TWENTY-ONE
‘Looks like a farm to me.’
They were huddled in front of Abby’s monitor. With the mouse she altered the view so that they were sweeping in almost horizontally, trees and buildings rendered in squat, distorted three-dimensional images.
‘That was our impression,’ said Purkiss.
The property covered ten acres, a curving driveway leading down from a gate set in a stone wall to a low but two-storied building which appeared to be the farmhouse. There were smaller buildings scattered about: stables, a couple of sheds, what looked like a garage for a tractor. The stone wall surrounded the entire property in an approximate rectangle. The gate was in the south wall, set back from the road, and the north of the property was carpeted in fields and woodland. A couple of cars were parked outside the farmhouse, but their details were obscured.
‘How up to date are these pictures?’ asked Purkiss.
‘They were taken some time in the last three years,’ said Abby.
Kendrick: ‘This isn’t real time?’
She shook her head. ‘You’d need direct access to a satellite for that. The military, the CIA have that capability. I don’t.’
‘My three Service friends might,’ said Purkiss.
‘Want to ask them?’
‘No.’
Purkiss stood and stretched. ‘You brought what I asked for?’
‘Yep.’ Kendrick had brought a rucksack and he rummaged in it and pulled out two pairs of night-vision goggles.
‘Okay, good.’ He paced to get the blood flowing. ‘We circle the wall, see if there are any other ways in. If not, we go over. Ideally we want to have a look in that farmhouse, but if we manage to take captive anyone there, quietly, that’ll be good too. Abby, we’ll stay in phone contact with you all the time. If you lose both of us, contact these people individually and tell them where we were.’ He gave her the numbers of each of the three agents. ‘It’ll mean we’ve failed, but at least they’ll be able to alert the police and have the farm raided.’
He paused, looked at them in turn, said: ‘Ready?’
Kendrick shrugged on his jacket. ‘Farms. I come all the way here on a city break and you want me to get my feet covered in cow shit.’
‘The fresh air will do your complexion good.’
‘It’s all right for a swede basher like you. Some of us, the ones whose brothers aren’t also their dads, prefer city life. You know, cities? Where people respect species boundaries.’
‘He’s been learning some big words lately,’ remarked Abby as she opened the door for them. ‘Now leave me alone so I can work on that memory stick.’
*
On every street it seemed there was the wash of police lights, the corralling of traffic into fewer lanes than usual. Purkiss spotted several shop fronts with blown-up pictures of the two presidents. Instead of using the satellite navigation system in the rental Fiat and running the risk of being directed up roads that had been newly cordoned off, he headed for the familiarity of the coast road. Here too he was struck by the security presence. Police not only swarmed over the road and pavements but cruised the dark, glittering bay in small tugs. Packs of sniffer dogs rooted around by the side of the road.
Purkiss pointed to the Soviet War Memorial. ‘That’s where it’s happening. The handshake.’ As he’d expected a wide area around the base of the needle was cordoned off and men with bomb-sweeping equipment roved about.
Kendrick said, ‘You think it’s going to be a bomb?’
Purkiss shook his head. ‘No. Security’s too tight.’
‘A rifle?’
‘More likely, but again I doubt it. There’s no real vantage point. And the crowds are going to be kept right back, there’ll be no plunging in for a grip and grin session at the end, so a handgun wouldn’t get close enough.’
‘So...’ Kendrick frowned out the window. ‘A full-frontal attack by this Kuznakov’s –’
‘Kuznetsov’s.’
‘Kuznetsov’s private army? Some kind of suicide attack?’
‘It’d be suicidal, all right, but it wouldn’t achieve much else. Say he’s got twenty people. With the numbers of police and probably military there are going to be on the streets tomorrow, they’d be cut down before they got within half a mile.’
The needle and the mass of activity beneath it dwindled in the mirror.
Kendrick said, ‘This Fallon geezer.’
‘Yes.’
‘You think he’s acting on his own.’
After a pause Purkiss said, ‘I don’t know. I think he’s connected to the Kuznetsov crew but not in a way they’re fully aware of. I believe he’s hijacking their operation in some way, letting them do all the hard work and then planning to, I don’t know, take the credit for it, add a twist of his own. Something.’ He rubbed his eyes in frustration. ‘Ten minutes with him. All I need.’
