CHAPTER 4
The Price of Surprise
THE MORNING DAWNED CLEANER AND CRISPER THAN ANY IN months. (For Mulrooney, the feeling was foreboding and recalled the day that the unfortunate Vladimir had gone missing.)
There was a rustling of ledger pages and the tapping of morning cigar ash at the City Hotel—and more than a few wagers laid over breakfast at Planter’s House, which consisted of arrowroot biscuits, coddled eggs, fresh trotters, and a serving of wild pigeon—the aromas of black tea or chicory-laced coffee cutting through the stale fumes of pipe smoke and brandy that had followed the coq au vin and bordeaux the night before.
It was the morning of a major sale. The auction house of Bladon, McCafferty & Co. of Chestnut Street was putting up on the block one hundred of the sturdiest Negro field hands valued generally at a whisker over a thousand dollars each—seventy-five older adult males, forty-eight females, and a litter of children that one squire from Kentucky likened to “French-prattling young crows.”
The event, as usual, was to take place on the steps of the proud domed courthouse on Fourth Street at noon. Typically, the public did not take much overt notice of these occasions, there being studious attention from those informed professionals either bidding or methodically recording the prices submitted by their peers. These seasoned agriculturalists and their entourages had serious business in mind and had come more than a few miles to do it. So the amateurs kept to the fringe.
Slave auctions represented significant investments in new capital equipment—gambles taken on increased productivity. An air of sober deliberation and dispassionate judgment was the rule, and for the most part an auction was no more undignified and violent than a sale of horses or cattle and easier on the nose, since the prize specimens had often been treated to a bath and an improved diet to inspire higher prices. “Beef for muscle, fresh fruit for the teeth and breath, and cod liver oil to put a shine on their hides” was the recommended short-term practice advocated by the trading houses.
No, the systematic brutality of these events was more in the mind, the soul, and heart than in the flesh. But since Negroes were not credited with having minds or souls, any explicit cruelty was considered an unfortunate by-product of what needed doing. Mating a stallion or wringing a chicken’s neck—life was filled with raw necessities, and people were much less squeamish then.
Naturally there were whips and guns on hand, but they were primarily ceremonial and symbolic. And of course the goods to be traded appeared in shackles (the young bucks, at any rate), but that was just common sense and economic prudence: the traders were not immune to the high spirits that some slaves felt at the thought of being separated from their wives and children. Better to secure the chains than to have to raise the whip or, worse still, fire the gun. In fact, there were few fatalities at the auctions—a testament to the efficiency that had been achieved through decades of practice.
And not all the slaves stood defiantly flaring their nostrils and rattling their manacles, dreaming of escape, either. Many of them welcomed the change that new ownership would bring. For some it was a chance to find a new life and the faint hope of security, or to be nearer a loved one who had earlier been prised away and sold downriver. For an attractive female who had been forced to service in unspeakable ways a Missouri master, a plantation owner in the Delta, who was less Christian but perhaps more decent, held some distinct appeal.
The upshot was, every auction was a crossroads. Money, emotions, human dignity, and the very destiny of America were all at stake. So it was no surprise that very often a fringe of loitering onlookers would form into an attempted crowd at a distance that allowed them the benefits of aspect without appearing too suspect.
The gathering that tried to take shape on the day in question was unusually large, and all the more faceless and amorphous for its size and prurient interest. Recalling the catastrophe years later in his privately printed memoir, Brookmire would speculate that it was the very size of the assembled host that so diffused the memory of what transpired (a suggestive observation, given the days of instantaneous mass communication that have followed). Perhaps the more witnesses, the less reliable their testimony—until by extension it becomes possible to deny that there was anything to witness at all. This phenomenon may go a long way toward accounting for why such abrupt and incoherent reportage was provided by the local media. Of the major regional newspapers, including The Bulletin, The Boatman, The Advocate, the Catholic weekly Shepherd of the Valley, and The Missouri Republican, only The Star contained any more than a passing reference to what resulted, and it was the sole mouthpiece to attempt a description, let alone an explanation, of the cause.
Here another overlooked law of human nature and mass perception may have come into play. The more unexpected and unprecedented an occurrence, the more likely it is to slip into the realm of legend, which may be interpreted as a communal way of forgetting what actually happened.
Both of these factors were at work in St. Louis. And, as Lloyd would come to see, other hidden influences were at work as well. Had he not been advised that a war was being waged by secret alliances masked in the shadows of history and camouflaged in the chaos of the hour? Had not Schelling warned him that the capabilities involved were formidable in their reach?
