Bast ran a hand along the side of his face. “So you’re trying to avoid second-guessing yourself?”
Kote hesitated. “You could say that,” he admitted.
“I could say that, Reshi,” Bast said smugly. “You, on the other hand, would complicate things needlessly.”
Kote shrugged and turned his eyes back to the mounting board. “Nothing to do but find a place for it, I suppose.”
“Out here?” Bast’s expression was horrified.
Kote grinned wickedly, a measure of vitality coming back into his face. “Of course,” he said, seeming to savor Bast’s reaction. He looked speculatively at the walls and pursed his lips. “Where did you put it, anyway?”
“In my room,” Bast admitted. “Under my bed.”
Kote nodded distractedly, still looking at the walls. “Go get it then.” He made a small shooing gesture with one hand, and Bast hurried off, looking unhappy.
The bar was decorated with glittering bottles, and Kote was standing on the now-vacant counter between the two heavy oak barrels when Bast came back into the room, black scabbard swinging loosely from one hand.
Kote paused in the act of setting the mounting board atop one of the barrels and cried out in dismay, “Careful, Bast! You’re carrying a lady there, not swinging some wench at a barn dance.”
Bast stopped in his tracks and dutifully gathered it up in both hands before walking the rest of the way to the bar.
Kote pounded a pair of nails into the wall, twisted some wire, and hung the mounting board firmly on the wall. “Hand it up, would you?” he asked with an odd catch in his voice.
Using both hands, Bast held it up to him, looking for a moment like a squire offering up a sword to some bright-armored knight. But there was no knight there, just an innkeeper, just a man in an apron who called himself Kote. He took the sword from Bast and stood upright on the counter behind the bar.
He drew the sword without a flourish. It shone a dull grey-white in the room’s autumn light. It had the appearance of a new sword. It was not notched or rusted. There were no bright scratches skittering along its dull grey side. But though it was unmarred, it was old. And while it was obviously a sword, it was not a familiar shape. At least no one in this town would have found it familiar. It looked as if an alchemist had distilled a dozen swords, and when the crucible had cooled this was lying in the bottom: a sword in its pure form. It was slender and graceful. It was deadly as a sharp stone beneath swift water.
Kote held it a moment. His hand did not shake.
Then he set the sword on the mounting board. Its grey-white metal shone against the dark roah behind it. While the handle could be seen, it was dark enough to be almost indistinguishable from the wood. The word beneath it, black against blackness, seemed to reproach: Folly.
Kote climbed down, and for a moment he and Bast stood side by side, silently looking up.
Bast broke the silence. “It is rather striking,” he said, as if he regretted the truth. “But…” He trailed off, trying to find appropriate words. He shuddered.
Kote clapped him on the back, oddly cheerful. “Don’t bother being disturbed on my account.” He seemed more lively now, as if his activity lent him energy. “I like it,” he said with sudden conviction, and hung the black scabbard from one of the mounting board’s pegs.
Then there were things to be done. Bottles to be polished and put back in place. Lunch to be made. Lunch clutter to be cleaned. Things were cheerful for a while in a pleasant, bustling way. The two talked of small matters as they worked. And while they moved around a great deal, it was obvious they were reluctant to finish whatever task they were close to completing, as if they both dreaded the moment when the work would end and the silence would fill the room again.
Then something odd happened. The door opened and noise poured into the Waystone like a gentle wave. People bustled in, talking and dropping bundles of belongings. They chose tables and threw their coats over the backs of chairs. One man, wearing a shirt of heavy metal rings, unbuckled a sword and leaned it against a wall. Two or three wore knives on their belts. Four or five called for drinks.
Kote and Bast watched for a moment, then moved smoothly into action. Kote smiled and began pouring drinks. Bast darted outside to see if there were horses that needed stabling.
In ten minutes the inn was a different place. Coins rang on the bar. Cheese and fruit were set on platters and a large copper pot was hung to simmer in the kitchen. Men moved tables and chairs about to better suit their group of nearly a dozen people.
Kote identified them as they came in. Two men and two women, wagoneers, rough from years of being outside and smiling to be spending a night out of the wind. Three guards with hard eyes, smelling of iron. A tinker with a potbelly and a ready smile showing his few remaining teeth. Two young men, one sandy-haired, one dark, well dressed and well-spoken: travelers sensible enough to hook up with a larger group for protection on the road.
The settling-in period lasted an hour or two. Prices of rooms were dickered over. Friendly arguments started about who slept with whom. Minor necessities were brought in from wagons or saddlebags. Baths were requested and water heated. Hay was taken to the horses, and Kote topped off the oil in all the lamps.
The tinker hurried outside to make use of the remaining daylight. He walked his two-wheel mule cart through the town’s streets. Children crowded around, begging for candy and stories and shims.
When it became apparent that nothing was going to be handed out, most of them lost interest. They formed a circle with a boy in the middle and started to clap, keeping the beat with a children’s song that had been ages old when their grandparents had chanted it:
“When the hearthfire turns to blue,
What to do? What to do?
Run outside. Run and hide.”
Laughing, the boy in the middle tried to break out of the circle while the other children pushed him back.
“Tinker,” the old man’s voice rang out like a bell. “Pot mender. Knife grinder. Willow-wand water-finder. Cut cork. Motherleaf. Silk scarves off the city streets. Writing paper. Sweetmeats.”
This drew the attention of the children. They flocked back to him, making a small parade as he walked down the street, singing, “Belt leather. Black pepper. Fine lace and bright feather. Tinker in town tonight, gone tomorrow. Working through the evening light. Come wife. Come daughter, I’ve small cloth and rose water.” After a couple of minutes he settled outside the Waystone, set up his sharpening wheel and began to grind a knife.
As the adults began to gather around the old man, the children returned to their game. A girl in the center of the circle put one hand over her eyes and tried to catch the other children as they ran away, clapping and chanting:
“When his eyes are black as crow?
Where to go? Where to go?
Near and far. Here they are.”