Black Out_A Novel

15

While my eyes are closed and I’m paralyzed with fear, I feel the gun snatched from my hand. My lids spring open and I’m face-to-face with Dax.

“What about my instructions eluded you?” he asks in a harsh whisper. He grabs me by the arm and moves me toward the stern.

“Where are we going?” I ask him.

“We have to get off this ship,” he says.

It’s then I notice that his clothes are covered with blood. When he turns around to look at me, I see that his face is smeared with it.

“Off the ship? And go where?” I look out into the angry waters. There’s nothing but black.

“There are islands. There,” he says, and points off into the darkness. I don’t see what he sees. I look around for the other boat I saw in the distance, but now it’s gone, or at least its lights are off and it’s disappeared in the black. I don’t understand what’s happening, but I am emptied out by fear, as if that’s all there is to me. I stop moving, force him to stop with me.

“Where are the other men?”

He doesn’t answer me. He climbs down a ladder at the stern to a platform where a Boston Whaler sits waiting, tied off on one of the cleats. It bucks and pitches like a mechanical bull. It’s so tiny I feel sick just looking at it.

“You must be joking,” I say from the top of the ladder. “Are you trying to get us both killed?”

He looks up at me, reaches up his hand. “Everyone else on this boat is dead,” he says. “We have vastly underestimated our opponent. Leave with me or die here tonight.”

“I don’t understand,” I say stubbornly. A fog seems to have settled in my brain; the whole situation has taken on the cast of dream, of nonreality.

“Dead,” he says loudly, startling me into the moment. “As in not breathing. Ever. Again.”

His words are a punch in the jaw; I’m reeling from the impact. Four other men, all trained paramilitary professionals like Gray, dead. I look back at the boat, where everything is still dark, where there is no movement or sound. It’s a ghost ship. Panic starts to undermine my sanity.

“Who did this?” I ask.

Dax starts moving back up the ladder. “I don’t know,” he answers, not looking at me. “There was a team. Well trained. They thought I was dead, so they left me where I lay.” The wind is kicking up, and he has raised his voice so I can hear him. The water is slapping angrily against the boat, the Whaler knocking against the stern. “I figured they’d come after you next; I thought I’d find you missing or dead. The boat they arrived on? It’s gone.”

“Then let’s get this one moving again.” These waters must be full of sharks. That little boat looks like an hors d’oeuvre tray. Suddenly dying out there seems less attractive than it did before.

He climbs back onto the deck, runs his hands through his hair in a gesture of frustration. “The engine’s dead,” he says flatly. “Whoever has done this disabled the boat. They left you on it. Leads me to believe they’ll be back or that they’ve rigged the boat to explode when they’re far enough away. We need to go. Now.”

“No,” I say.

Dax is looking at me hard. He might have been a handsome guy once, but his eyes tell me something about the things he’s done and seen. His skin is creased and weather-worn; his mouth is a thin, tight line, a mouth that looks as though it has never smiled. He puts his hand on my arm again. I wonder if he’s going to try to muscle me onto the Whaler.

“I want my gun back,” I say, bracing myself.

He squints at me. Then after a second’s hesitation, he takes the gun from his waist and hands it over. “Let’s go,” he says, pulling me back toward the ladder.

“You go,” I say. “I can’t. I need this to end tonight. One way or another. I can’t just keep going and going. I get in this Whaler and then what? We hang out on some island until the sun comes up? Or we drive until the boat runs out of gas? We’re sitting ducks then, too.”

“We’ve been out of contact for over an hour. Another team will come for us before either of those things happens,” he says. He’s yelling now out of frustration, not just so I can hear him. His eyes are scanning the horizon as if he’s already looking for the lights of another ship.

“When they do, bring them back,” I say. I sound calm and sure, not at all how I feel.

“Don’t be an idiot,” he says, tightening his grip. He looks at me with some combination of concern and disdain. “You’re so far out of your league you don’t even know what you’re playing at.”

