You Can't Go Home Again

Yes, that was it! That was the answer! That was the very core of it! Could he as a novelist, as an artist, belong to this high world of privilege without taking upon himself the stultifying burden of that privilege? Could he write truthfully of life as he saw it, could he say the things he must, and at the same time belong to this world of which he would have to write? Were the two things possible? Was not this world of fashion and of privilege the deadliest enemy of art and truth? Could he belong to the one without forsaking the other? Would not the very privilege that he might gain from these, the great ones of the city, come between him and the truth, shading it, tempering it, and in the end betraying it? And would he then be any different from a score of others who had let themselves be taken into camp, made captive by false visions of wealth and ease, and by the deadly hankering for respectability—that gilded counterfeit which so often passes current for the honest coin of man’s respect?

That was the danger, and it was real enough. It was, he knew, no mere phantom of his distempered and suspicious mind. Had it not happened over and over again? Think of all the young writers, among them some of the best, who had won acclaim for the promise of their genius, and then had left their promise unfulfilled because they had traded their birthright for just such a mess of the world’s pottage. They, too, had begun as seekers after truth, but had suffered some eclipse of vision and had ended as champions of some special and limited brand of truth. They were the ones who became the special pleaders for things as they are, and their names grew fat and sleek in the pages of the Saturday Evening Post and the women’s magazines. Or they became escapists and sold themselves to Hollywood, and were lost and sunk without a trace. Or, somewhat differently, but following the same blind principle, they identified themselves with this or that group, clique, faction, or interest in art or politics, and led forlorn and esoteric little cults and isms. These were the innumerable small fry who became literary Communists, or single-taxers, or embattled vegetarians, or believers in salvation through nudism. Whatever they became—and there was no limit to their variety—they were like the blind men with the elephant: each one of them had accepted some part of life for the whole, some fragmentary truth or half-truth for truth itself, some little personal interest for the large and all-embracing interest of mankind. If that happened to him, how, then, could he sing America?

The problem was clearing up now. In the exhilaration of this moment of sharp vision the answers to his questions were beginning to come through. He was beginning to see what he must do. And as he saw the end of the road down which, willingly, hopefully, even joyfully, he had been travelling with Esther, he saw, too—swiftly, finally, irrevocably—that he must break with her and turn his back upon this fabulous and enchanting world of hers—or lose his soul as an artist. That is what it came down to.

But even in the very instant that he saw it, and knew that it was so, and accepted it, he was overwhelmed with such a sudden sense of loss that he all but cried out in his pain and love. Was there, then, no simple truth and certainty to be found anywhere? Must one for ever be stretched out on the rack? Forever in his youth he had envisioned the starred face of the night with high exaltation and noble inspiration, longing to dream great dreams and think great thoughts in the company of the world’s most honoured great. And now, in this very moment of the dream come true, with the ones he had always envied from afar surrounding him here ‘on every side—now to have the selfless grandeur turn to dust, and to see great night itself a reptile coiled and waiting at the heart of life! To find no ear or utterance anywhere for all the blazing, baffled certitudes of youth! To find man’s faith betrayed and his betrayers throned in honour, themselves the idols of his bartered faith! To find truth false and falsehood truth, good evil, evil good, and the whole web of life so changing, so mercurial!

It was all so different from the way he had once thought it would be—and suddenly, convulsively, forgetful of his surroundings, he threw out his arms in an instinctive gesture of agony and loss.

17. Mr. Hirsch Could Wait

Esther had seen George’s gesture and wondered what it meant. She disengaged herself from the people to whom she had been talking and came over to him, a frown of tender solicitude on her face.

“Darling,” she said eagerly, taking his hand and looking at him earnestly, “how are you getting along? Are you all right?”

In his confusion and anguish he could not answer her for a moment, and when he did, the guilty knowledge of the decision he had just arrived at made him lash out angrily as though in self-defence.

“Who said I wasn’t all right?” he demanded harshly. “Why shouldn’t I be?” And, instantly, seeing her gentle face, he was filled with baffled and furious regret.

“Oh, all right, all right,” she said hastily and placatingly. “I just wanted to know if—are you having a good time?” she said, with a little forced smile. “Don’t you think it’s a nice party—hah? You want to meet anyone? You must know some of the people here.”

Before he had a chance to say anything more Lily Mandell came weaving through the crowded room to Mrs. Jack’s side.

“0 Esther, darling,” she said in a drowsy tone, “I wonder if you’ve heard—” Seeing the young man, she paused. “Oh, hello. I didn’t know you were here.” There was a note of protest in her voice.

These two had met before, but only casually. They shook hands. And all at once Mrs. Jack’s face was glowing with happiness. She put her own hands in a firm clasp upon those of the man and woman, and whispered:

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