85
DARRYL LOOMIS parked on Sullivan Street, about a block away from the Aurora Tower. “We’re actually meeting Tommy inside the Aurora?” Candace asked as she got out of the car, an aging Ford Taurus. She was assuming that the police were hearing every word she said, and she was trying to give them a play-by-play without being too obvious about it. She hadn’t been able to see any sign that the cops were following them, but was taking it on faith that they were. “How are we getting in?”
“Tommy arranged it,” Darryl said.
“Aren’t they still doing construction?”
“They’re doing the interiors now. We’re going around to the back.”
They walked past the front of the Aurora and turned the corner. From the outside it no longer looked like a construction site. The building was stylish, she had to admit: it appeared to undulate like a gentle wave. It was by far the tallest building on the block, a showpiece. Candace supposed it should be, for half a billion dollars.
Darryl stepped into an alley in the middle of the block, Candace hesitating a little. Darryl noticed, stopped, and turned back. “It’s just down here. The freight entrance has been left open. Come on.”
“You say so, Reggie,” Candace said, forcing herself to go forward. The alley was actually well kept—this was SoHo, after all—and they walked about twenty feet to the back of the Aurora. The freight entrance was unlocked.
Candace followed Darryl inside, finding herself in a grimly functional, fluorescent-lit hallway, a part of the building that the wealthy residents would presumably never see. Darryl led the way to the freight elevator, Candace following him in. The elevator was large and had clearly recently seen heavy use: it was scuffed, with dirt and sawdust on the floor.
They took it up to the twenty-seventh floor. Once in the hallway Candace could see that she was in an unfinished building. There was plywood on the floor and the overhead lights weren’t on, plunging them into an evening gloom.
“What’s on the twenty-seventh floor?” Candace asked, wanting to make sure the police knew exactly where she was. Assuming they still had a clear signal from her. Candace was beginning to think she’d made a very bad mistake, and she wondered if the smart thing was to just get back in the elevator and get the hell out of there.
Darryl gave her a look. “This is where Tommy said he’d be,” he said.
“It’s weird up here, Reggie,” Candace said.
“You get used to it,” Darryl replied. “If you’re in construction, I mean.”
“You’re in construction too?”
“Yeah, I work with Tommy,” he said.
“You must be management,” Candace said.
Darryl looked puzzled. “Why you say that?”
“Your suit,” Candace said. “I’m betting it’s hand-tailored.”
Darryl looked at her for a second but didn’t respond. He walked halfway down the hall, then stopped at an apartment door. The slots for a lock and a doorknob were both empty. “In here,” he said, pushing the door open.
Candace followed Darryl inside. She found herself in a large unfurnished apartment. As she passed the island kitchen Candace noticed that the refrigerator was in the middle of the room and the marble countertop was lying beside it, covered in bubble wrap. The living room was empty, except for a man who was not Tommy Nelson.
“Chris Driscoll?” Candace said after a moment, recognizing Driscoll from the time she’d spotted him talking to Duncan. “The hell are you doing here?”
“I work here now, the Aurora,” Driscoll said. “Got transferred off of Riis after your little article came out.”
Driscoll was leaning against the far wall of the living room, Candace in the middle of the room facing him with Darryl behind her. The wall in front of her was glass, looking south onto Lower Manhattan. Candace took a couple steps backward so that she could have both of them in her sight.
“It was nothing personal,” Candace said reflexively—what she always said to somebody who was pissed off about something she’d written.
“Just my name in the paper, being called a liar, right?” Driscoll said. “My father saw that, my wife.”
Candace was through playing nice. “What’s the idea of bringing me here?” she said instead. “Look, I’m sorry if I pissed you off, Chris, but this isn’t the way to get a meeting with me.”
“It’s not that simple,” Darryl said. “Chris’s not the only man I know who feels you’ve been talking too much.”
Candace turned to face him. She decided there was nothing to be gained at this point by pretending she didn’t know who he was. “You’re Darryl Loomis, aren’t you?” she said.
Darryl was caught off guard, knew he’d shown it, then smiled. “Very good,” he said. “So then I’m guessing you can figure out why you’re here.”
“You realize my editor knows where I am, right?”
“With Tommy Nelson in Tompkins Square?” Darryl rejoined.
“What is it you want?” Candace said.
“First, I want to know if it’s true about Pellettieri.”
“That he washed up in Jersey? Yes, it is.”
“And you’re writing a story about it?”
“You can buy a paper same as anyone else,” Candace said. “Or you can go to our Web site—it’s free, you know.”
