Morris grabbed a blanket from the top shelf of the bedroom closet and used it to cover Rothstein, who now sprawled askew in the easy chair with the top of his head gone. The brains that had conceived Jimmy Gold, Jimmy’s sister Emma, and Jimmy’s self-involved, semi-alcoholic parents – so much like Morris’s own – were now drying on the wallpaper. Morris wasn’t shocked, exactly, but he was certainly amazed. He had expected some blood, and a hole between the eyes, but not this gaudy expectoration of gristle and bone. It was a failure of imagination, he supposed, the reason why he could read the giants of modern American literature – read them and appreciate them – but never be one.
Freddy Dow came out of the study with a loaded duffel bag over each shoulder. Curtis followed, head down and carrying nothing at all. All at once he sped up, hooked around Freddy, and bolted into the kitchen. The door to the backyard banged against the side of the house as the wind took it. Then came the sound of retching.
‘He’s feelin kinda sick,’ Freddy said. He had a talent for stating the obvious.
‘You all right?’ Morris asked.
‘Yuh.’ Freddy went out through the front door without looking back, pausing to pick up the crowbar leaning against the porch glider. They had come prepared to break in, but the front door had been unlocked. The kitchen door, as well. Rothstein had put all his confidence in the Gardall safe, it seemed. Talk about failures of the imagination.
Morris went into the study, looked at Rothstein’s neat desk and covered typewriter. Looked at the pictures on the wall. Both ex-wives hung there, laughing and young and beautiful in their fifties clothes and hairdos. It was sort of interesting that Rothstein would keep those discarded women where they could look at him while he was writing, but Morris had no time to consider this, or to investigate the contents of the writer’s desk, which he would dearly have loved to do. But was such investigation even necessary? He had the notebooks, after all. He had the contents of the writer’s mind. Everything he’d written since he stopped publishing eighteen years ago.
Freddy had taken the stacks of cash envelopes in the first load (of course; cash was what Freddy and Curtis understood), but there were still plenty of notebooks on the shelves of the safe. They were Moleskines, the kind Hemingway had used, the kind Morris had dreamed of while in the reformatory, where he had also dreamed of becoming a writer himself. But in Riverview Youth Detention he had been rationed to five sheets of pulpy Blue Horse paper each week, hardly enough to begin writing the Great American Novel. Begging for more did no good. The one time he’d offered Elkins, the commissary trustee, a blowjob for a dozen extra sheets, Elkins had punched him in the face. Sort of funny, when you considered all the non-consensual sex he had been forced to participate in during his nine-month stretch, usually on his knees and on more than one occasion with his own dirty undershorts stuffed in his mouth.
He didn’t hold his mother entirely responsible for those rapes, but she deserved her share of the blame. Anita Bellamy, the famous history professor whose book on Henry Clay Frick had been nominated for a Pulitzer. So famous that she presumed to know all about modern American literature, as well. It was an argument about the Gold trilogy that had sent him out one night, furious and determined to get drunk. Which he did, although he was underage and looked it.
Drinking did not agree with Morris. He did things when he was drinking that he couldn’t remember later, and they were never good things. That night it had been breaking and entering, vandalism, and fighting with a neighborhood rent-a-cop who tried to hold him until the regular cops got there.
That was almost six years ago, but the memory was still fresh. It had all been so stupid. Stealing a car, joyriding across town, then abandoning it (perhaps after pissing all over the dashboard) was one thing. Not smart, but with a little luck, you could walk away from that sort of deal. But breaking into a place in Sugar Heights? Double stupid. He had wanted nothing in that house (at least nothing he could remember later). And when he did want something? When he offered up his mouth for a few lousy sheets of Blue Horse paper? Punched in the face. So he’d laughed, because that was what Jimmy Gold would have done (at least before Jimmy grew up and sold out for what he called the Golden Buck), and what happened next? Punched in the face again, even harder. It was the muffled crack of his nose breaking that had started him crying.