58
GIDEON’S FIRST STOP was the Goodwill Industries Thrift Store out on Cerrillos Road. He parked the expensive, late-model Jeep far from the entrance and walked through a Walgreens, where he bought a disposable cell phone before going into the thrift store. Heading for the racks, he pulled off a hasty selection of sports jackets, shirts, pants, suits, and various pairs of shoes in his approximate size. He also found some sunglasses, a toupee, some cheesy man-jewelry, and a large suitcase.
Paying for it with some of Alida’s cash, he drove down the block to a theatrical supply store and bought spirit gum, sealers, face paints, pencils and crayons, scabs, effects gels, nose and scar wax, a bald-cap, some hairpieces, a lace beard, a prosthetic paunch, and a few cheek pieces and inserts. He had no idea how he might use anything or even what he might need, so he bought everything.
Back to the Jeep, and then he drove farther south on Cerrillos to the edge of town, where he found an anonymous motel that looked like it might cater to the trade. With a quick-and-dirty makeup job, he transformed himself into a low-life pimp, which went well with the black Jeep Unlimited he was driving. The clerk didn’t bat an eye when Gideon paid cash for an hourly rate, claimed to have lost his ID, and tipped the man a twenty, telling him to keep an eye out for a “classy young lady” who, of course, would never arrive.
Loading all the theatrical supplies into the suitcase, along with Blaine’s computer, he went into his rented room, spread the clothes out on the bed, and began mixing and matching them into various disguises. It was a process he had undertaken many times before.
In his days as an art thief, he usually robbed small private museums and historical societies during daylight hours, when they were open but almost deserted. After the first few heists, he always went in disguise, and as the years went by he got better and better at it. A good disguise was far more than mere appearance; it was about assuming a new character, walking differently, talking in a new way, even thinking differently. It was the purest, most refined form of Method Acting.
But creating the actual new persona was never easy. It had to be subtle, believable, not over the top, and yet with a few telling details that the average person would remember and which would be key to misleading investigators. A totally forgettable character would be a waste of time, but on the other hand, a too eccentric character would be dangerous. The process took time, thought, and imagination.
As he sorted through the clothes, laying out one shirt, then another, mixing and matching them with various pants and shoes, a character began to take shape in his mind—a mid-forty-ish man, out of shape, recently divorced, kids gone, laid off from his job, looking to rediscover and renew himself with a car trip cross-country. A Blue Highways sort of odyssey. He’d be a writer—no, make that an aspiring writer. He’d be keeping notes of his journey, ready to share his observations about America with anyone he ran into. His wallet had been stolen first day out—no ID now but that was cool in a way, a kind of freedom, a welcome release from the enslaving bonds of society.
Now that he had it, he quickly assembled the outfit: loafers, black jeans, L.L. Bean oxford pin-striped shirt, Bill Blass sport jacket, bald-cap with a fringe of hair on the longish side, skin with the slightly raddled look that marked the drinking man, Ray-Bans, a Pendleton “Indy” hat with a broad brim. A small but memorable diamond-shaped scar on his right cheek and a modest paunch completed the picture.
Going through the familiar process of creating a new persona, and a disguise to go with it, felt good. And—for at least a few minutes—he was able to forget Alida.
Now that he was done, he turned to the computer and fired it up. It was, just as he’d expected, password-protected, and his few feeble attempts to guess the password failed. Even if he broke the password, no doubt there would be other layers of security. Blaine’s plan might be on that computer, but it might as well be on the moon for all the good it would do him, if he couldn’t get through that password.
No time for that now. He shoved it in the suitcase with the other stuff, exited the motel room, tossed everything in the back of the Jeep, and took off. The vehicle had a GPS and when he plugged in the address for Fort Detrick, Maryland, it informed him the distance was eighteen hundred seventy-seven miles and would take thirty hours. By driving at five miles over the speed limit, stopping only for gas, he might shave it down to twenty-five, twenty-six hours. He didn’t dare push it any faster—without a driver’s license he couldn’t risk a traffic stop.
He looked at his watch. It was already ten o’clock in the morning. Blaine had said his plane was leaving early: he’d already be in the air. Gideon had checked with the airlines, and there had been no direct flights to DC that morning—he would have to change planes, and with the loss of two hours due to time zone changes, Blaine would not be at Fort Detrick until that evening at the earliest. The event would almost certainly go down tomorrow, N-Day—the infamous day on the appointment calendar he had seen in Chalker’s apartment.
He would be there by noon tomorrow. Whether that gave him time to intersect and confront Blaine he could only guess. Of course, it was entirely possible Blaine wasn’t going to Fort Detrick at all. That could have been a ruse; the man might instead be heading straight to Washington. But Gideon would have to deal with that problem when he got east.
He had no idea what he was going to do when he got there. In fact, he didn’t have the first notion of a plan, a strategy, a mode of attack. But at least—he thought as he started the engine—he had twenty-six unbroken hours to think one up.