‘You’ll need longer than that if he’s as hard a nut as you say.’
‘Ten minutes.’
Kendrick grinned sourly. ‘The bedwetting bleeding-heart liberal I know. Gone in forty-eight hours.’
Purkiss said nothing, fists tightening on the wheel.
Kendrick said: ‘So how long are we going to leave it to find Fallon before we hand everything over to the coppers?’
‘As soon as we get him, SIS and the police get everything else. The location of the farm, Kuznetsov’s involvement, all of it. That’s their business, not mine, beyond how it helps me to find Fallon.’
‘That wasn’t my question.’
‘It’ll take as long as it takes.’ He glanced over at Kendrick. ‘Getting hanged hasn’t softened you up, has it?’
Kendrick chuckled. ‘No, mate. Just wondered if you were planning on chickening out early.’
*
The roads were less familiar in the darkness and after a time Purkiss punched in the address of the farmhouse so as not to get lost. At one point he saw the strobing of emergency service lights through the trees ahead. As they rounded a curve, the place where he and the other man had gone over the edge earlier that afternoon came into view. A makeshift barrier had been constructed and clusters of police remained, waving traffic past.
After that there were no lights for miles. They seemed to be tunnelling into the forest, its massive presence almost mountainous around them. A few miles on, the foliage began to thin out, the odd field to appear. The satnav indicated their destination was five kilometres ahead.
Two kilometres short he pulled in at a layby. He killed the engine and the lights. Purkiss thumbed Abby’s number into the phone, heard it ring and then cut out. He looked at the display.
‘Damn it.’
‘What?’
‘No signal.’
‘Told you. The trees. I hate the countryside.’ Kendrick checked his phone. ‘Mine’s no good either.’
‘Let’s walk.’
They moved down the road, keeping on the left hand side where the forest was, ready to duck between the trunks at the sound of an approaching vehicle. After a while Purkiss stopped and tried the phone again. This time he got Abby.
‘Signal’s not brilliant out here.’
Kendrick got out his phone and they linked up in conference call mode, both men putting their earpieces in. Presently they came to a wall, hand-built from stone. It wasn’t the one, yet. They moved along it. More forest, and then another wall, this one reinforced with concrete and curving away from the road, a recess and gates visible along its length.
‘This is it.’
Dull light rose from behind the wall, but the trees blotted out what illumination came from the moon, which was obscured anyway for the most part by clouds. They fitted on the night vision goggles. They were fairly basic first generation pieces of equipment, providing amplification of ambient light up to about two hundred times, too crude for precision work such as sniper activity but enough to show up the presence of an enemy in the vicinity, and portable as well.
They flattened themselves against the wall and moved along it towards the gate, Purkiss in front. As he crept nearer he heard a cough, saw the glow of a cigarette tip beyond the gate just as the smoke reached his nostrils.
‘Other way,’ he whispered.
They retraced their path along the wall until they came to the corner at which they had started, then followed the wall to the right. The forest had been cut back from the wall far enough that no branches were within leaping distance from the top. Purkiss chose a particularly stout looking fir tree and began to climb up the trunk, Kendrick following suit on the other side. They reached eye level with the top of the wall and hauled themselves a couple of metres higher and peered across.
As the Google Earth images had shown, the farmhouse lay at the end of the drive sweeping down from the gate. The windows of the farmhouse were lit up and the brightness shifted with movement inside. Smaller lights burned here and there in the yard.
‘What the hell’s that?’ said Kendrick.
Some distance behind the farmhouse was a huge wooden building, a great sprawling barn of some kind, floodlights rigged to illuminate its front and men, four or five, moving back and forth through its doors. Their voices were too low and distant to be made out in any detail.
‘It wasn’t in the pictures.’
‘No.’ Purkiss muttered down the line to Abby, describing what they were looking at.
In a moment she said, ‘Checked again. It’s definitely not on Google Earth. Must be new, or newish. As I said, the pictures can be up to three years out of date.’
They clambered down and set off along the wall once more. Further down they shimmied up another tree. They had come a longer distance than Purkiss had estimated and the buildings were behind them now, the view directly across the wall one of fields and copses.
