Sean Dogherty had not been worried when Neumann did not arrive in Hunstanton on the afternoon train. Neumann had warned him he might be in London longer than usual. Dogherty decided to wait for the evening train. He left the station and went into a nearby pub. He ordered a potato and carrot pie and washed it down with two glasses of ale. Then he went out and walked along the waterfront. Before the war, Hunstanton was a popular summer beach resort because its location on the eastern edge of the Wash provided remarkable sunsets over the water. On this night the old Edwardian resort hotels were mostly empty, despondent-looking in the steady rain. Sunset was nothing more than the last gray light leaking from the storm clouds. Dogherty left the waterfront and returned to the station to meet the evening train. He stood on the platform, smoking, watching the handful of passengers disembarking. When Neumann was not among them, Dogherty became alarmed.
He drove back to Hampton Sands, thinking about Neumann's words earlier that week. Neumann had said it was possible the operation might be about to end, possible that he might be leaving England and heading back to Berlin. Dogherty thought, But why wasn't he on the damned train?
He arrived at the cottage and let himself inside. Mary, sitting next to the fire, glared at him, then went upstairs. Dogherty switched on the wireless. The news bulletin caught his attention. A nationwide search was under way for two suspected killers who had taken part in a gun battle with police earlier that evening in the section of London known as Earl's Court.
Dogherty turned up the volume as the newsreader gave a description of the two suspects. The first, surprisingly, was a woman. The second was a man who matched Horst Neumann's description perfectly.
Dogherty shut off the radio. Was it possible the two suspects in the Earl's Court shooting were Neumann and the other agent? Were they now on the run from MI5 and half the police in Britain? Were they heading toward Hampton Sands or were they going to leave him behind? Then he thought, Do the British know I'm a spy too?
He went upstairs, threw a change of clothes into a small canvas bag, and came back downstairs again. He went out to the barn, found his shotgun, and loaded a pair of cartridges into the barrel.
Returning to the cottage, Dogherty sat in the window, waiting. He had almost given up hope when he spotted the shaded headlamps moving along the road toward the cottage. When the car turned into the farmyard he could see it was Neumann behind the wheel. There was a woman sitting in the passenger seat.
Dogherty stood up and pulled on his coat and hat. He lit the kerosene lamp, picked up his shotgun, and went outside into the rain.
Martin Colville examined his face in the mirror: broken nose, black eyes, swollen lips, a contusion on the right side of his face.
He went into the kitchen and poured the last precious drops of whisky from a bottle. Every instinct in Colville's body told him there was something wrong about the man named James Porter. He didn't believe he was a wounded British soldier. He didn't believe he was an old acquaintance of Sean Dogherty's. He didn't believe he had come to Hampton Sands for the ocean air.
He touched his ruined face, thinking, No one's ever done this to me in my life, and I'm not going to let that little bastard get away with it.
Colville drank the whisky in one swallow, then placed the empty bottle and the glass in the sink. Outside, he heard the grumble of a motor. He went to the door and looked out. A van swept past. Colville could see James Porter behind the wheel and a woman in the passenger seat.
He closed the door, thinking, What in the hell is he doing out driving this time of night? And where did he get the van?
He decided he would find out for himself. He went into the sitting room and took down an old twelve-gauge shotgun from over the mantel. The shells were in a kitchen drawer. He opened it and dug through the jumble inside until he found the box. He went outside and climbed on his bicycle.
A moment later Colville was pedaling through the rain, shotgun across the handlebars, toward the Doghertys' cottage.
Jenny Colville, upstairs in her bedroom, heard the front door open and close once. Then she heard the sound of a passing vehicle, unusual at this time of night. When she heard the door open and close a second time she became alarmed. She rose from her bed and crossed the room. She parted the curtain and looked down in time to see her father pedaling away through the darkness.
She pounded on the window but it was in vain. Within seconds he was gone.
Jenny was wearing nothing but a flannel nightgown. She took it off, pulled on a pair of trousers and a sweater, and went downstairs. Her Wellington boots were by the door. Pulling them onto her feet, she noticed the shotgun that usually hung over the fireplace was gone. She looked into the kitchen and saw that the drawer where the shells were kept was open. Quickly, she pulled on her coat and went outside.
Jenny groped through the darkness until she found her bicycle leaning against the side of the cottage. She pushed it down the path, climbed onto the saddle, and pedaled after her father toward the Dogherty cottage, thinking, Please, God, let me stop him before someone ends up dead tonight.
Sean Dogherty pulled open the door of the barn and led them inside behind the light of the kerosene lantern. He removed his sou'wester and unbuttoned his coat, then looked at Neumann and the woman.