The Countess looked down at her notes and then related the distressing news.
“At about twelve o’clock Per Clausen was buying groceries at the local supermarket, where he filled his cart with everyday items as well as wine. After checking out he put his items back into the cart and started walking down toward Bagsv?rd’s main street. At another shop he bought four sandwiches and two beers that he also placed in his cart, and at the kiosk he bought a box of cigarettes. Before he goes into these shops he covers his cart each time with his raincoat so that passersby can’t easily view his purchases. The next stop is the hardware store at Bagsv?rd Hovedgade 266A. The business is located in the ground floor of a residential building with three floors and eight entrances. At this point he is under surveillance by five officers as well as a backup unit in a car.”
Arne Pedersen and Pauline Berg entered the room and Simonsen shot them a sour look. They handily avoided making any eye contact; it was very clear to them that the boss was in a foul mood and that it was best to mind their own business. The Countess filled them in quickly before she continued.
“At the hardware store he inspects some shelves at the very back, then he suddenly walks into a back room and slams the door shut, having first stuck a match into the lock. From the store there is an exit to a parking lot behind the building but also—by way of a staircase—access to a storeroom in the basement, and before he heads down he jams the door shut with a wedge. The storeroom has an emergency exit to the basement corridor under the building and he walks through the basement, which, as I mentioned, is connected to eight different entrances. At the very end of the corridor there is a bicycle room where he has planted a stroller with a change of clothes, a kind of black, Muslim whole-body covering, easy to throw on over his regular outfit.”
“Shit.”
Simonsen sighed.
“Simple, but effective. With a stroller and his new outfit—I think it is called a niqab or a chador—he walks around the building and past the noses of his pursuers. Many of them remember him very well. Then he walks calmly up the main street and turns down toward the Bagsv?rd Station. With the stroller, he takes the S-train at twelve thirty-nine toward Copenhagen, but he gets off at Buddinge Station. He leaves the outfit and the stroller in an elevator and from the taxi stand he gets a ride to the Ballerup mall. Here we lose all trace of him.”
Simonsen hit the flat of his hand against the wall and said, “I should have held him yesterday; his behavior was so odd that it was irresponsible to let him go. And even more irresponsible to turn him over to a couple of chumps who can’t manage a simple job.”
The Countess, who still feared the worst, watched him apprehensively.
Pedersen tried to be constructive: “We should be able to get a search warrant to his home.”
His boss latched on to this with a spark of hope in his voice: “That’s true. The pizzas and his disappearance are enough. Follow up on it, Arne. Go!”
But the Countess extinguished all light: “Unfortunately, his house is in flames. A fire truck is on the scene but can’t quell it. I got the news ten minutes ago. You can see the fire from the window, if you like.”
No one did. The atmosphere was dark and depressed; Simonsen appeared almost groggy and said nothing. Again it was Pedersen who rallied. He tried to gather up the remnants: “At the very least we can put out an alert for him for suspected arson.”
Berg picked up this thread, trying to sound optimistic. “With the kind of press coverage we’re getting at the moment, we’re sure to be able to get his picture in the papers.”
Pedersen said, “That’s right. He doesn’t have a lot of chances if we keep surveillance at the airport and the major stations, because I think we can safely assume he’s not going home again.”
The Countess raised her palms into the air. “Just a moment. Unfortunately, there’s one more thing.”
They grew silent and let the bearer of bad news have the word.
“He left a message for us in the stroller. Or rather, to you, Simon.”
The envelope was the kind that accompanies bouquets, and on the front it simply read “Konrad.” The card inside was white without additional decoration. Simonsen read aloud, “‘The little children who weep, give them light and songs of joy.’ What does that mean?”
The Countess answered sadly, “I’m not entirely sure but I have a bad feeling about it.”
“And that is?”
“The line is from a Grundtvig psalm called ‘Evening Sighs, Night Tears.’”
Simonsen pressed the note into the table like a weak playing card that had to capitulate to a higher trump and thereby unconsciously mimicking the Countess’s note of alarm even before she came out with it.
“It is a funeral psalm. I don’t believe we will ever see Per Clausen again.”
CHAPTER 19