If events could be orchestrated, could not their perception be manipulated, perhaps even eradicated? Personal reports and newspaper accounts of the lynching and burning of Francis McIntosh had diverged wildly and more than a few residents had clean forgotten their involvement, so in the end it was not surprising that those citizens of St. Louis who were watching on the day could not agree and many did not want to admit what they saw sailing toward the city—not on the river but in the sky. Though it came out of the heavens, it looked as if it came from hell. Or perhaps Chicago, Mulrooney thought as he watched from the crowd in astonishment, his good heart pounding and perspiration beading under his leghorn hat.
As Lloyd had predicted, if it had been just a balloon that drifted over the city people would have known how to respond. But it was ever so much more than a balloon that detached and exploded like a slow-falling star over the esplanade. What emerged was nothing like anything anyone had ever seen before. Imagine a swirled cage made of fishing net, bone-dry cane and broom straw, twined wig hair, umbrella spokes and wax, rippling with a patchwork of bandages and bed linen—with a puff of silken sail atop. The rising power of the balloon had lifted the surreal structure into the freshening breeze, where it was then driven forward by all the boiler-bursting speed that Lucky Cahill spurred his smoking steam barge to provide since lugging it out of its secluded mooring on the Illinois side.
Young Lloyd had named his creation the Miss Viola. Atop the domed roof of the courthouse, Hansel Snowden Brookmire squinted through a spyglass when he spotted it. Fragments of American flag crackled in the wind, mirrors glinted, feathers rained like snow—and a voice called out of the blue, “All Hail the Ambassadors from Mars!”
The voice was Lloyd’s, projected through a huge knitting mill cone used for winding yarn, but there were other voices that might have been heard—namely, the hysterical cluckings of Urim and Thummim. Lloyd’s initial plan had been to dress Mulrooney’s charges in stovepipe hats and swallowtail coats, as befitting their introduction to St. Louis society and the earth at large. But he had been unable to acquire togs in their size and so had been forced to improvise again, arriving at a solution that he felt was economical and more appropriate given their supposed otherworldly origin (not to mention the wind!). The brothers were now dressed in toga-like gowns made of ladies’ undergarments and equipped with tiny gold wands the boy had foraged out of a rubbish bin. Trembling hundreds of feet in the air inside a bird-delicate cell of spiral-arranged bladders stitched with bass line, linen, and scavenged wharfery—and now, hovering free of the barge with no balloon to support them—the twins were literally at the end of their tether.
It was pure adrenaline that kept Lloyd from taking more notice of their consternation—that and the sheer novelty of the view. The sight of the people and the horse carriages, the packing crates and the ship pipes, pony carts and rooftops! He could not believe that he was seeing it all just as he had imagined. He had done what he set out to do—to rise above the hordes and sweep all attention skyward! For a moment, it seemed to him that he owned the town. And the river. Everything he could see.
When he did acknowledge the Martians’ expostulations, he was upset to find that he was becoming less effective in calming them. When he had appeared in the dark of the storm the night before to lead them away from Mulrooney’s camp, they had showed an instinctive sense of trust that encouraged him. Up to the precise moment of their departure in the soaking confusion (he disliked the thought of its being kidnapping), he had harbored a concern that his plan violated the trust of his old business associate. That it also put at grave risk the lives of the two teratological brothers was just now beginning to dawn upon the boy, for in his mania he had discounted all risk to himself as well.
Once aloft, any fear had left him, and with it all reasonable consideration of malfunction. Ironically, the very moment when his father was more absent from his thoughts than at any time in his short life, Lloyd was more in harmony with Hephaestus’s blindered faith in the magic of invention than ever before. Airborne above 1845 St. Louis on the day of a major slave auction, he was not only his father’s son; he felt the uncanny sense of his sister’s spirit for the first time since leaving Ohio. He was going to rescue his mother from drudgery and humiliation. He was going to lead them all forth to meat, wine, and fresh linen.
