The Web and The Root

Besides themselves, he had few intimates, and certainly none with men of his own age. His fierce and wounded vanity now feared the open conflict with the world, feared association with men of his own years, with men of his own or greater capacity. He feared and hated the possibility that he might have to yield to anyone, play second fiddle, admit the superior wisdom or ability of another person. In the whole city’s life he had formed only one other intimate acquaintance. This was a little man named Dexter Briggs, and Dexter, appropriately enough, was a little, amiably good-natured newspaper drunk who lacked every heroic quality of character or appearance that Jim had, and who, accordingly, adored Jim to the point of idolatry for the possession of them.

As for the four youths, the fascination of apartment life in the great city was beginning to wear off. The freedom that had seemed so thrilling and so wonderful to all of them at first now had its obvious limitations. They were not so free as they had thought. They were getting tired of a freedom which always expressed itself in the monotonous repetition of sordid entertainments, of cheap girls or easy girls, of paid women or of unpaid women, of drunk Irish girls or half-drunk Irish girls, of chorines or burlesque queens or trained nurses, of the whole smiled and shoddy business, of its degraded lack of privacy, its “parties,” its Saturday-night gin-drinking and love-making, its constant efforts towards the consummation of a sterile and meaningless seduction.

The rest of them were growing tired of it. There were times when they wanted to sleep and a party would be going on. There were times when they wanted privacy and there was no privacy. There were times when they were so tired and fed up with it that they wanted to clear out. They had begun to get on one another’s nerves. They had begun to wrangle, to snap back, to be irritable, to rub one another the wrong way. The end had come.

Jim felt it. And this final knowledge of defeat embittered him. He felt that all of them had turned against him, and that the last remnant of his tattered fame was gone. He turned upon them. He asserted violently and profanely that the place was his, that he was the boss, that he’d run the place as he pleased, and that anyone who didn’t like it could clear out. As for his shoddy girls, he got small pleasure from them now. But he had reached the point where even such poor conquests as these gave some bolstering of confidence to his lacerated pride. So the parties continued, the rabble rout of shabby women streamed in and out. He had gone over the edge now. There was no retreat.

The end came when he announced one night that he had applied for and had received an appointment from the news agency to one of its obscure posts in South America. He was bitterly, resentfully triumphant. He was going, he said, to “get out of this damn town and tell them all to go to hell.” In another month or two he’d be in South America, where a man could do as he blank, blank pleased, without being watched and hindered all the time. To hell with all of it anyway! He’d lived long enough to find out one thing for himself—that most of the people who call themselves your friends are nothing but a bunch of crooked, double-crossing blank, blank, blanks, who stabbed you in the back the moment your back was turned. Well, to hell with ’em and the whole country! They could take it and——

Bitterly he drank, and drank again.

About ten o’clock Dexter Briggs came in, already half-drunk. They drank some more together. Jim was in an ugly mood. Furiously he asserted he was going to have some girls. He demanded that some girls be found. He dispatched the others to round up the girls. But even they, the whole shabby carnival of them, had turned on Jim at last. The nurse excused herself, pleading another engagement. The burlesque woman could not be reached. The Brooklyn girls could not be found. One by one the youths made all the calls, exhausted all the possibilities. One by one they straggled back to admit dejectedly their failure.

Jim raged up and down, while Dexter Briggs sat in a drunken haze about Jim’s battered-up old typewriter, picking out upon the worn keys the following threnody:



“The boys are here without the girls—

Oh God, strike me dead!

The boys are here without the girls—

Oh God, strike me dead!

Strike, strike, strike me dead.

For the boys are here without the girls—

So, God, strike me dead!”



Having composed this masterpiece, Dexter removed it from the machine, held it up and squinted at it owlishly, and, after a preliminary belch or two, read it slowly and impressively, with deep earnestness of feeling.

Jim’s answer to this effort, and to the shouts of laughter of the others, was a savage curse. He snatched the offending sheet of paper out of Dexter’s hands, crumpled it up and hurled it on the floor and stamped on it, while the poet looked at him wistfully, with an expression of melancholy and slightly befuddled sorrow. Jim assailed the boys savagely. He accused them of betraying and double-crossing him. A bitter quarrel broke out all around. The room was filled with the angry clamor of their excited voices.

And while the battle raged, Dexter continued to sit there, weeping quietly. The result of this emotion was another poem, which he now began to tap out with one finger on the battered old typewriter, sobbing gently as he did so. This dirge ran reproachfully as follows:



“Boys, boys,

Be Southern gentlemen,

Do not say such things to one another,

For, boys, boys,

You are Southern gentlemen,

Southern gentlemen, all.”

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