Until I Die by Amy Plum

“How did it happen? I mean the saving bit?”

 

 

“Gave him my respirator during a German mustard-gas attack. Once I was down, the enemy came through and shot all of us who were on the ground.”

 

What an awful way to die, I thought. Although I was horrified, I tried to make my voice sound matter-of-fact so that he would keep on talking. “Why did you do it?”

 

“I was young and he was an older, established artist. I respected him. Worshipped him, in a way.”

 

“Even so, how many starstruck kids would give up their life for their hero?”

 

Jules shrugged. “I’ve talked about it with other revenants. We all feel like in our human life there was something inside us that was almost suicidally philanthropic. It’s the only characteristic we all have in common.”

 

He was silent after that, leaving me to wonder if I would have what it took to give my life for someone else. I suppose it was something I wouldn’t know until I was there, on the spot—looking death in the face.

 

Twenty minutes later, we pulled into a parking lot a few blocks away from Le Corbeau.

 

“Are you going to tell me what this is about?” Jules asked for the fortieth time.

 

“Nope,” I said as we got out of the car. Spying a tiny café nearby, I gestured to it and said, “But you can wait for me there.”

 

“The answer to that command is ‘Non, madame la capitaine.’ Not on your life am I letting you go on some unknown errand—one you obviously don’t want Vincent to know about—on your own. You guilt-tripped me into bringing you here by appealing to my sense of duty in guarding you. Now you’ve got to live with what you asked for.”

 

We stared each other down for a few seconds. But when I saw he wasn’t going to budge, I nodded, and we began walking in the direction of the shop. It was actually nice to have him along, because I was starting to feel nervous—unsure of how I would handle things when I got there.

 

From a block away I could see that the lights were on, and my heart started pounding like crazy. The carved raven atop the sign seemed to regard us menacingly as we neared. We came to a stop outside the door, and Jules turned to me with the most incredulous look on his face. “You dragged me halfway across Paris to buy a”—he peered at the window display, and then back at me—“a plaster Virgin Mary?”

 

“No.”

 

“Then what?” He glanced back. “A Pope John Paul night-light? Kate, what the hell are we doing here?”

 

“The question is, ‘What am I doing here?’ and the answer is, ‘It’s none of your business, Jules.’ I’m sorry for dragging you along, but there’s something I need to do. And I would rather you wait out here.”

 

“What?” Jules shouted.

 

“I have to talk to the owner about something. If I’m wrong about it, I’ll be back out in a second. If I’m right, it might take a little more time. But it’s something I want to do myself.”

 

“Kate, I honestly don’t know how Vincent puts up with you. You are . . . infuriating.”

 

“But you’ll do what I ask?”

 

Jules ran his hand through his curls, looking very unhappy. “I’ll give you fifteen minutes. If you’re not out, I’m coming in to get you.” And he stalked off to sit on the step of a boarded-up storefront across the street.

 

 

 

 

 

 

 

 

 

 

 

TWENTY-SEVEN

 

 

 

 

I PUSHED THE DOOR SOFTLY. WHEN IT DIDN’T budge, I put more force into it, practically bursting into the shop when the sticky door finally gave way. I glanced around self-consciously to see a room chock-full of stuff, even more crowded than the window displays. And from the looks of things, I could tell they had put the cheap inventory in the windows—probably to discourage theft—because surrounding me were the most interesting objects I had ever seen outside a museum.

 

A very old ivory Madonna—the sway in the hip on which she balanced her child following the natural curve of the elephant tusk—sat next to an ornate box—a reliquary—with a realistic metal finger attached to the lid. Old coins with images of saints on them, antique rosaries hanging from every available protrusion, and crucifixes made of precious metals and stones. Although each piece was individually beautiful in its own way, with all of them amassed chaotically together in such a small space, the place felt seriously creepy. Like a tomb stocked with goods for the afterlife.

 

I stared at the front desk for an entire second before I realized that someone was behind it—staring right back at me. He stood so unnaturally still that when he spoke, I jumped. “Bonjour, mademoiselle. What can I do for you?” he said in a slightly accented French.

 

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