FORTY-TWO
‘Apryl! Apryl! F*ck it!’ Miles tore the phone from his ear and began to run towards the front entrance of Barrington House. Up the steps he went, taking all three in one long stride, landing on the polished marble before the wide glass doors. Skittering sideways on leather-soled shoes, he was unable to breathe for the fear and shock and panic that scream had brought into him: the terror in her voice, lost inside a battering wind that made the signal crackle, break and then end. He reached for the keypad and punched at the stainless steel buttons. One. Nine. Four. Nine.
Inside the heavy brass clasp that held the two glass doors together he heard a loud thunk as the lock mechanism disengaged. And through the doors he banged, then hurled himself down the long carpeted hallway. Only as he neared the wide circle of the reception desk and the silent conservatory with its chairs and coffee table and magazines and dried rushes in vases did he manage to breathe again. To suck a great draught of warm air into lungs unused to vigorous exercise.
Through the fire doors, she’d said. These fire doors. To the staircase and elevator. He could hear her street-smart voice with its apartments and elevators and movie dialogue words, all swirling inside his thoughts that he couldn’t slow down.
He launched himself up the stairs. Then stopped. And stood uselessly with all of his limbs shaking and his reason trying to douse enough of the fire of panic to tell him that the flat was eight floors up and he was almost broken from just running through the reception area. There was the lift. Take that. It was on the ground floor. Yes, he could see inside the carriage: the mirror at the back and the wooden panels and yellowish light filling the space.
By the time he got inside the lift his hands were shaking. His index finger depressed the wrong button, the button for the fifth floor. Then hit number nine. Five stayed lit. So did nine. ‘F*cking hell!’ he shouted at himself, then steadied the finger and pressed eight, the floor with the numbers 16 and 17 stencilled next to the button.
What was he doing, that crazy bastard Seth? Attacking her? Or worse?
How long did this thing take? It seemed like a full minute dragged by while the lift carriage clunked and wheezed before it even began to ascend, up there, towards Apryl.
What would he do? Only now that he’d stopped running and stabbing his fingers at the buttons and was forced to stand still and wait did he have time to consider what would be required of him. He wondered if he could even fight if it came to it. He simply wasn’t sure. The last time had been at school, decades ago.
‘Oh Jesus,’ he said, at the preposterousness of the whole night. What had Apryl been thinking? As the lift stopped, uselessly, at the fifth floor, his trepidation turned into anger at her. The crazy stories, the wild speculations about murder, and now this, going undercover with an unhinged security guard as if she were some amateur sleuth. He swore at himself for allowing himself to become involved. He’d never really stopped to consider that she could be just as batshit crazy as her aunt.
The lift finally reached the eighth floor. But now he was this close he didn’t want to get out. Peering through the little latticed observation window in the door of the lift, he checked the landing outside. No one there, but the front door of an apartment was open. Must be sixteen.
‘F*ck it.’ Trying to be as careful as possible, he opened the outer door and peered to the side to make sure no one was waiting out of sight. ‘Apryl!’ he hiss-whispered. ‘Apryl.’ Then waited, halfway out of the lift, for a response.
Nothing.
He moved out of the lift and walked forward to peer into sixteen, at an unlit shabby and empty hallway.
Standing in the doorway, he called her name twice more. Screwing up his eyes, he peered at the far end of the passageway, but it was too dark to see anything clearly. He’d have to go inside.
Which he did, slowly, hardly able to believe that he was actually doing this: trespassing inside a private flat in a private building. And he’d taken no more than two steps inside when he tensed into a squat and said ‘Jesus!’ out loud.
He could hear it too now. The crowd. The storm. The voices. What she had been asking him about. And it was sweeping and circling beyond the middle door on the left side of the hallway. The one through which Apryl’s great-uncle had hurled Hessen.
Outside the room, he doubted whether he’d have the strength to even touch the door handle. But then he heard her. In the distance, in there, over there. Crying. In all of that roaring and excited screaming as if a tribe of apes had gathered in thrashing trees above a leopard, he heard her. In tiny broken snippets. Wailing and calling out for mercy, as if she were being murdered.
‘Christ!’ Miles threw himself at the door.
And fell into nothingness. Into absence.
A place where only the freezing temperature and the din of thousands of screaming voices registered. But he fell against a solid floor that he could not see, with his hands clamped about his ears. And when he twisted his body about to look for the screaming girl, he felt his feet and lower legs vanish over an edge, in which an even colder and faster wind belched upwards, as if it was striking the side of a great sheer mountain face and had nowhere else to go but upward, into forever.
Scrabbling backwards, he managed to crawl away from the lip of whatever he had fallen onto, when a collection of things like fingers, as thin as pencils and as hard as bones, snatched at his ankle as if it were an unexpected handhold presenting itself in some terrible climb up through oblivion.
He scrambled to his knees, his arms held out to prevent being blown into the precipice he sensed was gaping all around him in the pitch black violence. His shirt ballooned outwards and his tie slapped his face like a dog’s tail. ‘Apryl!’
He saw her, thrashing from side to side, her fingers raking upwards at the two stooped figures busy about her. Her booted feet kicked out and she threw her hips in a desperate struggle. He could see the silver tips of her heels flashing in what little light struggled to get through the open doorway he had fallen through.
On his hands and knees he crawled closer to the struggle. And saw a child. In a coat. Impossibly, a child in a hooded coat was whipping its little arm in and out, in and out against her face, that thrashed from side to side to evade the blows. It then started to kick at her body in order to move her. To shuffle her towards . . . Miles thought of what his own leg had just been hanging over. The other man, barely able to stand in the typhoon, snatched at her arms, trying to gain a purchase.
