I’VE DRAGGED MY TWO CHILDREN ALONG WITH ME FROM RAIL to rail, from country to country. At each checkpoint, each customs control, I wait for the moment when we will be found out. My worst fear is the same as my biggest hope—separation from my children. I wonder if I’ll be apart from Saleem forever or if he’ll be the only one of us to make it through. Samira is a young girl, a dangerous time to be alone. Aziz is frail, a flower that will quickly wilt if plucked from the bush. I pray at some checkpoints that my children be granted asylum even if I am sent back. At other checkpoints, I pray we are sent back together. Cornered mothers pray for strange things.
When the bombardments back home were at their worst, a teacher I considered a friend made crazed decisions each night. One night, she made the children sleep with her and her husband, all in the same room. Another night, she put each child alone in a different room. Every night was a gamble. They could all endure or perish together. Or they could gamble that perhaps one or two of them would survive. Each night, without fail, she prayed most fervently that God not spare her if her children were taken. These were pleas she could only make to God in her quiet thoughts because to speak them aloud would have blackened her tongue.
In the last year, as I’ve tried to give my children a safe life, I’ve felt more like a criminal than anything else. Even righteousness is an ambiguous thing.
From Greece to Italy, from Italy to France. It is now the last leg of our journey, from Paris to London on a silver-and-yellow train that looks like a rocket blazing through an underground path. It is on this last voyage that I leave Aziz in Samira’s care and gather our Belgian passports. I slip them into my black leather handbag and take them with me to the restroom in our car, a narrow square of stainless steel. One by one, I rip each page of the passports into tiny shreds and let them fall into the toilet like the snowflakes that will meet us in London. I tear them apart and undo our false identities. I am again Fereiba. My children are again Samira and Aziz.
I’ve been cautioned by the people who had gotten me this far.
They must not see your passports. Do not tell them how you got there. Tell them only that you want asylum. Tell them why you had to run. Tell them how they came for Mahmood—what happened to him might be the only thing that saves you.
The customs check in London will go very differently than all the others. This time we will be honest and put ourselves in our most vulnerable position yet. Thus far, we’ve cowered and ducked and lied every time we passed an official. In less than an hour, that will change.
My hands shake as I stand over the toilet and watch to be sure every last flake vanishes into the swirl of water. I lean against the wall and steady myself with a hand on the steel sink. It is refreshingly cool to the touch.
Metal. It is everywhere. The trains, the rails, the stations. Each train stop is a beast of permanence. Soundly constructed with the glint of modernity. This sink, the tracks, the roof over the station—they are the difference between the Afghan world and this world. This world stands strong and shiny and capable. From our homes to our families, Afghanistan is made of clay and dust, so impermanent it can be sneezed away. And it has been, over and over again.