“You work for me, right?” I ask. He nods. “Then you’re fired.”

He shakes his head in disbelief but releases my arm and doesn’t move to stop me as I run back toward the stairway that leads to the helm. Before I step inside, I hear the engine of the Whaler and turn to see the white of the boat get swallowed by the night. My heart sinks as it disappears. I wonder how big a mistake I’ve just made and what it’s going to cost me.



16

When Victory was first born, I was terrified of her. She was this tiny, swaddled bundle, her small head nearly disappearing in her newborn cap. She wasn’t one of those screaming babies who want the whole world to know they’re here to stay. She was still and quiet, almost observant. When I looked into the deep brown of her eyes, I wasn’t sure what I saw there; she seemed tired and a bit shocked, maybe even disappointed. It didn’t seem as though she’d made her decision whether to stick around or not. Her breathing seemed too shallow, her limbs impossibly delicate. I felt as if she could disappear at any moment. Several times a night, I would startle from sleep and slip over to her bassinet, not to see if she was still breathing but to see if she was still there.

Victory always appeared relieved in Gray’s care, though she seemed even tinier against the wide expanse of his chest. I imagined her issuing a faint sigh and turning up the corners of her mouth just slightly. Sometimes when I was nursing her and she had her wide, watchful eyes on my face, I could swear she was thinking, Are you sure you know what you’re doing here? Are you really qualified for this? With Gray she seemed utterly peaceful, as if she knew that in his thick, capable arms she was totally safe. With me she wasn’t so sure.

I used to dream that she’d be taken from me. In those first heady weeks, the sleep I got was riven with nightmares. I dreamed that the nurses came to the delivery room and shuttled her off, with me screaming after her. I dreamed I brought her to the pediatrician for her first visit and they refused to let me leave with her, citing my obvious lack of competence. I would wake up breathless, shame and rage racing through me like a white-water current.

When I first started going out of the house with her, I was afraid that I would accidentally leave her somewhere, that I would absentmindedly walk off and forget her in the grocery store or at the bank. I imagined in vivid detail tripping and losing my grip on the stroller and watching helplessly as it careened into oncoming traffic, or botching the fastening on the front carrier and being unable to catch her as she fell from it. In other words, I was a basket case most of the time.

“Every new mother has these kinds of feelings,” my shrink would tell me. “It’s a normal response to the massive and unfamiliar responsibilities in your life. Victory relies on you totally for her survival. That’s an awesome realization. Then, of course, there’s your lack of a good role model. Though obviously your mother didn’t do everything wrong. You survived, after all.”

“Just barely,” I said. I always felt this childish wash of anger with anything less than his total indictment of my mother. Especially in conversations that centered on Victory.

“Well,” he said, with a deferential nod, “yes. But consider this: Just because your mother didn’t love you enough doesn’t mean you start with a deficit of love for Victory.”

I didn’t follow, and my expression must have communicated that.

“I’m saying that you don’t need to make up for what your mother didn’t give her little girl—you—by overcompensating with Victory. That doesn’t make you a better mother. A child needs a whole and healthy mother, someone separated from her to a certain degree. Otherwise, when she naturally starts to move away, she will feel as though she’s taking something from you. She’ll feel that you need her too much. It will cause her pain, guilt, impede her emotional development. Does that make sense to you?”

I made the appropriate affirming noises, but I didn’t see how a mother could love her child too much. Seemed like only a man could imply such a thing.


That afternoon, after the detective’s visit, while Victory is still in school and Gray has gone off to do whatever it is he does in a crisis situation, I move my stash to a locker at the bus station in the downtown area.

It’s a small and seedy place about a block away from the police department. A homeless man drinks from something wrapped in brown paper and watches me from the bench where he reclines. I feel his eyes on the back of my neck as I shove my bag into the locker and take the small, orange-capped key. Feeling conspicuous and a bit silly, I wonder what well-intentioned or aboveboard reason someone might have for stowing belongings in a bus-station locker. As I walk back to my car, the homeless guy’s still looking at me. He’s wiry, dirty in a red-and-white checked shirt and jeans, beat-up old sneakers.

