Verlaine’s apartment, Greenwich Village, New York City
The twenty-four hours since he’d left his apartment felt to Verlaine like a lifetime ago. Only yesterday he’d collected his dossier, put on his favorite socks, and run down the five flights of stairs, his wing tips slipping on the wet rubber treads. Only yesterday he’d been preoccupied with avoiding Christmas parties and putting together his New Year’s plans. He couldn’t understand how the information he’d collected could have led to the sorry state he found himself in now.
He’d packed the original copies of Innocenta’s letters and the bulk of his notebooks into a bag, locked his office, and headed downtown. The morning sunlight had ascended over the city, the soft diffusion of yellow and orange breaking the stark winter sky in an elegant sweep. He walked for blocks and blocks through the cold. Somewhere in the mid-Eighties, he gave up and took the subway the rest of the way. By the time he unlocked the front door of his building, he had almost convinced himself that the previous night’s events were an illusion. Perhaps, he told himself, he had imagined it all.
Verlaine unlocked the door to his apartment, knocked it closed with the heel of his shoe, and dropped his messenger bag on the couch. He took off his ruined wing tips, pulled away his wet socks, and walked barefoot into his humble abode. He half expected to find the place in ruins, but everything appeared to be exactly as he’d left it the day before. A web of shadows fell over the exposed-brick walls, the I950s Formica-topped table stacked with books, the turquoise leather benches, the kidney-shaped resin coffee table—all of his Midcentury Modern pieces, shabby and mismatched, were waiting for him.
Verlaine’s art books filled an entire wall. There were oversize coffee-table Phaidon Press editions, squat paperbacks of art criticism, and glossy folios containing prints of his favorite modernists—Kandinsky, Sonia Delaunay, Picasso, Braque. He owned more books than actually fit into such a small apartment, and yet he refused to sell them. He’d come to the conclusion years ago that a studio apartment was not ideal for someone with a hoarding instinct.
Standing at his fifth-floor window, he removed the silk Hermès tie he’d been using as a bandage, slowly working the fabric away from the scabbing flesh. His tie was ruined. Folding it, he placed it on the sill. Outside, a slice of morning sky hovered in the distance, lifting above rows of buildings as if propped on stilts. The snow hung upon tree branches, slouched down the slopes of drainage pipes, and tapered into daggers of ice. Water towers on rooftops dotted the tableau. Although he didn’t own an inch of property, he felt that this view belonged to him. Looking intently at his corner of the city could absorb his entire attention. This morning, however, he simply wanted to clear his head and think about what he would do next.
Coffee, he realized, would be a good start. Walking to the galley kitchen, he turned on his espresso machine, packed fine-ground beans into the portafilter, and—after steaming some milk—made himself a cappuccino in an antique Fiestaware mug, one of the few he hadn’t broken. As Verlaine took a sip of coffee, the flash of his answering machine caught his eye—there were messages. He pressed a button and listened. People had been calling all night and hanging up. Verlaine counted ten instances of someone simply listening on the line, as if waiting for him to answer. Finally a message played in which the caller spoke. It was Evangeline’s voice. He recognized it in an instant.
“If you took the midnight train, you should have been back by now. I cannot help but wonder where you are and whether you are safe. Call me as soon as you can.”
Verlaine went to the closet, where he dug out an old leather duffel bag. He unzipped it and threw in a clean pair of Hugo Boss jeans, a pair of Calvin Klein boxers, a Brown University sweatshirt—his alma mater—and two pairs of socks. He dug a pair of Converse All-Stars from the bottom of the closet, put on a pair of clean socks, and put them on. There was no time for him to think about what else he might need. He would rent a car and drive back to Milton immediately, taking the same route he’d followed yesterday afternoon, driving over the Tappan Zee Bridge and navigating the small roads along the river. If he hurried, he could be there before lunch.
Suddenly the telephone rang, a noise so sharp and startling that he lost his grip on the coffee cup. It fell against the window ledge with a solid crack, a splatter of coffee and milk spilling over the floor. Eager to speak with Evangeline, he left the cup where it landed and grabbed the phone.
“Evangeline?” he said.
“Mr. Verlaine.” The voice was soft, feminine, and it addressed Verlaine with an unusual intimacy. The woman’s accent—Italian or French, he couldn’t tell exactly which—combined with a slight hoarseness, gave him the impression that she was middle-aged, perhaps older, although this was pure speculation.
“Yes, speaking,” he replied, disappointed. He glanced at the broken cup, aware that he had diminished his collection yet again. “What can I do for you?”
“Many things, I hope,” the woman said.
For a fraction of a second, Verlaine thought the caller might be a tele-marketer. But his number was unlisted, and he didn’t usually get unwanted calls. Besides, it was clear that this voice was not the kind to be selling magazine subscriptions.
“That’s a rather tall order,” Verlaine said, taking the caller’s strange phone manner in stride. “Why don’t you start by telling me who you are?”
“May I ask you a question first?” the woman said.
“You might as well.” Verlaine was beginning to get irritated with the calm, insistent, almost hypnotic sound of the woman’s voice, a voice quite different from Evangeline’s.
“Do you believe in angels?”
“Excuse me?”
“Do you believe that angels exist among us?”
“Listen, if this is some kind of evangelical group,” Verlaine said, bending before the window and stacking the fragments of his cup one on top of the other. The white, granular powder from the unglazed center of the cup crumbled over his fingers. “You’ve got the wrong guy. I’m an overeducated, left-of-left, soy-latte-drinking, borderline-metrosexual liberal agnostic. I believe in angels as much as I believe in the Easter Bunny.”
