53
After the Brawl
As the night wore on, events began to blur. Ambulance crews came for Cowles and for a woman who’d been shot when one of Anton’s thugs tried to kill the Body Artist. Someone—it might have been the Renaissance Raven—wrapped me in a big furry coat. I never did learn who it belonged to.
Terry Finchley had set up operations at the end of the bar. He demanded I give him the names of any key players, besides the group at Tintrey’s table, but I had told him only about the Body Artist and Anton’s creeps. I was pretty sure I’d seen Rodney in the crowd, but he’d managed to slide out ahead of the cops along with Anton. They’d left Konstantin and Ludwig to take any heat coming Anton’s way.
Jarvis MacLean demanded that Finchley arrest Lazar Guaman for shooting Cowles. When MacLean turned to me, insisting that I confirm that Guaman had shot Cowles, I shook my head.
“Can’t help you there, Mr. MacLean,” I said. “I had my back to your table when the gun went off. I didn’t see it.”
“Damn it,” MacLean said, “he was holding the gun. You made him drop it.”
“Still can’t help you,” I said. “Gilbert Scalia might have shot Cowles, the way he shot Nadia Guaman. He framed Chad Vishneski for Nadia’s death, and now he could be trying to frame Nadia’s father for shooting Rainier Cowles.”
That got Terry’s attention in a hurry. He had been prepared to let MacLean and Scalia rush off to their waiting limo, but he ordered me to repeat the accusation.
“What are you basing that on, Vic?” Terry asked. “Your woman’s intuition or actual evidence?”
I gave a tight smile. “Marty Jepson ID’d Scalia as a man who accosted Chad outside Plotzky’s bar the night Nadia Guaman was shot. And one of Mona Vishneski’s neighbors saw him and a second man escorting Chad home about half an hour later. The neighbor recognized Scalia’s Iraq service medal. Maybe he can pick Scalia out of a lineup.”
“I have major responsibilities in a war that the U.S. is waging against our most ferocious enemies,” Scalia said. “I can’t be bothered with this kind of crap.”
Terry’s eyes narrowed. “Murder is a kind of crap, Mr. Scalia, the worst kind. If you’ve shot someone in my city, then you’ll have to take time away from your heavy duties to answer my questions.”
Terry told Milkova to see that Scalia and MacLean were driven to his office at Thirty-fifth and Michigan. “Let Captain Mallory know what we’re doing. And, of course, let them call their lawyers. I gather their chief counsel is over at Northwestern getting his head sewn back together, but they must have other lawyers at their disposal.”
Finchley told me I could sit down until he was ready for me, and I retreated to the stool the Renaissance Raven had used. After that, I remembered things only episodically. Jepson and Radke smuggling the Raven out of the bar through the basement service door. Perhaps she was afraid a police inquiry might keep her from her European tour.
Petra shrieked at the blood from my left foot pooling on the floor. I hadn’t noticed it until then. “Vic! You’ve been shot!”
I pulled my foot up and looked at it under the spotlight. A piece of glass was embedded in the ball. I hadn’t even felt it when I walked away from Rainier Cowles.
“Don’t worry about that now. What I need is for you to make sure the Body Artist hasn’t left.”
Petra gulped. “Vic, you can’t just sit there with glass in your foot.”
“Then pull it out and go find the Body Artist.”
Petra disappeared into the crowd, which was sounding like the herd in one of those old John Wayne movies: low mooing, restless movement, prelude to a stampede. Now that I knew about the glass in my foot, I couldn’t bring myself to get up to look for the Artist. I tried to scan the crowd to see if I could spot her, but it was impossible with so many bodies crammed together.
I must have dropped off to sleep, because the next thing I remember was Lotty holding my foot while Vesta pointed a flashlight at it. “Yes, it is just glass, not a bullet. And Sal has a good first-aid kit. This will hurt: I don’t have any topicals with me—I don’t go to nightclubs expecting to need them. Vesta, a little lower and to the right.”
The pain as she pulled the glass out shot through me like an electric current. Lotty’s expert fingers probed the area, didn’t find any more fragments. She swabbed the wound with antiseptic, which jolted me again, and pieced the gaping pieces of flesh together with tape before wrapping the foot up.
“Thank you, Lotty,” I said weakly. “Sorry the evening’s entertainment took such a shocking turn.”
“Why would I expect otherwise when you’re in charge? God forbid that the Chicago Symphony ever hires you to run a program for them.”
The words were harsh, but her tone was affectionate. She squeezed my shoulder and ordered Petra, who’d hovered, white-faced, behind her, to bring me a hot, sweet drink. No alcohol! Lotty waited until Petra returned with some hot cider and stood over me while I drank it.
“You have to stay?” Lotty asked when I’d finished the cider. “I’m getting Max to take me home. You know, men in uniform. I think I’ve seen enough of them for the evening. You have someone to see you home when they let you go?”
“Plenty.” I got up to kiss her good night and ask her to take Mr. Contreras with her. He had been buzzing around the perimeter while I talked to Terry and while Lotty worked on me. It wasn’t just that I didn’t have the energy to talk to him right now, but I wanted to stay until I could see the Body Artist alone. I didn’t know if I could even keep her in the bar when the cops finished with her.
“Petra needs to go home,” I said to my neighbor when he started to reject Lotty’s offer of a ride. “She’s seen way too much violence tonight.”
That suggestion brightened his face: looking after Petra was a pleasure as well as a duty. As soon as he left with Lotty and Petra, I turned to Vesta. “If Karen is still in the bar, if the cops don’t send her down to Thirty-fifth and Michigan, will you hold on to her for me? I want to talk to her alone and may never find her again if she gets away tonight.”
Vesta’s mouth twisted into a wry smile. “You’re half dead where you’re sitting, you know. But if it’ll cheer you up to talk to Buckley, or whatever her name is, I’ll sit on her chest until you’re done here.”
When Terry finally finished with me—“I saved the worst till last, Warshawski”—and the last of the cops disappeared, Vesta stepped out of the shadows inside the mahogany horseshoe and brought the Body Artist over to me. Marty Jepson and Tim Radke followed. I wondered where Rivka was, but Vesta told me she’d made Rivka leave an hour or so earlier while the cops were interviewing the Artist.
“We’ll go down to the basement and talk while I clean up and change,” I said to the Artist. “Vesta, can you escort her down? And Tim, Marty, why don’t you hang around up here? If she decides to run up the stairs, I’ve got this gimpy foot—I can’t stop her.”
“I have nothing to say to you,” the Body Artist said, “so you might as well let me go now.” Her chin was high, defiant, Joan of Arc confronting her Burgundian jailers.
“Then you can sit in lofty silence, while I clean up and dress. And I’ll talk to you.”