I don’t judge him. Once, I woke up to find myself lying on a public bench, unwashed, disoriented; I wonder if this man, like me, is mentally ill. But he doesn’t seem afraid or unstable. If anything, he seems comfortable, resigned. I wonder what he’s thinking about me and my obviously guilty errand as I drive off. But I don’t suppose he’s in any position to judge me, either.

I stop at the gas station on the way back to the house. The only thing more depressing or suspect than a public locker is a gas-station pay phone. Maybe because they remind me of all the miserable calls I made to my father from just such a phone. They make me think of teenage runaways huddled against the rain, succumbing finally to desperation and fear, calling their parents and begging to come home. Or adulterers sneaking off to call their lovers. Only under such bad conditions would one find it necessary or desirable to huddle in the little metal shell, press her mouth and ear against the filthy receiver.

Paying with cash, I buy a calling card from the clerk and then walk over to the phone. I call the number I have memorized.

“Leave a message,” answers a low male voice. “No names. No numbers. If I don’t know who you are, you shouldn’t be calling me.”

His voice brings back memories of a sunny common room, the smell of institutionally prepared food in the air, the jangling and cheering of a television game show, the volume down low. We played Go Fish in our pajamas every day for a month, drawn to each other I suppose because we were the only patients connected to reality at all. Everyone around us drooled and stared, issued the occasional scream, or called out a name.

His name was Oscar, or so he told me. He was depressed, he claimed, suicidal. He’d thought about taking a leap off the Verrazano, but he thought about it too long and the cops came and pulled him back over the railing. “You make enough people disappear and the world doesn’t even seem real anymore. Nothing matters.”

“What do you mean, disappear?” I asked, not sure I really wanted to know.

He cleared his throat, glanced around. He reminded me oddly of that stock image of Albert Einstein, though much younger, with crazy hair everywhere, thick and spiky like pipe cleaners, and bright, clear eyes.

“You’d be amazed how many people want or need to walk away from their lives.”

Like me, I thought, looking at the cards in my hand. “Really?” I said.

“I’m the one they call,” he whispered, leaning in close. He tapped his chest. “I arrange the details.”

“I see,” I said politely.

“Oh,” he said, suddenly indignant. He let his cards tip, and I saw his hand. “You don’t believe me. Because we’re in here.” He swept his arm around the room, at the zombies in repose.

“Well, let me tell you something,” he went on when I didn’t answer. “You got to be someone or know someone to be in this place. They don’t let just anyone in here.”

I stayed silent, remembering how Gray had told me his father knew the doctor who ran this posh and privately funded hospital, that favors were called in. This is a place mainly for former military personnel, lots of Special Forces guys, Gray had said. Guys suffering posttraumatic stress disorder and the like.

“Which leads me to ask, little miss,” said Oscar. “Just who the f*ck are you?”

“I’m no one,” I answered.

He gave a soft grunt. “Aren’t we all?”

“Queen of hearts,” I challenged.

“Go fish.” I’d seen the card when he inadvertently revealed his hand earlier. But I drew from the pile between us, anyway. I figured the fact that we were both cheating made us even.


I just say the one-word code Oscar gave me, years ago now, on the night he checked out of the hospital. “Maybe you never need it,” he said. “Maybe you and me never see each other again. But hey, just in case.”

“Vanish,” I say, and hang up.

It seems improbable that he’ll remember me, but I don’t have any choice other than to follow the instructions he gave me back then. Or maybe he was crazy, as crazy as I am, and this call will come to nothing. In any case, as I drive away, I feel light-headed, sick to my stomach that I’ve even taken things this far. I have a kind of vertigo as I lean over the edge of my life and look down. I will just tip over and be gone.