Darryl shook his head as though disappointed. “You need to take a look around, figure out the situation you find yourself in. You’re alone with two men who you think are killers. There is nobody else within a hundred feet of you. I ask you a question, answering is a real good idea.”
Candace was trying to understand what Darryl’s actual plan was. If she told him everything she knew, what was he going to do then? If he let her leave, he’d have to assume that Candace would go straight to the police and file charges against him. Maybe not serious charges, not if he didn’t hurt her, but still, he’d have a lot of explaining to do. “Are you planning on killing me?” she asked. “Because otherwise I don’t really see your move here.”
“I’m just looking for information,” Darryl said. “Have you written a story regarding Pellettieri’s death?”
“I’ve drafted something, yeah,” Candace said, lying. “It’s on the network at work.”
“What is it you think you know?”
“About Pellettieri?”
“About all of it.”
“Let’s see. I know that Driscoll here lied about seeing Nazario kill Fowler. I know that the real reason Fowler was killed was because he tried to blackmail Jeremy Roth about what happened at this building. I don’t know who actually killed Fowler, though you’d certainly make my short list. Whoever it was, they were following orders from the Roth family.”
“And have you written this?”
“Yes, though it’s not finished,” Candace said. “I guess my asking around got back to Jeremy?”
Darryl ignored the question, studying her with a slight smile. “I’m calling bullshit,” he said. “I don’t think you’ve written a goddamn thing. What proof of any of this do you have?”
“The DA is building a case against you for Pellettieri right now,” Candace said. “How do you think I know he’s dead and yet it hasn’t been reported anywhere? And once they do that, they’ll look at you for Fowler too. You killed your own guy, for Christ’s sake.”
Darryl’s face went cold. “Fowler wasn’t my guy, not after what he did. He was a dead man the second he put his hand out to a client. I’m in a business that requires absolute trust. People come to me with their worst problems. The secrets I keep are beyond your ability to imagine. You think your little paper conveys the truth about how this city really works? You barely have a clue.”
“Now’s the time to protect yourself,” Candace said. “The Roths won’t hesitate to throw you over, the shit hits the fan. Tell me the story, make a deal with the DA, cash out while you have the chance.”
Darryl offered a tight smile. “I don’t think so,” he said. “I don’t think you’re going to be writing any more stories. I think you broke into this building, snooping around for some shit, and had yourself an accident.”
Candace braced herself. “Enough is enough,” she said, then took two quick steps back toward the wall.
Nothing happened. Darryl looked at her, puzzled. Candace, in a panic, thought something must have gone wrong, and that the police where nowhere near her. She considered trying a sprint toward the apartment’s front door, but didn’t think she’d make it past Darryl.
Then there was the sound of quick movement over by the door, followed by a loud voice from behind Darryl yelling something about showing hands.
Things happened in a jumble after that. Darryl spun quickly to the door, his hand going inside his suit jacket as he did so, emerging with a pistol. The sound of gunfire was deafening in the empty room, Darryl falling in a heap. Driscoll stood frozen in place, then slowly lifted his hands. Detective Gomez was at Candace’s side, asking if she was all right, while several other cops, guns drawn, clustered around Darryl’s body.
“Is he dead?” Candace asked, barely able to hear herself over the ringing in her ears.
Gomez glanced disdainfully over at Darryl’s body. The only movement was the blood slowly pooling around it. “Don’t look good. It might’ve been useful to have him alive, but f*ck him anyway. He disgraced the job.”
“He went for his gun,” Candace said, still dazed. “Why would he do that?”
Gomez shrugged. “Let’s get you out of here,” he said. He placed a hand on Candace’s shoulder and gently pushed her out of the room.
Gomez led her to the elevator, down to the ground floor, and then out of the Aurora. Sullivan was waiting for her just outside the door, an earpiece dangling around his neck.
“Is he dead?” Sullivan said to Gomez.
“I think so.”
“Suicide by cop?”
Gomez shrugged. “Happened fast.”
“Driscoll?”
“He’s cuffed. Didn’t resist.”
Sullivan nodded, then turned to Candace. She could tell by the way his face changed that she did not look good. She felt herself going fuzzy. All the fear of the past hour had come out now, her entire body buzzing with it.
“You okay?” Sullivan asked. “You’re shaking.”
“Am I?” Candace said, then looked down at her hands, which were fluttering like butterflies. “I guess I am. I think I might not see okay for a while.”
Sullivan nodded. “Let’s get you to the station, get a quick statement; then we’ll let you go home. You can have a glass of wine and a long bath.”
Candace looked at Sullivan like he was nuts. “You kidding me? In case you missed it, I’m sitting on a huge f*cking story.”