This invigorating delusion did not last very long. Urim and Thummim became more agitated as the craft wisped over the humming port like a crazed eclipse heading toward the city buildings and the scene in progress on the courthouse steps. Lloyd rode in a harness that he had fashioned from pilfered horse tack attached to the great plume of flag-and-underwear canopy that fanned out above and behind the miraculous kite cage. His intention was to pass over the courthouse dome and heave a fine fishnet rigging line down as an anchor that Brookmire would attach, and then to cut himself and the parafoil loose and ride the wind line down and around to make a spectacular landing amid the auction. Then he and Brookmire would wind down the weird-shaped giant box kite and introduce the brothers to the stunned populace. It would be the perfect theatrical occasion to launch their show-business career. As mortified as Mulrooney might feel at their disappearance (and did), he would be speechless with delight and gratitude when the crowd roared. And the fact that the entire performance would overshadow a slave auction was an inspired twist that Lloyd could not resist. The whole deranged caper sparkled in his mind.
Mulrooney would forgive him the fright he had caused and grasp the commercial opportunities the stunt would create. Although not everyone (fortunately enough!) would believe that Urim and Thummim came from the Red Planet, their singular appearance and bizarre mode of arrival would cause a sensation. Mulrooney’s future as a famous showman would be assured. Lloyd himself would be hailed as a god of invention and adventure. There would be no more broadcloth and boiled-leek broth. He would have a Villa of Wonders and roast duck, and every night a lascivious lady would come to him. His father would have a workshop again, and his mother a garden, roots, herbs, sweet-smelling leaves, and healing teas always brewing.
The possibility that even if the aeronautics went off without a hitch—which was hardly likely, given the many unknown and unforeseeable factors involved—the appearance out of the sky of such outlandish-looking individuals as Urim and Thummim, and the disruption of a significant slave auction, might instigate something more like a riot rather than endless rounds of applause did not occur to the boy with anything like the clarity it should have. He was blind to everything but his own ambition and his desperate craving for adulation—the sanctuary of money and freedom he hoped would descend upon him as soon as he descended into the thoroughfares of the city. This was his moment, his chance to reverse the fortunes of his family and establish a place for himself in the history of transport, science, and entertainment. The world.
Then a sudden rogue gust rose up as they crossed through the hotter air of the cityscape. The thermal blast destabilized the Miss Viola after its smooth drift over the cooler water. Lloyd’s parawing ripped free and swept him up to breaking point above the kite nest, the perforated panels bloated with air. Mulrooney’s stomach leaped up into his throat at what he saw next. Brookmire nearly fell from his perch.
The spiral kite cell caught the updraft and surged up to graze Lloyd’s swinging legs and then veered off back toward the Mississippi, the Ambassadors clicking and squealing like hysterical animals in a drowning cage. The tether that Lloyd held to the kite now threatened to drag him out of control and he was forced to let go, releasing the deformed brothers to the mercy of the sky. Meanwhile, he was rising higher than he had intended, the figures below seething like ants before a rainstorm. The power of the wind billowed out his homemade wings and filled his belly with the butterflies that a normal person would have felt long before. His whole being was alive, and terrified at the volatile elements now determining his fate. The kite was but a speck in the air. He felt the world slipping away. Then he remembered that he could steer. He had to steer—for his life. And yet even now—ruptured from the Miss Viola, with the Ambassadors from Mars doomed to some terrible crash in heavy timber—he felt the psychological as well as the physical force of the wind lifting him, calling him upward.…
Years before Sir George Cayley’s hapless coachman was compelled to make his historic glider flight (which inspired him to defecate in his trousers and resign his post). Long before Lawrence Hargrave and Alexander Graham Bell experimented with their kites and Otto Lilienthal broke his neck. Before Samuel Pierpont Langley catapulted his Aerodromes—and before the bicycle-repairing Wright brothers from another small town in Ohio took their fifty-nine-second flight into history over the dunes of Kitty Hawk—Lloyd Meadhorn Sitturd was flying, fulfilling the dreams of the Egyptians, Assyrians, Chinese, Indians, Norse, and Greeks. Not falling. He was riding the wind in a winged vehicle that, while neither heavier than air nor machine-powered, possessed a capacity for maneuverability that would not be achieved by others for another fifty years.
But herein lay the great shortcoming of his undertaking. Wilbur Wright’s critical insight was that the secret of controlled flight lay as much in the skills of the pilot as in the capabilities of the craft. It was not enough for the machine to have the ability to maneuver; it was essential for the pilot to have the experience to utilize this potential. Without control, the solutions of lift and propulsion were meaningless. Despite the feverish pace at which he had been working, Lloyd had not had time to align his personal skill with the potential of his creation. Faced now, at approximately three hundred feet, with the combined circumstances of the failure of one half of his enterprise (the loss of the Miss Viola and its cargo of the Ambassadors) and the success of his own means of aviation he was forced to apply all that he had learned about the wind with perilous immediacy.