17

Everything that happened next happened so fast that I remember it like a landscape passing outside the window of a moving train. Believe it or not, my mother succeeded in getting Frank a new trial. The young death-row appeals lawyer she found was hot to make a name for himself; a high-profile case like Frank’s was exactly what he needed. After a few phone calls back and forth, and my mother scurrying off to the post office with newspaper clippings and the research compiled by the private investigator, he agreed to bring Frank’s case before a judge.

Between the dirty arresting officer and new testimony from the deceased eyewitness’s ophthalmologist, who claimed that the old woman’s vision was so poor she wouldn’t have been able to see much of anything at night, this lawyer was able to convince a judge that Frank deserved a new trial.

I came home one day to find my mother on the steps of our trailer surrounded by reporters. They flitted around her like moths to light, asking their questions. She looked beautiful and regal; no one would have guessed she was a waitress with a ninth-grade education. She spoke with the authority of someone who’d done her research on the legal system, mimicking all the right phrases, certain of her convictions. I stood in the back of the crowd and listened to my mother crow about her crusade, her faith, her belief in Frank Geary’s innocence. I felt dizzy as I determined from their questions that a new trial would begin in a month.

I pushed my way through the crowd and past my mother, shaking her off as she tried to introduce me to reporters, not hearing the questions they shouted.

“What’s the matter with you?” she complained when she entered the trailer. “Everyone will be looking at us now. We have to show our support for Frank.”

I was speechless. I felt like my chest and my head were going to explode with the sheer force of my anger and disbelief. How could this be happening?

“I told you, Ophelia,” she said triumphantly. “I told you the Lord wouldn’t let an innocent man die.” She was behaving as if he’d already been acquitted and was moving home.

In a desperate rush, I told her all the things that Marlowe had told me, about the purses and the shoe under the porch. She scoffed, pulling her shoulders back and sticking out her chin.

“Marlowe’s testimony was thrown out of court, Ophelia. Do you know why? Because he’s a compulsive liar, just like your father. A child psychologist testified that Marlowe’s statements were unreliable. No one ever found those purses or that shoe.”

“Mom!” I yelled. “He’s a rapist and a murderer. He is going to kill you.”

She slapped me so hard I saw stars in front of my eyes. I stood there for a second, my face burning, my eyes filling with tears. My mother took a step back, closed her eyes, and rubbed her forehead with both hands.

“Ophelia, I swear,” she said in a gasp through her fingers. “You bring out the worst in me.”

I left with her yelling after me and went straight to the pay phone outside the gas station across the street from our trailer park. I was sure this would be the thing that convinced my father to come get me.

“I need to speak to my dad,” I told the woman at the tattoo parlor who accepted my collect call. I think her name was Tawny.

“Ophelia, honey,” she said, sounding strained. “He’s gone.” Something about the way she said it made my throat go dry.

“Gone where?” I asked, trying to keep the shake out of my voice. “When will he be back?”

“Honey, I thought he would have told you.”

“Told me what?” My voice broke then, and I couldn’t hold back my tears or the sob that lodged in my throat. There was a long silence on the line as I wept, cradling the phone in my hand.

“He got himself a new Harley,” she said gently. “He’s taken off on a road trip to California. We don’t know when he’ll be back. It might be a month or more.”

Marlowe’s words hit home then. He’s not coming for you, he’d said.

“I don’t have any way to reach him,” she said. “But if he calls to check in, I’ll tell him you need him.”

I hung up then without another word. I remember holding on to the phone booth for support, feeling as though someone had punched a hole through my center, where a cold wind blew through. I don’t know how long I stood there, crying hot, angry tears.


Drew and Vivian are at the house when I get back, sitting in the kitchen with Gray, drinking coffee and looking grim. They all turn to look at me when I walk through the door from the garage. The small television on the kitchen counter is on, with the volume down. I see the face of the murdered woman again; she looks so sad in the photograph they chose. Couldn’t they have found a picture where she looked happier? I don’t know why it should bother me, but it does.

“What is this?” I say with a fake laugh. “An intervention?” They must know what I’ve done. I check the coffeepot to see if it’s still warm, and I pour myself a cup. I keep my eyes on the black liquid in my mug as I turn around.

