted before his very eyes. After a while the body begins to pulse with life, it flattens out and changes colour like a chameleon, and from small sprouts on each side of the back the wings commence to grow. Quickly, quickly now, they lengthen out—one can see it happening!—until they become transparent fairy wings, iridescent, shimmering in the sun. They begin to quiver delicately, then more rapidly, and all at once, with a metallic whirring sound, they cut the air and the creature flashes off, a new-born thing released into a new element.

America, in the autumn of 1929, was like a cicada. It had come to an end and a beginning. On October 24th, in New York, in a marble-fronted building down in Wall Street, there was a sudden crash that was heard throughout the land. The dead and outworn husk of the America that had been had cracked and split right down the back, and the living, changing, suffering thing within—the real America, the America that had always been, the America that was yet to be—began now slowly to emerge. It came forth into the light of day, stunned, cramped, crippled by the bonds of its imprisonment, and for a long time it remained in a state of suspended animation, full of latent vitality, waiting, waiting patiently, for the next stage of its metamorphosis.

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