On his feet, Miles took two steps, steps that were more like the staggers of a drunkard, towards them. He had to wrap his arms about his ribs in a desperate attempt to stay the terrible racking shivers that threatened to topple his freezing body over the edge. But then pulled up short at the sight of what flashed in and out of the lightless void around the struggling figures.
He saw faces without flesh, and raw meat on bones twisting horribly in and out of the thinnest light, and hind legs kicking out at the other blind grasping things. And before this moving tapestry of disfigurement and whipping bone-things with jaws too far separated from skulls, a reddish face with long, brownish arms extended from impossibly small shoulders seemed to be rushing forward at the struggling trio. And then flashing backward as if pulled on some invisible harness, away from the light, before repeating the motion, in which it came closer each time to Apryl and the wind-blasted silhouettes that would not be coming back if they went over the side.
The hooded child looked up at Miles at the last possible moment, when Miles’s foot connected with the middle of its torso. Helped by the wind, it surged backward like a kite in an updraught, and was immediately swallowed up by moving, sinewy limbs too thin to be of much use apart from clawing at the darkness. But against the sole of his shoe the hooded thing had been palpable, as heavy and solid as an actual child. And practically sucked off the ledge upon which they all clung.
In his dimming senses and great upheaving struggle to breathe, Miles knew that the man in the white shirt, with frost bearding his face and eyebrows, was Seth. And with the last of his strength in this terrible exposure, the deranged nightwatchman tried with all of his might to haul Apryl over the edge, and into the abyss, by the one arm he had managed to seize by the elbow.
She flopped onto her belly and her head and shoulders disappeared over the edge and into a cluster of writhing white things with snatching hands. The swooping thing with the reddish head was almost upon them again.
Miles fired himself off his front foot and hit Seth in the centre of the chest with his shoulder.
Before he landed, half on and half off the invisible platform, the only thing supporting them in the maelstrom, Miles heard Seth issue a high-pitched scream. And at the edge of his upturned eyes as Miles fell, he was sure he saw the thin reddish thing embrace Seth’s flailing shape in a horrible motion that reminded him of a crab using its pincers to stuff matter into its jaws.
And then Miles’s head was plunged for an instant into what felt like bracken and sharp sticks, and then thrust against cold dead meat the next. Until he hauled himself backwards, away from the edge and onto the ledge.
Only to see Apryl from the waist down. The rest of her was lost as if decapitated, and hung over the edge of the platform. She was being clawed into the void by whatever was thrashing in a place that was mercifully only partially lit. On his knees, screaming for several seconds before he realized he was screaming, he snatched at her ankles. Seized one, then another, with numb fingers, and hauled her backwards. And onto the solid surface he still could not see. Where Apryl rocked from side to side, clutching her face, blind and concussed by the terrible cold.
With the last of his strength, shouting until his vocal cords threatened to snap, he maintained his grip on each booted ankle. And on his backside, he shuffled like he was rowing a skiff, and pulled her after him. Back towards the open door and the light.
She moved. On the floor, beside him, where she was all huddled against the wall across from the door he had slammed behind them as they came out of there on their backs, frozen and gibbering. On the other side, in what disguised itself as a room, the last murmurs of the wind and the highest screams of the damned finally hushed away into silence.
Then came another movement and a sound from Apryl. A whimper. Miles rolled to where she lay crumpled inside her own coat and the shadows. ‘Apryl. Apryl. Apryl,’ he muttered, as much to himself as to her, to add something real and familiar to this sinister place. ‘It’s me. I’m here, sweetheart.’ He reached out to touch what he thought was an arm, but she pulled herself quickly against the wall, withdrawing every limb inside the coat, keeping her face covered, while making those little crying noises.
‘It hurts.’ Her voice came out of the sobs.
‘Apryl, it’s me. Miles. It’s all right sweetheart. I’m here.’
But she didn’t respond and just shivered underneath her coat against the wall.
Looking about himself in the darkness he made sure all of the doors were closed. From somewhere inside himself a red spark of anger lit up and spread. He got to his knees. ‘The police are on their way,’ he called into the echoing apartment. ‘Do you hear?’
Apryl began to cry softly now and rock back and forth as if she were in great pain. As his sight adjusted just enough to see more of her down there on the floor, Miles could tell she was holding her arms tightly to her body with her head dipped down. She was really hurt. He had to get her out. Right now.
She came away from the floor without resistance. Up and onto her feet as if she were used to being led. But she didn’t unwrap her arms from about her chest, and she kept her body bent over and her face angled towards the floor until they were outside the apartment and on the landing in the yellow light before the lift doors. Where he coaxed her and said, ‘Show me, Apryl. Show me where it hurts.’ Only then did she reveal her injuries.
He saw the black flesh about her wrists and all over her hands, as if they had been injured as they reached out to fend something off. Those beautiful white hands were black with something that shone dully like hard leather, or frostbite. And not all of the fingers were there any more.
Her frail arms wavered in front of her as she raised her face at last, showing him the beautiful parts that were pale and tear-stained, and the place where the hair was missing from one side of her head.
He clutched her to his chest and swallowed. Clamped his eyelids shut on that final sight of the thing that had followed them right up to the threshold of that space. Something on all fours, snatching at her within the doorway. Until she kicked at it. Stabbed her boot heels into it with what was left of her mind and strength. Stamped it away like a bundle of sticks. And he knew that what had vanished, still clutching as it was propelled back into the seething absence, had been all that was left of Felix Hessen. And Miles had been close enough to the painter to be seeing him again, and perhaps every night for the rest of his life, as Hessen reached for the girl with arms so long and thin they must have been bone.