“We’re just worried about you, Annie,” says Vivian. “You seem…frayed.”

“I’m fine,” I say, looking up at them.

“Where were you just now?” Gray asks, standing and walking over to me.

“Out. Driving. Thinking,” I answer. I am washed over by annoyance and anger; I’m sick of being treated like a mental patient. It has been more than four years since my last episode. I know why they’re concerned—they’re alarmed by my recent black patch because I haven’t had one of those in Victory’s lifetime. But I don’t answer to any of these people.

When Gray takes me into his arms, my anger fades and is replaced with guilt for lying, for doing what I did. I’m suddenly unsure of myself, of this flight response I’m having to the threats I perceive in my world. The worry on their faces reminds me that it could be real or all of it could be imagined.

“We were wondering if we could have Victory for the weekend, Annie,” says Vivian from the table. She is a big, strong woman, but beautiful and feminine, with a neat steel gray bob, flawlessly smooth skin, and square pink fingernails. She’s always in silk and denim. “It will give you and Gray some time to yourselves.”

I don’t say anything but my anger and annoyance creep back. There’s always this implication that I need time away from Victory. Or is it that they think she needs time away from me, her crazy mother? If I protest, it makes me seem selfish or unstable or both.

“Just tonight and tomorrow night,” says Vivian soothingly. “We’ll take her to school on Monday morning, and you can pick her up Monday afternoon.”

Drew says nothing, just sips his coffee and looks out the window. He never says anything unless absolutely necessary. He lets Vivian do all the talking for him. Gray says his real mother wasn’t strong like Vivian, that the life Drew led was hard on her, that she suffered. She spent some time in hospitals, I think, though Gray’s memories are a touch vague. What he does remember pains him—more than he says, I suspect.

He remembers bringing her glasses of water and small blue pills while she lay in bed, the shades drawn. He remembers listening to her cry at night after she thought he was asleep. There were long absences, when it was just Gray and his father. Your mother needs some rest, son. She’s not well.

I’ve seen pictures of his mother looking thin and unhappy, dwarfed beneath Drew’s possessive arm. In some of the old photographs, there’s a little girl, blond and cherubic like Victory, a sister who died before Gray was born. It was an accident Drew has never been able to discuss, Gray tells me. She drowned somehow…in a pool, in the bathtub or the ocean, Gray doesn’t know. It is an absolutely taboo subject, never once discussed between father and son as long as I’ve known them. The thought of this drowned child, the forgotten girl whose name I don’t even know, makes me shudder. I hate the water.

“I need some time with you,” Gray whispers in my ear. I look over at Drew, who still stares out the window as if he has nothing to do with this. But I know that this is coming from him; Vivian and Gray are his foot soldiers. There have been other conversations like this—about the beautiful house that I never wanted to live in, about the wonderful preschool I thought Victory was too young to attend, about the luxurious family vacations that I didn’t want to take.

I feel trapped, like I have no choice but to agree. There’s no space for me to say no, no way. I don’t want to be away from my child right now, not even for two nights. It will make me seem clinging and desperate in this context.

“It would mean a lot to us, Annie,” Vivian says.

That’s the other thing they do: make it seem like I’m doing them a favor, that if I refuse, then I’d be denying them something after everything they’ve done for me. I move away from Gray under the guise of getting some cream from the refrigerator.

“Sure, Vivian,” I say. “Of course.”

I know they treasure my daughter and that Victory loves every minute she spends with them. She’ll be thrilled, won’t even throw a second glance back at me and Gray. I take my coffee and go up to her room to pack a bag without another word. I can feel all their eyes on me as I leave the room.

After a minute Gray follows me up the stairs.

“Why are you doing this?” I ask when he has entered Victory’s room and closed the door. We are surrounded by smiling dolls and plush animals. The walls are painted blue with clouds, stars on the ceiling. The space is a happy clutter of all manner of toys, a tiny white table with four chairs, stacks of books and games. This is my favorite room in the house, the place I made for my daughter.

