Twenty-Six
IT TOOK BOSCH THIRTY MINUTES TO GET across the border. The line of cars extended nearly half a mile back from the drab brown Border Patrol port of entry. While waiting and measuring his progress in one or two car-length movements, he ran out of change and one-dollar bills as an army of peasants came to his window holding up their palms or selling cheap bric-a-brac and food. Many of them washed the windshield unbidden with their dirty rags and then held up their hands for coins. Each progressive washing smeared the glass more until Bosch had to put on the wipers and use the car's own spray. When he finally made it to the checkpoint, the BP inspector in mirrored shades just waved him through after seeing his badge. He said, "Hose up here on the right if you want to wash the shit off your windshield."
A few minutes later he pulled into one of the parking spaces in front of the Calexico Town Hall. Bosch parked and looked out across the park while smoking a cigarette. There were no troubadours today. The park was almost empty. He got out and headed toward the door marked Calexico Historical Society, not sure what he was looking for. He had the afternoon to spend and all he knew was that he believed there was a deeper line running through Cal Moore's death—from his decision to cross to the note in his back pocket to the photo of him with Zorrillo so many years ago. Bosch wanted to find out what happened to the house he had called a castle and the man he had posed with, the one with the hair white as a sheet.
The glass door was locked and Bosch saw that the society didn't open until one on Sundays. He looked at his watch and saw he still had fifteen minutes to wait. He cupped his hands to the glass and looked in and saw no one inside the tiny space that included two desks, a wall of books and a couple of glass display cases.
He stepped away from the door and thought about using the time to get something to eat. He decided it was too early. Instead, he walked down to the police station and got a Coke from the machine in the minilobby. He nodded at the officer behind the glass window. It wasn't Gruber today.
While he stood leaning against the front wall, drinking the soda and watching the park, Harry saw an old man with a latticework of thin white hair on the sides of his head unlock the door to the historical society. He was a few minutes early, but Bosch headed down the walk and followed him in.
"Open?" he said.
"Might as well be," the old man said. "I'm here. Anything in particular I can help you with?"
Bosch walked into the center of the room and explained he was unsure what he wanted.
"I'm sort of tracing the background of a friend and I believe his father was a historical figure. In Calexico, I mean. I want to find their house if it's still standing, find out what I can about the old man."
"What's this fellow's name?"
"I don't know. Actually, I just know his last name was Moore."
"Hell, boy, that name don't much narrow it down. Moore's one of the big names around here. Big family. Brothers, cousins all over the place. Tell you what, let me—"
"You have pictures? You know, books with photos of the Moores? I've seen pictures of the father. I could pick—"
"Yeah, that's what I'm saying, let me set you up here with a couple things. We'll find your Moore. I'm kinda curious now myself. What're you doing this for your friend for, anyway?"
"Trying to trace the family tree. Put it all together for him."
A few minutes later the old man had him sitting at the other desk with three books in front of him. They were leather-bound and smelled of dust. They were the size of yearbooks and they wove photographic and written history together on every page. Randomly opening one of the books, he looked at a black-and-white photo of the De Anza Hotel under construction.
Then he started them in order. The first was called Calexico and Mexicali: Seventy-five Years on the Border and as he scanned the words and photos on the pages, Bosch picked up a brief history of the two towns and the men who built them. The story was the same one Aguila had told him, but from the white man's perspective. The volume he read described the horrible poverty in Taipei, China, and told how the men facing it gladly came to Baja California to seek their fortunes. It didn't say anything about cheap labor.
In the 1920s and 1930s Calexico was a boomtown, a company town, with the Colorado River Land Company's managers the lords of all they surveyed. The book said many of these men built opulent homes and estates on bluffs rising on the outskirts of town. As Bosch read he repeatedly saw the names of three Moore brothers. Anderson, Cecil and Morgan. There were other Moores listed as well, but the brothers were always described in terms of importance and had high-level titles in the company.
While leafing through a chapter called "A Dirt Road Town Paves Its Streets in Gold," Bosch saw the man he was interested in. He was Cecil Moore. There, amidst the description of the riches the cotton brought to Calexico, was a photograph of a man with prematurely white hair standing in front of a Mediterranean-style home the size of a school. It was the man in the photo Moore had kept in the crumpled white bag. And rising like a steeple on the left-hand side of the home was a tower with two arched windows side by side at its uppermost point. The tower gave the house the appearance of a Spanish castle. It was Cal Moore's childhood home.
"This is the man and this is the place," Bosch said, taking the book over to the old man.
"Cecil Moore," the man said.
