There were dark patches in the red gravel where the pavement ended, and she drove the car over Mr. Healy’s blood. When she came to a fork in the dirt road she turned right, and drove down a lane so narrow the big car left no room on either side. She went on until she could go no farther.
The road was blocked by a line of cars standing aslant halfway in the ditch. She parked behind the last one and got out. She walked down the row past a 1939 Ford, a Chevrolet of ambiguous vintage, a Willys, and a robin’s-egg blue hearse with the words HEAVENLY REST picked out in a chromium semicircle on its front door. She was startled, and she peered inside: in the back there were rows of chairs screwed to the floor and no place for a recumbent body, quick or dead. This is a taxi, she thought.
She pulled a wire ring off the gatepost and went inside. Calpurnia’s was a swept yard: Jean Louise could tell it had been swept recently, brushbroom scratches were still visible between smooth footprints.
She looked up, and on the porch of Calpurnia’s little house stood Negroes in various states of public attire: a couple of women wore their best, one had on a calico apron, one was dressed in her field clothes. Jean Louise identified one of the men as Professor Chester Sumpter, principal of the Mt. Sinai Trade Institute, Maycomb County’s largest Negro school. Professor Sumpter was clad, as he always was, in black. The other black-suited man was a stranger to her, but Jean Louise knew he was a minister. Zeebo wore his work clothes.
When they saw her, they stood straight and retreated from the edge of the porch, becoming as one. The men removed their hats and caps, the woman wearing the apron folded her hands beneath it.
“Morning, Zeebo,” said Jean Louise.
Zeebo broke the pattern by stepping forward. “Howdy do, Miss Jean Louise. We didn’t know you was home.”
Jean Louise was acutely conscious that the Negroes were watching her. They stood silent, respectful, and were watching her intently. She said, “Is Calpurnia home?”
“Yessum, Miss Jean Louise, Mamma in the house. Want me to fetch her?”
“May I go in, Zeebo?”
“Yessum.”
The black people parted for her to enter the front door. Zeebo, unsure of protocol, opened the door and stood back to let her enter. “Lead the way, Zeebo,” she said.
She followed him into a dark parlor to which clung the musky sweet smell of clean Negro, snuff, and Hearts of Love hairdressing. Several shadowy forms rose when she entered.
“This way, Miss Jean Louise.”
They walked down a tiny hallway, and Zeebo tapped at an unpainted pine door. “Mamma,” he said. “Miss Jean Louise here.”
The door opened softly, and Zeebo’s wife’s head appeared around it. She came out into the hall, which was scarcely large enough to contain the three of them.
“Hello, Helen,” said Jean Louise. “How is Calpurnia?”
“She taking it mighty hard, Miss Jean Louise. Frank, he never had any trouble before….”
So, it was Frank. Of all her multifarious descendants, Calpurnia took most pride in Frank. He was on the waiting list for Tuskegee Institute. He was a born plumber, could fix anything water ran through.
Helen, heavy with a pendulous stomach from having carried so many children, leaned against the wall. She was barefooted.
“Zeebo,” said Jean Louise, “you and Helen living together again?”
“Yessum,” said Helen placidly. “He’s done got old.”
Jean Louise smiled at Zeebo, who looked sheepish. For the life of her, Jean Louise could not disentangle Zeebo’s domestic history. She thought Helen must be Frank’s mother, but she was not sure. She was positive Helen was Zeebo’s first wife, and was equally sure she was his present wife, but how many were there in between?
She remembered Atticus telling of the pair in his office, years ago when they appeared seeking a divorce. Atticus, trying to reconcile them, asked Helen would she take her husband back. “Naw sir, Mr. Finch,” was her slow reply. “Zeebo, he been goin’ around enjoyin’ other women. He don’t enjoy me none, and I don’t want no man who don’t enjoy his wife.”
“Could I see Calpurnia, Helen?”
“Yessum, go right in.”
Calpurnia was sitting in a wooden rocking chair in a corner of the room by the fireplace. The room contained an iron bedstead covered with a faded quilt of a Double Wedding Ring pattern. There were three huge gilt-framed photographs of Negroes and a Coca-Cola calendar on the wall. A rough mantelpiece teemed with small bright objets d’art made of plaster, porcelain, clay, and milk glass. A naked light bulb burned on a cord swinging from the ceiling, casting sharp shadows on the wall behind the mantelpiece, and in the corner where Calpurnia sat.
How small she looks, thought Jean Louise. She used to be so tall.
Calpurnia was old and she was bony. Her sight was failing, and she wore a pair of black-rimmed glasses which stood out in harsh contrast to her warm brown skin. Her big hands were resting in her lap, and she raised them and spread her fingers when Jean Louise entered.
Jean Louise’s throat tightened when she caught sight of Calpurnia’s bony fingers, fingers so gentle when Jean Louise was ill and hard as ebony when she was bad, fingers that had performed long-ago tasks of loving intricacy. Jean Louise held them to her mouth.
“Cal,” she said.
“Sit down, baby,” said Calpurnia. “Is there a chair?”
“Yes, Cal.” Jean Louise drew up a chair and sat in front of her old friend.
“Cal, I came to tell you—I came to tell you that if there’s anything I can do for you, you must let me know.”
“Thank you, ma’am,” said Calpurnia. “I don’t know of anything.”
“I want to tell you that Mr. Finch got word of it early this morning. Frank had the sheriff call him and Mr. Finch’ll … help him.”
The words died on her lips. Day before yesterday she would have said “Mr. Finch’ll help him” confident that Atticus would turn dark to daylight.
Calpurnia nodded. Her head was up and she looked straight before her. She cannot see me well, thought Jean Louise. I wonder how old she is. I never knew exactly, and I doubt if she ever did.