“Honestly?” he says, sitting down on Victory’s bed, atop the comforter that is a riot of orange, yellow, and pink flowers.

“I’m concerned. I want her gone for a couple of days while I figure out what’s going on. Don’t you agree?”

I give him a grudging nod and sit beside him.

“And I meant what I said.” He puts a hand on my leg and rubs gently. “We haven’t had a day to ourselves in months. I need some time with you.”

“We have live-in help,” I say. “We have all the time alone we want.”

I let him pull me into an embrace and I rest slack against his chest. I don’t like it when he aligns with Drew and Vivian against me. They all seem so strong, so certain. I am flotsam in their current.

“You do whatever he wants,” I say. I feel him tighten up. It’s an old argument, a sore spot for both of us. Bringing it up is an invitation to rumble.

“That’s not true,” he says stiffly. “And you know it.”

“It is true,” I say as he releases me.

“This is not about my father.” His tone holds a familiar controlled anger, the tone he always has when we fight about Drew, as if there’s a well of rage he would never dare acknowledge.

“Whose idea was it?” I ask. “To get Victory out of the way for a few days so you could figure out what’s going on?”

He walks over to the bookshelf and lifts a snow globe up to the light. He stares into the orb at the pre-9/11 skyline of New York City. He is all hard angles, a dark tower against the sherbet-colored plush of toys and downy blankets. His silence is my answer.

Gray’s working with his father represents a kind of cease-fire. After a troubled adolescence and many years of estrangement in adulthood, Gray and his father have finally come to a demilitarized zone in their relationship. I think Gray likes it there; he doesn’t want to go back to war. I understand this, but I resent it, too. We fight again and again about it, with no resolution.

“You know, I’m not crazy,” I say, apropos of nothing, after a few minutes of silence, each of us isolated by our private, angry thoughts. I just feel I have to assert this.

“I know that,” he says, returning to sit beside me again. He has a look on his face that reminds me he’s seen me at my worst. Sometimes I think those memories prevent him from seeing how far I’ve come. I worry that I’ll always be the crazy girl he found and rescued. Maybe part of him wants me to be that.

“The doctor says I’m stronger than I’ve been since he’s known me.”

“It’s true,” says Gray. “This is not about your mental health. There are real threats we have to assess. Victory is safer with my father than she is with Esperanza, right?”

He’s right, I know he is. Why do I feel bound and gagged by his logic? Why does every nerve in my body tingle at the thought of being separated from Victory right now? But I go along. Of course I do.

Gray and I finish packing Victory’s little pink suitcase, and we go with Vivian and Drew to pick her up at school. She is predictably delighted. Disney is in her future. She kisses us each carelessly and hops into the car seat in the back of Drew and Vivian’s SUV. I see her tiny hand lift above the car seat in a wave good-bye. And they’re gone. I fight the urge to run after the car.


“Why didn’t you just say no?” asks my shrink later that afternoon.

“Because they were right. I am frayed.”

The problem here is that I can’t really tell him about the intruder on my property, the visit paid to my father, the cop and his questions. There’s too much about me that he doesn’t know, that I used to be someone else. That the person I used to be is guilty of some grave mistakes. He thinks I’m Annie Powers, formerly Annie Fowler. He thinks my husband is an insurance investigator. He knows about my dreams, the black patch, my history of fugue and disassociation, my choice to stop taking medication. He knows that I’ve been well and stable since Victory’s birth. He knows a version of my past wherein names have been changed to protect the guilty, myself included. But he’s ignorant of some crucial details and the very real recent threats. I think he must be aware of this, that he knows he’s helping me only as much as I’ll allow.

“Well, even so. You have a right to say what you want, Annie. Even if other people have legitimate and well-meaning reasons for asking something of you, it doesn’t mean you have to comply.”

I know he’s right, and I tell him so. “Anyway, they’re gone.”

