Caliban's War (Expanse #2)

“No, I was just … I thought honor guards were usually on the same side as the people they’re guarding?”


“We may be stretching the definitions a little here,” Naomi said. Her voice had just a trace of tension in it.

“She’s just a little old politician,” Holden said. “And that pinnace can’t hold more than two people. We’ve got her outnumbered. And if things get ugly, Alex is watching from the pilot’s seat. You are watching, right?”

“Oh yeah,” Alex said.

“So if there are any surprises, Naomi can pop us loose and Alex can get us out of here.”

“That won’t help with the destroyers, though,” Prax said.

Naomi put a hand on his arm, squeezing him gently.

“I’m not sure you’re helping, Prax.”

The outer airlock cycled open with a distant hum. The lights clicked from red to green.

“Whoa,” Alex said.

“Problem?” Holden snapped.

“No, it’s just—”

The inner door opened, and the biggest person Prax had seen in his entire life stepped into the room wearing a suit of some sort of strength-augmenting armor. If it weren’t for the transparent faceplate, he would have thought it was a two-meter-tall bipedal robot. Through the faceplate, Prax saw a woman’s features: large dark eyes and coffee-with-cream skin. Her gaze raked them with the palpable threat of violence. Beside him, Amos took an unconscious step back.

“You’re the captain,” the woman said, the suit’s speakers making her voice sound artificial and amplified. It didn’t sound like a question.

“I am,” Holden said. “I’ve got to say, you looked a little different on-screen.”

The joke fell flat and the giant stepped into the room.

“Planning to shoot me with that?” she asked, pointing toward Holden’s gun with a massive gauntleted fist.

“Would it work?”

“Probably not,” the giant said. She took another small step forward, her armor whining when she moved. Holden and Amos took a matching step back.

“Call it an honor guard, then,” Holden said.

“I’m honored. Will you put them away now?”

“sure.”

Two minutes later, the guns were stowed, and the huge woman, who still hadn’t given her name, tapped something inside the helmet with her chin and said, “Okay. You’re clear.”

The airlock cycled again, red to green, with the hum of the opening doors. The woman who came in this time was smaller than any of them. Her gray hair was spiking out in all directions, and the orange sari she wore hung strangely in the low thrust gravity.

“Undersecretary Avasarala,” Holden said. “Welcome aboard. If there’s anything I can—”

“You’re Naomi Nagata,” the wizened little woman said.

Holden and Naomi exchanged glances, and Naomi shrugged.

“I am.”

“How the f**k do you keep your hair like that? I look like a hedgehog’s been humping my skull.”

“Um—”

“Looking the part is half of what’s going to keep you all alive. We don’t have time to screw around. Nagata, you get me looking pretty and girlish. Holden—”

“I’m an engineer, not a damned hairstylist,” Naomi said, anger creeping into her voice.

“Ma’am,” Holden said, “this is my ship and my crew. Half of us aren’t even Earth citizens, and we don’t just take your commands.”

“All right. Ms. Nagata, if we’re going to keep this ship from turning into an expanding ball of hot gas, we need to make a press statement, and I’m not prepared to do that. Would you please assist me?”

“Okay,” Naomi said.

“Thank you. And, Captain? You need a f**king shave.”

Chapter Forty-One: Avasarala

After the Guanshiyin, the Rocinante seemed dour, mean, and utilitarian. There was no plush carpeting, only fabric-covered foam to soften corners and angles where soldiers might be thrown when the ship maneuvered violently. Instead of cinnamon and honey, the air had the plastic-and-heat smell of military air recyclers. And there were no expansive desk, no wide solitaire-ready bed, and no private space apart from a captain’s lounge the size of a public toilet stall.

Most of the footage they’d taken had been in the cargo bays, angled so that no ammunition or weaponry was in the image. Someone who knew Martian military vessels could tell where they were. To everyone else, it would be an open space with cargo crates in the background. Naomi Nagata had helped put the release together—she was a surprisingly good visual editor—and when it became clear that none of the men could manage a professional-sounding voice-over, she’d done that too.

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