New Club
Thursday night I run into Harold Carnes at a party for a new club called World’s End that opens in a space where Petty’s used to be on the Upper East Side. I’m with Nina Goodrich and Jean in a booth and Harold’s standing at the bar drinking champagne. I’m drunk enough to finally confront him about the message I left on his machine. Excused from the booth, I make my way to the other side of the bar, realizing that I need a martini to fortify myself before discussing this with Carnes (it has been a very unstable week for me—I found myself sobbing during an episode of Alf on Monday). Nervously, I approach. Harold is wearing a wool suit by Gieves & Hawkes, a silk twill tie, cotton shirt, shoes by Paul Stuart; he looks heavier than I remember. “Face it,” he’s telling Truman Drake, “the Japanese will own most of this country by the end of the ’90s.”
Relieved that Harold is, as usual, still dispensing valuable and new information, with the addition of a faint but unmistakable trace of, god forbid, an English accent, I find myself brazen enough to blurt out, “Shut up, Carnes, they will not.” I down the martini, Stoli, while Carnes, looking quite taken aback, stricken almost, turns around to face me, and his bloated head breaks out into an uncertain smile. Someone behind us is saying, “But look what happened to Gekko …”
Truman Drake pats Harold on the back and asks me, “Is there one suspender width that’s more, well, appropriate than others?” Irritably I push him into the crowd and he disappears.
“So Harold,” I say, “did you get my message?”
Carnes seems confused at first and, while lighting a cigarette, finally laughs. “Jesus, Davis. Yes, that was hilarious. That was you, was it?”
“Yes, naturally.” I’m blinking, muttering to myself, really, waving his cigarette smoke away from my face.
“Bateman killing Owen and the escort girl?” He keeps chuckling. “Oh that’s bloody marvelous. Really key, as they say at the Groucho Club. Really key.” Then, looking dismayed, he adds, “It was a rather long message, no?”
I’m smiling idiotically and then I say, “But what exactly do you mean, Harold?” Secretly thinking to myself that this fat bastard couldn’t possibly have gotten into the f*cking Groucho Club, and even if he had, to admit it in such a fashion obliterates the fact that his entrance was accepted.
“Why, the message you left.” Carnes is already looking around the club, waving to various people and bimbos. “By the way, Davis, how is Cynthia?” He accepts a glass of champagne from a passing waiter. “You’re still seeing her, right?”
“But wait, Harold. What-do-you-mean?” I repeat emphatically.
He’s already bored, neither concerned nor listening, and excusing himself, says, “Nothing. Good to see you. Oh my, is that Edward Towers?”
I crane my neck to look, then turn back to Harold. “No,” I say. “Carnes? Wait.”
“Davis,” he sighs, as if patiently trying to explain something to a child, “I am not one to bad-mouth anyone, your joke was amusing. But come on, man, you had one fatal flaw: Bateman’s such a bloody ass-kisser, such a brown-nosing goody-goody, that I couldn’t fully appreciate it. Otherwise it was amusing. Now let’s have lunch, or we’ll have dinner at 150 Wooster or something with McDermott or Preston. A real raver.” He tries to move on.
“Ray-vah? Ray-vah? Did you say ray-vah, Carnes?” I’m wide-eyed, feeling wired even though I haven’t done any drugs. “What are you talking about? Bateman is what?”
“Oh good god, man. Why else would Evelyn Richards dump him? You know, really. He could barely pick up an escort girl, let alone … what was it you said he did to her?” Harold is still looking distractedly around the club and he waves to another couple, raising his champagne glass. “Oh yes, ‘chop her up.’” He starts laughing again, though this time it sounds polite. “Now if you’ll excuse me, I must really.”
“Wait. Stop,” I shout, looking up into Carnes’ face, making sure he’s listening. “You don’t seem to understand. You’re not really comprehending any of this. I killed him. I did it, Carnes. I chopped Owen’s f*cking head off. I tortured dozens of girls. That whole message I left on your machine was true.” I’m drained, not appearing calm, wondering why this doesn’t feel like a blessing to me.
“Excuse me,” he says, trying to ignore my outburst. “I really must be going.”
“No!” I shout. “Now, Carnes. Listen to me. Listen very, very carefully. I-killed-Paul-Owen-and-I-liked-it. I can’t make myself any clearer.” My stress causes me to choke on the words.
“But that’s simply not possible,” he says, brushing me off. “And I’m not finding this amusing anymore.”
“It never was supposed to be!” I bellow, and then, “Why isn’t it possible?”
“It’s just not,” he says, eyeing me worriedly.
“Why not?” I shout again over the music, though there’s really no need to, adding, “You stupid bastard.”
He stares at me as if we are both underwater and shouts back, very clearly over the din of the club, “Because … I had … dinner … with Paul Owen … twice … in London … just ten days ago.”
After we stare at each other for what seems like a minute, I finally have the nerve to say something back to him but my voice lacks any authority and I’m not sure if I believe myself when I tell him, simply, “No, you … didn’t.” But it comes out a question, not a statement.
“Now, Donaldson,” Carnes says, removing my hand from his arm. “If you’ll excuse me.”
“Oh you’re excused,” I sneer. Then I make my way back to our booth where John Edmonton and Peter Beavers are now sitting and I numb myself with a Halcion before taking Jean home, back to my place. Jean is wearing something by Oscar de la Renta. Nina Goodrich was wearing a sequined dress by Matsuda and refused to give me her number, even though Jean was in the women’s room downstairs.