"Is he still around?"
"No, none of those brothers are. He was the last to go, though. Last year about this time, went in his sleep, Cecil did. I think you're mistaken though."
"Why's that?"
"Cecil had no children."
Bosch nodded.
"Maybe you're right. What about this place. That gone, too?"
"You're not working on any family tree, are you now?"
"No. I'm a cop. I came from L.A. I'm tracing down a story somebody told me about this man. Will you help me?"
The old man looked at him and Bosch regretted not being truthful with him in the first place.
"I don't know what it's got to do with Los Angeles but go ahead, what else you want to know?"
"Is this place with the tower still there?"
"Yes, Castillo de los Ojos is still there. Castle of the Eyes. Gets its name from those two windows up in the tower. When they were lit at night, it was said that they were eyes that looked out on all of Calexico."
"Where is it?"
"It's on a road called Coyote Trail west of town. You take 98 out there past Pinto Wash to an area called Crucifixion Thorn. Turn onto Anza Road—like the hotel here in town. That'll take you to Coyote Trail. The castle's at the end of the road. You can't miss it."
"Who lives there now?"
"I don't think anyone does. He left it to the city, you know. But the city couldn't handle the upkeep on a place like that. They sold it—I believe the man came down from Los Angeles, matter of fact. But as far as I know he never moved in. It's a pity. I was hoping to have maybe made a museum out of it."
Bosch thanked him and left to head out to Crucifixion Thorn. He had no idea whether Castillo de los Ojos was anything more than a dead rich man's estate with no bearing on his case. But he had nothing else going and his impulse was to keep moving forward.
State road 98 was a two-lane blacktop that stretched west from Calexico town proper, running alongside the border, into farmland delineated into a huge grid by irrigation ditches. As he drove, he smelled green pepper and cilantro. And he realized after running alongside a field planted in cotton that this wide expanse was all once the Company's huge acreage.
Ahead, the land rose into hills and he could see Calexico Moore's boyhood home long before he was near. Castillo de los Ojos. The two arched windows were dark and hollow eyes against the peach-colored stone face of the tower rising from a promontory on the horizon.
Bosch crossed a bridge over a dry bed that he assumed was Pinto Wash, though there was no sign on the road. Glancing down into the dusty bed as he passed, Harry saw a lime-green Chevy Blazer parked below. He caught just a glimpse of a man behind the wheel with binoculars held to his eyes. Border Patrol. The driver was using the bed's low spot as a blind from which he could watch the border for crossers.
The wash marked the end of the farmland. Almost immediately the earth began to rise into brown-brush hills. There was a turnout in the road by a stand of eucalyptus and oak trees that were still in the windless morning. This time there was a sign marking the location:
CRUCIFIXION THORN NATURAL AREA
DANGER ABANDONED MINES
Bosch remembered seeing a reference in the books at the historical society to the turn-of-the-century gold mines that pockmarked the border zone. Fortunes had been found and lost by speculators. The hills had been heavy with bandits. Then the Company came and brought order.
He lit a cigarette and studied the tower, which was much closer now and rose from behind a walled compound. The stillness of the scene and the tower windows, like soulless eyes, somehow seemed morbid. The tower was not alone on the hill, though. He could see the barrel-tile roofs of other homes. But something about the tower rising singularly above them with its empty glass eyes seemed lonely. Dead.
Anza Road came up in another half mile. He turned north and the single-lane road curved and bumped and rose along the circumference of the hill. To his right he could look down on the farmland basin extending below. He turned left onto a road marked Coyote Trail and was soon passing large haciendas on sprawling estates. He could see only the second floors of most of them because of the walls that surrounded almost every property.
Coyote Trail ended in a circle that went around an ancient oak tree with branches that would shade the turnaround in the summer. Castillo de los Ojos was here at the end of the road.
From the street, an eight-foot-high stone wall eclipsed all but the tower. Only through a black wrought-iron gate was there a fuller view. Bosch pulled onto the driveway and up to the gate. Heavy steel chain and lock kept it closed. He got out, looked through the bars and saw that the parking circle in front of the house was empty. The curtains inside every front window were pulled closed.
On the wall next to the gate were a mailbox and an intercom. He pushed the ringer but got no response. He wasn't sure what he would have said if someone had answered. He opened the mailbox and found that empty, too.
Bosch left his car where it was and walked back down Coyote Trail to the nearest house. This was one of the few without a wall. But there was a white picket fence and an intercom at the gate. And this time when he rang the buzzer, he got a response.
"Yes?" a woman's voice asked.