“That is extraordinary,” the woman said. “I was under the impression that these fictitious creatures were a threat to your life.”
Verlaine stopped stacking the shards of the cup. “Who is this?” he asked finally.
“My name is Gabriella Lévi-Franche Valko,” the woman said. “I have worked for a very long time to find the letters in your possession.”
Growing more confused, he asked, “How do you know my number?”
“There are many things I know. For example, I know that the creatures you escaped last night are outside your apartment.” Gabriella paused, as if to let this sink in, then said, “If you don’t believe me, Mr. Verlaine, look out your window.”
Verlaine bent before the windowpane, a strand of curly black hair falling in his eyes. Everything looked just as it had minutes before.
“I don’t know what you’re talking about,” he said.
“Look left,” Gabriella said. “You will see a familiar black SUV”
Verlaine followed the woman’s instructions. Indeed, at the left, on the corner of Hudson Street, the black Mercedes SUV idled on the street. A tall, dark-clothed man—the same one he’d seen breaking into his car the day before and, if he hadn’t been hallucinating, seen outside his train window—stepped out of the SUV and paced under the streetlight.
“Now, if you look to the right,” Gabriella said, “you will see a white van. I am inside. I’ve been waiting for you since early this morning. At my granddaughter’s request, I have come to help you.”
“And who is your granddaughter?”
“Evangeline, of course,” Gabriella said. “Who else?”
Verlaine craned his neck and spotted a white van tucked into a narrow service alley across the street. The alley was far away, and he could hardly see a thing. As if the caller understood his confusion, a window descended and a petite, leather-gloved hand emerged and gave a peremptory wave.
“What exactly is going on?” Verlaine said, abashed. He walked to the door, turned the bolt, and secured the chain. “Do you mind telling me why you’re watching my apartment?”
“My granddaughter believed you were in danger. She was right. Now I want you to gather Innocenta’s letters and come down immediately,” Gabriella said calmly. “But I advise you to avoid exiting the building through the front door.”
“There’s no other way out,” Verlaine said, uneasy.
“A fire escape, perhaps?”
“The fire escape is visible from the front entrance. They’ll see me as soon as I start down it,” Verlaine said, eyeing the metal skeleton that darkened the corner of the window and worked its way over the front of the building. “Could you please tell me why—”
“My dear,” Gabriella said, interrupting Verlaine, her voice warm, almost maternal. “You will simply have to use your imagination. I advise you to get yourself out of there. Immediately. They will be coming for you at any moment. Actually, they don’t give a damn about you. They will want the letters,” she said quietly. “As you perhaps know, they will not extract them gently.”
As if taking their cue from Gabriella, the second man—as tall and pale-skinned as the first—stepped out of the black SUV, joining the other. Together they crossed the street, walking toward Verlaine’s building.
“You’re right. They’re coming,” Verlaine said. He turned from the window and grabbed the duffel bag, stuffing his wallet, keys, and laptop under the clothes. He took the folder of Innocenta’s original letters from his messenger bag, placed them inside a book of Rothko prints, slid them gently into his duffel bag, and pulled the zipper shut with swift finality. Finally, he said, “What should I do?”
“Wait a moment. I can see them very clearly,” Gabriella said. “Just follow my instructions, and everything will be fine.”
“Maybe I should call the police?”
“Do nothing yet. They are still standing at the entrance. They will see you if you leave now,” Gabriella said, her voice eerily calm, a strange counterpoint to the rush of blood screeching in Verlaine’s ears. “Listen to me, Mr. Verlaine. It is extremely important that you do not move until I tell you.”
Verlaine unlocked the window and heaved it open. A gust of freezing air swept his face. Leaning out the window, he could see the men below. They spoke in low voices and then, inserting something into the lock, pushed the door open, and entered the building with astonishing ease. The heavy door slammed hard behind them.
“Do you have the letters?” Gabriella asked.
“Yes,” Verlaine said.
“Then go. Now. Down the fire escape. I will be waiting.”
Verlaine hung up the phone, threw the duffel bag over his shoulder, and crawled out the window into the icy wind. The metal froze against the warm skin of his palm as he grasped the rusty ladder. With all his effort, he pulled: The ladder clattered to the sidewalk. Pain shot through his hand as the skin stretched, reopening the wound from the barbed-wire fence. Verlaine ignored the pain and climbed down the rungs, his sneakers sliding on the ice-glazed metal. He was nearly to the sidewalk when he heard an explosive crack of wood above. The men had broken down the door of his apartment.
Verlaine dropped to the sidewalk, making sure to protect the duffel bag in the crook of his arm. As he stepped onto the street, the white van pulled to the curb. The door slid open, and an elfin woman with bright red lipstick and a severe black pageboy haircut beckoned for Verlaine to jump into the backseat. “Get in,” Gabriella said, making room. “Hurry.”
Verlaine climbed into the van beside Gabriella as the driver threw the vehicle into gear, rounded the corner, and sped uptown.
“What in the hell is going on?” Verlaine asked, looking over his shoulder, half expecting to find the SUV behind.
Gabriella put her thin, leather-sheathed hand over his cold, trembling one. “I’ve come to help you.”
“Help me with what?”
“My dear, you have no idea of the trouble you’ve brought upon all of us.”