He pulled the left steering toggle and swung left, sailing faster down and forward, whistling over the steeples and the carriage-colliding laneways to the horror and amazement of Mulrooney, Hansel Snowden Brookmire, and the people of St. Louis. Flaring slowed his driving speed and restored lift, while his body trembled in the risers. The thought of the helpless brothers breaking every bone in their bodies stabbed him with remorse and doubt. He whooshed around a smokestacked section of town, heading back toward the courthouse, but in banking the toggle tore and a puff of air stalled the edge of the parafoil.
Where the wing had been filled like a lung, it now gasped and he jostled in the rigging. The sunlight burned into his retinas. He heard a cry come up from the streets beneath him and the whinnying of crazed horses. The turbulence batted at him like a spinning leaf—his nerves were frayed like the ribbons he clung to.
He tried to readjust, flying at half brakes, one toggle up, one down. But in swerving around to make the courthouse and the confusion of Fourth Street, where he was to have made his epochal landing, he overcompensated and then had to brake full—which battered the wing chute more. One of the main leads streaming down to the risers broke—the toggle did not respond. He felt the heat waves rising up from the bricks below—the smell of horse manure and the din of human panic.
Ground rush hit him—the mess of scattering street traffic engulfing his field of vision, all the glory gone, leaving stomach-churning, muscle-bracing expectations of obliteration upon impact! He yanked the toggles, beginning to plummet, regaining control too late, and swooping down like a raptor to strike a fleeing rodent in a field of dry corn.
While this private drama had been playing out in the air, a rather more public debacle had been unraveling below. Representatives of Bladon, McCafferty & Co. had led their assembled offering clanking and shuffling like a parade of the damned from the auction house’s pen on Chestnut Street to the courthouse steps, where a pompous man in a frilled shirt and a broad-brimmed hat read out the particulars of the sale and clarified the terms of purchase in stentorian tones. The planter aristocracy was well represented, decked out in top hats and European-tailored finery. Some had come from as far away as the black-loam bottomlands of Mississippi and Alabama, or the sugar kingdoms of Louisiana. The merchandise stood glistening and grim in the brassy sun. Errant schoolboys gapped and stretched. Idlers spat tobacco juice; skinny dogs panted under drays. Hoop-skirted women with complexions like clotted cream dabbed their throats with eau de cologne as barrel-chested saloonkeepers emerged blinking in the glare, hooking their thumbs into their braces.
Down on Fourth Street, a hatchet-faced plantation foreman watched from the saddle of a bay gelding while his tight-lipped overseer stood gripping a musket on top of the courthouse stairs. Another man in a baggy black suit, with a head as bald as a fire bell under a black silk hat, leaned over a weathered pinewood podium that had been wrestled out of a wagon, while two hulking guardsmen strolled the lines of slaves—some slumped with weariness and despair, others standing erect, both male and female, radiating the strength they had earned by long work in bright light and all weather.
The two hard-bitten white minders had hairy arms as thick as the limbs of hod carriers and skin not much lighter than the individuals up for sale. Their square-toed boots were flecked with the pale green-gold of dried dung, and faded red or threadbare white bandannas poked up under their chins as if to hide some growth. Everything as usual.
Until the Miss Viola appeared.
The outré vessel came across the river and the sky like some narcotic vision of the future. The sausage casing—like balloon, which had provided the initial elevation, detached and expired in what from ground level Lloyd would have considered a disappointing poof relative to the incendiary excitement he had intended. (The problem was that he could not use any true ordnance for fear of incinerating the Ambassadors and himself.) But to those who were unprepared it was fireworks enough. The river-slapping force of the barge, stoked to boiler-blowing overload, hauled the beautiful abomination forward, where it was set free in a dense shower of glitter, sparks, and feathers.
It was right about then that Mule Christian glanced up from his row of chained fellow slaves and came to the conclusion that this was the sign from God that he had been waiting for. There was no other way to interpret it. This was a message from the Almighty. And he knew in his heart just what the message was.
