The Storied Life of A. J. Fikry

“Give me a hug,” Friedman tells Amelia. She leans over the table, and A.J. thinks he sees the old man look down Amelia’s blouse.

“That’s the power of fiction for you,” Friedman says.

Amelia studies him. “I suppose.” She pauses. “Only it isn’t fiction, right? It really happened.”

“Yes, sweetheart, of course,” Friedman says.

A.J. interrupts. “Perhaps, Mr. Friedman meant to say that that is the power of narrative.”

Amelia’s mother, who is the size of a grasshopper and has the personality of a praying mantis, says, “Perhaps Mr. Friedman is trying to say that a relationship based on loving a book is not likely to be much of a relationship.” Amelia’s mother, then, offers her hand to Mr. Friedman. “Margaret Loman. My spouse died a couple of years ago, too. Amelia, my daughter, made me read your book for my Widows of Charleston Book Club. Everyone thought it was marvelous.”

“Oh, how nice. How . . .” Friedman smiles brightly at Mrs. Loman. “How . . . ”

“Yes?” Mrs. Loman repeats.

Friedman clears his throat, then wipes sweat from his brow and nose. Flushed, he looks even more like Santa Claus. He opens his mouth as if to speak, then throws up all over the pile of just signed stock and Amelia’s mother’s beige Ferragamo pumps. “I seem to have had too much to drink,” Friedman says. He belches.

“Obviously,” says Mrs. Loman.

“Mom, A.J.’s apartment is up here.” Amelia points her mother toward the stairs.

“He lives above the store?” Mrs. Loman asks. “You never mentioned that delightful piece of—” At that moment, Mrs. Loman slips in the rapidly expanding vomit puddle. She rights herself, but her hat, which had taken honorable mention, is a lost cause.

Friedman turns to A.J. “Apologies, sir. I seem to have had too much to drink. A cigarette and some fresh air sometimes settles my stomach. If someone could point me outside . . .” A.J. leads Friedman out the back way.

“What happened?” Maya asks. Once the Friedman talk had turned out not to be to her interests, she had turned her attentions back to The Lightning Thief. She walks over to the signing table and, upon seeing the throw-up, vomits herself.

Amelia rushes to Maya’s side. “Are you all right?”

“I did not expect to see that there,” Maya says.

Meanwhile, in the alley to the side of the store, Leon Friedman is throwing up again.

“Do you think maybe you have food poisoning?” A.J. asks.

Friedman doesn’t answer.

“Maybe it was the ferry ride that did it? Or all the excitement? The heat?” A.J. doesn’t know why he feels the need to talk so much. “Mr. Friedman, perhaps I can get you something to eat?”

“You got a lighter?” Friedman says hoarsely. “I left mine in my bag inside.”

A.J. runs back in the store. He can’t find Friedman’s bag. “I NEED A LIGHTER!” he yells. He rarely raises his voice. “Seriously, does anyone work here who can get me a lighter?”

But everyone is gone, aside from a clerk, who’s occupied at the cash register, and a couple of stragglers from the Friedman signing. A smartly dressed woman of about Amelia’s age, opens her capacious leather handbag. “I might have one.”

A.J. stands there, seething while the woman searches through the purse, which is really more like luggage. He thinks that this is why one shouldn’t let authors into the stores. The woman comes up empty-handed. “Sorry,” she says. “I quit smoking after my father died of emphysema, but I thought I might still have the lighter.”

“No, it’s fine. I have one upstairs.”

“Is something wrong with the writer?” the woman asks.

“The usual,” A.J. says, heading up the stairs.

In his apartment, he finds Maya by herself. Her eyes look moist. “I threw up, Daddy.”

“I’m sorry.” A.J. locates the lighter in his drawer. He slams the drawer shut. “Where’s Amelia?”

“Are you going to propose?” Maya asks.

“No, darling. Not at this particular moment. I’ve got to deliver a lighter to an alcoholic.”

She considers this information. “Can I come with you?” she asks.

A.J. puts the lighter in his pocket and, for expediency, scoops up Maya, who really is too big to be carried.

They go down the stairs and through the bookstore and outside to where A.J. had left Friedman. Friedman’s head is haloed by smoke. The pipe, which droops languorously from his fingers, makes a curious bubbling sound.

“I couldn’t find your bag,” A.J. says.

“Had it with me all along,” Friedman says.

“What kind of pipe is that?” Maya asks. “I have never seen a pipe like that before.”

A.J.’s first impulse is to cover Maya’s eyes, but then he laughs. Had Friedman actually traveled on the plane with drug paraphernalia? He turns to his daughter. “Maya, do you remember when we read Alice’s Adventures in Wonderland last year?”

“WHERE’S FRIEDMAN?” AMELIA asks.

“Passed out in the backseat of Ismay’s SUV,” A.J. replies.

“Poor Ismay.”

“She’s used to it. She’s been Daniel Parish’s media escort for years.” A.J. makes a face. “I think the decent thing would be for me to go with them.” The plan had been for Ismay to drive Friedman to the ferry and then the airport, but A.J. can’t do that to his sister-in-law.

Amelia kisses him. “Good man. I’ll watch Maya and clean up here,” she says.

“Thank you. It sucks, though,” A.J. says. “Your last night in town.”

“Well,” she says, “at least it was memorable. Thanks for bringing Leon Friedman even if he’s a bit different than I imagined him.”

“Just a bit.” He kisses Amelia then furrows his brow. “I thought this was going to be more romantic than it turned out to be.”

“It was very romantic. What’s more romantic than a lecherous old drunk looking down my blouse?”

“He’s more than a drunk . . .” A.J. mimes the universal gesture for toking up.

“Maybe he has cancer or something?” Amelia says.

“Maybe . . .”

“At least he waited until the event was over,” she says.

“And I, for one, think the event was the worse for it,” A.J. says.

Ismay honks the car horn.

“That’s me,” A.J. says. “Do you really have to spend the night at the hotel with your mother?”

“I don’t have to. I am a grown woman, A.J.,” Amelia says. “It’s just that we’re leaving early for Providence tomorrow.”

“I don’t think I made a very good impression,” A.J. says.

“No one does,” she says. “I wouldn’t worry about it.”

“Well, wait up for me, if you can.” Ismay honks the horn again, and A.J. runs to the car.

Amelia begins cleaning up the bookstore. She starts with the vomit and has Maya round up less objectionable detritus like flower petals and plastic cups. In the back row sits the woman who hadn’t had a lighter. She wears a floppy gray fedora and a silky maxidress. Her clothes look like they could be from a thrift shop, but Amelia, who actually shops in thrift shops, recognizes them as expensive. “Were you here for the reading?” Amelia asks.

“Yes,” the woman says.

“What did you think?” Amelia asks.

“He was very animated,” the woman says.

“Yes, that’s true.” Amelia squeezes a sponge into a bucket. “I can’t say he was completely what I was expecting.”

“What were you expecting?” the woman asks.

“Someone more intellectual, I think. That sounds snobby. Maybe that’s not the right word. Someone wiser maybe.”

The woman nods. “No, I can see that.”

“My expectations were probably too high. I work for his publisher. It was my favorite thing I ever sold, actually.”

“Why was it your favorite?” the woman asks.

“I . . .” Amelia looks at the woman. She has kind eyes. Amelia has often been fooled by kind eyes. “I had lost my father not long before, and I guess something in the voice reminded me of him. Also, there were so many true, true things in it.” Amelia moves onto sweeping the floor.

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