"Yes, ma'am, police. I was wondering if I can ask a few questions about your neighbor's house."
"Which neighbor?"
The voice was very old.
"The castle."
"Nobody lives there. Mr. Moore died some time ago."
"I know that, ma'am. I was wondering if I could come in and talk to you a moment. I have identification."
There was a delay before he heard a curt "Very well" over the speaker and the gate lock buzzed.
The woman insisted that he hold his ID up to a small window set in the door. He saw her in there, white-haired and decrepit, straining to see it from a wheelchair. She finally opened up.
"Why do they send a Los Angeles police officer?"
"Ma'am, I'm working on a Los Angeles case. It involves a man who used to live in the castle. As a boy, long ago."
She looked up at him through squinting eyes, as if she was trying to see past a memory.
"Are you talking about Calexico Moore?"
"Yes. You knew him?"
"Is he hurt?"
Bosch hesitated, then said, "I'm afraid he's dead."
"Up there in Los Angeles?"
"Yes. He was a police officer. I think it had something to do with his life down here. That's why I came out here. I don't really know what to ask . . . He didn't live here long. But you remember him, yes?"
"He didn't live here long but that doesn't mean I never saw him again. Quite the contrary. I saw him regularly over the years. He'd ride his bicycle or he'd drive a car and come and sit out there on the road and just watch that place. One time I had Marta bring him out a sandwich and a lemonade."
He assumed Marta was the maid. These estates came with them.
"He'd just watch and remember, I guess," the old woman was saying. "Terrible thing that Cecil did to him. He's probably paying for it now, that Cecil."
"What do you mean, 'terrible'?"
"Sending the boy and his mother away like that. I don't think he ever spoke to that boy or the woman again after that. But I'd see the boy and I'd see him as a man, come out here to look at the place. People 'round here say that's why Cecil put that wall up. Did that twenty years ago. They say it's because he got tired of seeing Calexico in the street. That was Cecil's way of doing things. You don't like what you see out your window, you put up a wall. But I'd still see young Cal from time to time. One time I took a cold drink out to him myself. I wasn't in this chair then. He was sitting in a car, and I asked him, 'Why do you come out here all the time?' and he just said, 'Aunt Mary, I like to remember.' That's what he said."
"Aunt Mary?"
"Yes. I thought that was why you came here. My Anderson and Cecil were brothers, God rest their souls."
Bosch nodded and waited a respectful five seconds before speaking.
"The man at the museum in town said Cecil had no children."
"'Course he said that. Cecil kept it a secret from the public. Big secret. He didn't want the company name blemished."
"Calexico's mother was the maid?"
"Yes, she—it sounds like you know all of this already."
"Just a few parts. What happened? Why did he send her and the boy away?"
She hesitated before answering, as if to compose a story that was more than thirty years old.
"After she became pregnant, she lived there—he made her—and she had the baby there. Afterward, four or five years, he discovered she had lied to him. One day he had some of his men follow her across when she went to Mexicali to visit her mother. There was no mother. Just a husband and another son, this one older than Calexico. That was when he sent them away. His own blood he sent away."
Bosch thought about this for a long moment. The woman was staring off at the past.
"When was the last time you saw Calexico?"
"Oh, let me see, must have been years now. He eventually stopped coming around."
"Do you think he knew of his father's death?"
"He wasn't at the funeral, not that I blame him."
"I was told Cecil Moore left the property to the city."
"Yes, he died alone and he left everything to the city, not a thing to Calexico or any of the ex-wives and mistresses. Cecil Moore was a mean man, even in death. Of course the city couldn't do anything with that place. Too big and expensive to keep up. Calexico isn't a boomtown like it once was and can't keep a place like that. There was a thought that it would be used as a historical museum. But you couldn't fill a closet with the history of this town. Never mind the museum. The city sold the place. I heard, for more than a million. Maybe they'll operate in the black for a few years."
"Who bought it?"
"I don't know. But they never moved in. They got a caretaker comes around. I saw lights on over there last week. But, nope, nobody's ever moved in as far as I know. It must be an investment. In what I don't know. We're sitting out here in the middle of nowhere."
"One last question. Was there ever anybody else with Moore when he would watch the place?"
"Always alone. That poor boy was always out there alone."
On the way back into town Bosch thought about Moore's lonely vigils outside the house of his father. He wondered if his longings were for the house and its memories or the father who had sent him away. Or both.
Bosch's mind touched his memory of his brief meeting with his own father. A sick old man on his death bed. Bosch had forgiven him for every second he had been robbed. He knew he had to or he would face the rest of his life wasting his pain on it.