Kendrick was tapping his arm and when he looked he noticed it. Just visible within the perimeter, thirty metres away, a man’s shape was making its way on foot along the wall. Before he disappeared from view Purkiss saw he was carrying something in both hands, pointing downwards: a rifle.
Unless the man had some kind of night-vision viewing capability himself he wouldn’t have seen them. They climbed down anyway. Faintly, from the other side of the wall, they heard the rasp of static from a walkie-talkie, a low murmur in reply fading as the man moved on.
So there were guards patrolling the perimeter, perhaps more of them at the rear where the tree cover was dense inside and outside the wall and intruders would be likeliest to attempt entry. As silently as they could Purkiss and Kendrick continued along the wall, eventually reaching the next corner and turning in so that they were following the rear wall.
Again they crept up a tree and looked over. On the other side was a copse, the gleam of the farmhouse and the barn barely visible in the distance through the layers of fir. Purkiss scanned from left to right and back with the goggles. No signs of life. He indicated with two fingers and Kendrick nodded. To Abby he murmured, ‘We’re going over the wall.’
There was no reply and he glanced at the screen again. The signal was gone.
The wall was of varying height, the ground uneven along its length. At its lowest it was perhaps three metres high. Kendrick squatted and interlocked his fingers. Purkiss used it as a step and pistoned himself up so that his hands grappled with the top of the wall. His toes found a purchase and he hauled himself to the top and looked down. No movement on the other side. He braced himself and reached down for Kendrick’s hand and helped pull him up. They dropped on to the carpet of fir needles at the foot of the wall.
Moving apart a little they passed between the trees at a crouch. From far ahead beyond where the fields sloped upwards they heard the voices of the men moving in and out of the barn, the words still unintelligible. The wind had come up and overhead the clouds were being dragged free of the moon until it loomed, three-quarters full, bathing the fields in pale yellow light.
They’d be plainly visible if they tried to cross directly over the fields. On the other hand, the wall was painted light grey on its inner aspect, almost white, and they would stand out if they traced the perimeter. Purkiss held up a hand. They would wait in the copse until the cloud cover was back in place before making their way across the fields, using the low stone walls between the fields to duck beside when the moon emerged again.
‘We’re waiting for a bit of darkness, then heading up to the barn,’ he said to Abby. He shook his head when there was no reply.
At his elbow Kendrick muttered, ‘That’s weird. My phone says I’ve got a signal.’
Purkiss glanced at the display on Kendrick’s phone, then at his own. It showed the same, a strong signal, three bars.
He said, ‘Abby?’
*
Venedikt was alone at the kitchen table, finishing a hasty meal and a mug of tea, all he was permitting himself that night, when his phone rang. The rustic-looking clock on the wall said it was ten past ten. His work was done and he needed to get some rest. The men were applying the final touches in the barn, most of which involved cleaning and polishing, and there was nothing left that he could contribute. Still, he knew he would sleep very little that night. He had considered going home but decided to use one of the bedrooms in the farmhouse instead, wanting to be near his acquisition as if it were a loved one, his own limb.
He looked at the caller ID, said: ‘Yes?’
‘We have a problem. Purkiss is somewhere on the grounds of the farm.’
Venedikt took a moment to react, disorientated. ‘Here?’
‘If you’re on the farm now, yes. He’s said he’s just waiting for darkness and is then going to head for the barn.’
‘How do you know –’
‘I heard him say it a minute ago. You need to get on top of this, Kuznetsov.’
Venedikt rose slowly, eyes straining to see through the window into the darkness. ‘No problem.’
‘And forget non-lethal force. It’s beyond that. You have to –’
‘I don’t need you to tell me that.’ He was reaching for his shoulder holster and pistol even as the phone was dropping into his pocket.
*
There was no shouting, very little noise at all to begin with, just the almost surreal sight of dark humanoid figures emerging and massing quietly in the yard between the farmhouse and the barn. Ten men, a dozen perhaps. As Purkiss and Kendrick ducked lower between the trees, the silence on either side of them began to be punctured by static stabs from walkie talkies. Black apparitions peeled away from distant points along the wall and broke into trots, each one carrying something slung low before it.
Then the relative quiet was torn to shreds. Purkiss felt coldness fill his chest and spill through his limbs as there rose towards the naked moon like smoke from a sacrificial fire the manic baying of dogs.