“It’s something to keep in mind for next time. You have a right to say no, even if your reasons don’t seem logical to anyone else. Due to traumatic circumstances in your life, you have had breaks from reality when you were unfit to make judgments. But it has been nearly five years since one of these episodes has occurred. You have been dealing with the root cause of your illness, and you are well, even without your medication. You aren’t defined by those moments in your life; don’t allow your husband and in-laws to make that mistake, either.”

He’s right, of course, even with all he doesn’t know. The essential truths of our lives sometimes exist above day-to-day events. He thinks Gray found me in a bus station, that in a fit of altruism he took me to a hospital and, in an unlikely turn of events, fell in love with me during visits he made while I recovered. This is not very far from the truth, without being the whole truth.

“Gray fell in love with you while you were helpless and mentally unstable,” the doctor reminds me.

“So maybe he doesn’t want me to be strong?”

“Is that what you think, Annie?”

“I don’t know.”

Someone like Gray is at his finest when there’s a crisis to be handled. He is the man you want when the sky is falling. But when the sky is not falling, does he feel a little lost? I think about our family and all the things we are forced to conceal, all the secrets we keep.

Florida rests on a network of limestone mazes, a labyrinth of wet and dry caves and crevices referred to as a karst topography. A layer of quartz sand thinly mantles the underground landscape formed by the movement of water through rock over millions of years. It’s another world, filled with dark passages, populated by creatures that couldn’t exist on the earth’s surface. Sometimes I think of Florida’s secret places, its wet darkness, its silent corridors, and I feel right at home.



18

Most of us don’t live in the present tense. We dwell in a mental place where our regrets and grudges from our past compete with our fears about the future. Sometimes we barely notice what’s going on around us, we’re so busy time traveling. Before Victory was born, I could spend whole days trying to sort out the things that have happened to me, the terrible mistakes I’ve made. I marinated in my anger and self-loathing, cataloged all the different ways my parents failed me, cast myself as the victim and played the role like I was gunning for a gold statuette.

Motherhood changed that for me. Victory forced me into the moment. She demanded that I focus on her needs, that I live by her schedule. When I was with her—feeding her, changing her—just looking at her or playing with her, everything in the past and the future fell away. I was aware that we would be together like this for only a short time, that in a heartbeat she’d be walking away from me, living her own life. I didn’t want to waste a second thinking about what might have been, what might be. Love makes you present. So does mortal fear.

I am fully present as I race up the stairs to the bridge. I burst through the door and am confronted by the body of the captain who waved to me earlier. He has a bullet hole between his eyes and an expression of profound peace on his face. I step over him to get to the control panel and nearly lose my footing. The floor is slick with blood. Another body lies in a pile of itself by the door. I register all this but don’t have time to feel the full rush of horror the situation demands.

I stare at the knobs and switches before me. I have never been on the bridge of a ship like this one; I have no idea how to start the engine or even what to do next if I succeed. Outside, there is nothing but pitch black. It’s bitterly cold, my ragged breath visible on the air, but I’m sweating from stress. I start randomly pressing buttons and turning knobs, but after a few fruitless minutes I give up. I sit in the captain’s chair and take in the scene—the dead night, the dead ship, the dead men around me, the only person who could have helped me gone because I sent him away. My mind is racing through my limited options. Did I really send Dax away because I wanted to face down my enemy? Or did I do it because I wanted to surrender? I don’t know. But I do know I have to take responsibility for this desperate moment, at least partially. I am as guilty as anyone for how my life has turned out.

My fingers reach for the gold pendant at my neck. I feel the jagged edges of the half heart. When I left my family behind, I put it back on for the first time in five years. I did this to remind myself that he was right: I did belong to him. And until I claimed myself, I always would.

I am swallowed by the silence. I have never heard such quiet. I close my eyes and pray to a God I’m not sure exists. Then I hear a distant hum, a speedboat engine. Hope and dread compete for control over my chest. Either reinforcements have arrived or I am about to make my last stand. Only time will tell.