4
I shone the torch around the kitchen from the doorway, picking out dented old aluminium pots and pans hanging from hooks over the cooker, and a half-drunk bottle of red wine on the table next to an open newspaper. A fly-screen in the corner seemed to lead to some kind of larder. Jars and cans glinted behind the mesh.
I stood and listened for another three or four seconds, but the only noise was the ponderous ticking of the clock. I turned back up the hallway, tapped Charlie on the shoulder, and aimed the torch at the door to our right, about three paces ahead. The small red LED on the camcorder began blinking again.
It was only just ajar. I checked for telltales round the frame, then gave it a gentle push. There was a window opposite, protected by an external grille, but completely filled by the perimeter wall.
It looked like I was in somebody’s sewing room. A Singer treadle sat in the far corner, next to a wooden bench top, but there were no half-made clothes or swatches of material. There were no cupboards. Swirly carpet covered most of the wooden floor, apart from a couple of feet around the edges. The fireplace looked like it hadn’t been used for years, not since the last time the pictures hanging either side of it had got within reach of a duster.
I walked round the edge of the carpet and checked the pictures for telltales, intentional or otherwise. The one on the left was of a bunch of flowers in a vase. There was nothing behind it except a paler square of wallpaper. There was no safe under the one of a mountain, either.
I made my way back into the hallway and signalled to the door opposite; Charlie was right behind me, recording.
This was much more promising. It was obviously Baz’s office; what looked like Bill Gates’s very first prototype was sitting on a desk in front of the window. Files and newspaper cuttings were strewn all round it, and on the floor as well. The shelf along the wall to my right had bowed under the weight of too many books. There was a cupboard in the far corner – a light oak veneer, flat-pack job, rather than somewhere Uncle Joe might have hung his uniforms.
I moved out of the way to let Charlie past. He panned the camera left to right before we started moving stuff around. Using the torch to make sure I didn’t step on any of the paper on the floor, I headed first for the desk, in case there was a number on the phone. There wasn’t.
We had better luck with the cupboard.
Having checked for telltales, I pulled open the door and bingo, we’d found what we’d come for.
I stepped back to let Charlie see the prize. He filmed the whole thing inch by inch, every bit of chipped grey paint, every word of Russian Cyrillic, no doubt proudly announcing its manufacture by royal appointment to the Tsar. It was about two foot square, and solid. The door was hinged on the right, with a well-worn chrome handle on the left, then a large keyway, and a combination cylinder dead centre. Once Charlie had the position of each on film, he handed me the camcorder, tested the handle, shrugged, and fished inside his bag.
I shoved the canister back up my sleeve and let him get on with it.
He brought out a towel and laid it in front of the safe. The bag was wet and he didn’t want to leave sign.