Mule was what white plantation owners of the day would have described as a “big field nigger”—and big he was, in every way. Worth fourteen hundred dollars in St. Louis. More in Memphis or New Orleans. Six feet five inches tall and as muscled as a well-bred fighting dog. He had the mind of a child but a clear head, except when it came to his religious visions. Somewhere in the past his people had come from the Bight of Benin, that gouge in Africa that extends from Cape Verde to the Congo River. They had given him a name that sounded like Mulu, but all that was a cloudy memory. Mule he became to everyone he met in the cruel New World. An earlier owner had been known as Christianson, but it was thought that his American surname owed more to the fervent faith he had adopted. In any case, Mule Christian knew what he must do. The moment he gazed up at the terrible blue sky, he knew.
“Heee comin’!” the giant boomed in his work-gang baritone. “Heee comin’ to sabe us all! Lord beee praised—heee comin’!”
This remark, uttered as loudly as it was, at the precise moment that it was, by someone not expected to speak at all—and by someone of Mule’s impressive physical stature—had a profound effect. The tall-hatted white dandies in polished boots moved toward their carriages. Several of the auction items sought to plunge to the ground in fear and supplication, which, chained as they were, caused havoc among the rows. Others, in a state of understandable panic, tried to bolt. They had no clear thought of trying to escape. They had no clear thought at all—and, pulling in different directions, manacled together, they created a gibbering tangle of prostrate and floundering black flesh.
For the whites in official control, this was problem enough to loose a tide of anxieties that translated into physical force—which served only to intensify the confusion and the fear. There were also their own concerns to deal with. What had emerged out of the blue was odd enough to make even the most tough-minded of them drop their jaws and entertain the flickering conclusion that Mule Christian may well have hit the nail on the head (which had been a part of Lloyd’s intention from the start).
The uncertainty flashed like flint in a caved-in mine and triggered a series of incidents of localized violence that turned into streetwide turmoil. Whips cracked, horses bucked, a carriage turned over, at least one firearm was discharged—to no effect, except to heighten the hubbub. And Mule Christian managed to break free. How he did it no one in the confusion saw, but while the overseers were busy trying to regain order and the loiterers were scattering like mice—the drunks and larrikins rolling over themselves in stupefaction—Mule Christian broke free of his chains and stood tall on the steps of the courthouse staring at the sky, waiting for the salvation that he knew was coming.
Brookmire had had all his attention riveted at the end of his spyglass, staring at first with pride, then shock, and then abject devastation. Something in the course of events in the sky convinced him that things had not only gone very wrong, they were about to get much worse, and a finely tuned instinct for self-preservation sent him scurrying down from the courthouse.
There were too many other things to take interest in: ululating slaves, shouting foremen, barking dogs, wagon smashups, and the risk of being trampled—and above all else, above them all and closing fast, a magical marionette of an angry bird boy descending to wreak vengeance or enact some revelation.
The truth, however, is that if Brookmire had managed to maintain his poise and position he might have become aware that he was being scrutinized himself—from two different rooftops and two very different points of view. He would have observed that when the commotion began other men who had not been seen before appeared below and began taking charge. It was one of these men, moving with practiced skill, who hustled Mulrooney into an alley, where he woke up hours later lying in a masonry wheelbarrow with a taste in his mouth like copper wire.
By the time Lloyd overshot the courthouse and made his attempt to bring himself around to land, there were not that many people left on Fourth Street to see it. A subtle but relentless force had been unleashed to quash the slave upheaval and coerce the potential witnesses from the scene. Only Mule Christian seemed immune to these efforts. Whip leather slashed across his shoulders, but this just served to encourage him into the middle of the street, where he braced, with outstretched arms, forming a tiny post-noon shadow in the thoroughfare, as Lloyd whisked down and toward him.
Lloyd tried to swerve, which spoiled the stalling power he tried to call on—his vision blurred, his reflexes jangled. He had a faint greenish flash of his sister’s face—she who had never had a living face. A rush of doom and shame whooshed through him, and his wind-filled wings ripped away as he tumbled headlong into the dark man who stood before him with open arms.
Even if Brookmire had still been at his station and watching then, he would have found it impossible to say for sure what happened next. For a few seconds, an ancient cart nag stood draped with the remnants of Lloyd’s parawing. Cudgels thudded. A broad-brimmed hat lay mashed in the street. And toppled at the foot of the stairs was the auction podium, a ledger book trodden on the ground beside it. But no one saw what happened to the boy or his flying harness. Mule Christian, the most expensive field nigger on sale, had seen a miracle coming for him out of the sky, and he had stepped forth to embrace it.