The Paper Menagerie and Other Stories

Looking about herself, she saw blades of grass covered with bright silicon beads and black flowers that tried to absorb every bit of sunlight. She saw silver shapes darting through the brown water and golden shadows gliding through the indigo sky. She saw great scale-covered bodies lumbering and bellowing in the distance, and close by a great geyser erupted near the river, and rainbows appeared in the warm mist.

She was all alone. There was no one to converse with her, no one to share all this beauty.

She heard a nervous rustling and looked for the source of the sound. A little ways from the river, tiny creatures with eyes studded all over their heads like diamonds peered out of the dense forests, made of trees with triangular trunks and pentagonal leaves.

Closer and closer, she drifted to those creatures. Effortlessly, she reached inside them and took ahold of the long chains of a particular molecule, their instructions for the next generation. She made a small tweak, and then let go.

The creatures yelped, and skittered away at the strange sensation of having their insides adjusted.

She had done nothing drastic, just a small adjustment, a nudge in the right direction. The change would continue to mutate, and the mutations would accumulate long after she left. In another few hundred generations, the changes would be enough to cause a spark, a spark that would feed itself until the creatures would start to think of keeping a piece of the sun alive at night, of naming things, of telling stories to each other about how everything came to be. They would be able to choose.

Something new in the universe. Someone new to the family.

But for now, it was time to return to the stars.

Maggie began to rise from the island. Below her, the sea sent wave after wave to crash against the shore, each wave catching and surpassing the one before it, reaching a little farther up the beach. Bits of sea foam floated up and rode the wind to parts unknown.





MONO NO AWARE


The world is shaped like the kanji for “umbrella,” only written so poorly, like my handwriting, that all the parts are out of proportion.



My father would be greatly ashamed at the childish way I still form my characters. Indeed, I can barely write many of them anymore. My formal schooling back in Japan ceased when I was only eight.

Yet for present purposes, this badly drawn character will do.

The canopy up there is the solar sail. Even that distorted kanji can only give you a hint of its vast size. A hundred times thinner than rice paper, the spinning disk fans out a thousand kilometers into space like a giant kite intent on catching every passing photon. It literally blocks out the sky.

Beneath it dangles a long cable of carbon nanotubes a hundred kilometers long: strong, light, and flexible. At the end of the cable hangs the heart of the Hopeful, the habitat module, a five-hundred-meter-tall cylinder into which all the 1,021 inhabitants of the world are packed.

The light from the sun pushes against the sail, propelling us on an ever widening, ever accelerating, spiraling orbit away from it. The acceleration pins all of us against the decks, gives everything weight.

Our trajectory takes us toward a star called 61 Virginis. You can’t see it now because it is behind the canopy of the solar sail. The Hopeful will get there in about three hundred years, more or less. With luck, my great-great-great—I calculated how many “greats” I needed once, but I don’t remember now—grandchildren will see it.

There are no windows in the habitat module, no casual view of the stars streaming past. Most people don’t care, having grown bored of seeing the stars long ago. But I like looking through the cameras mounted on the bottom of the ship so that I can gaze at this view of the receding, reddish glow of our sun, our past.

? ? ?

“Hiroto,” Dad said as he shook me awake. “Pack up your things. It’s time.”

My small suitcase was ready. I just had to put my Go set into it. Dad gave this to me when I was five, and the times we played were my favorite hours of the day.

The sun had not yet risen when Mom and Dad and I made our way outside. All the neighbors were standing outside their houses with their bags as well, and we greeted one another politely under the summer stars. As usual, I looked for the Hammer. It was easy. Ever since I could remember, the asteroid had been the brightest thing in the sky except for the moon, and every year it grew brighter.

A truck with loudspeakers mounted on top drove slowly down the middle of the street.

“Attention, citizens of Kurume! Please make your way in an orderly fashion to the bus stop. There will be plenty of buses to take you to the train station, where you can board the train for Kagoshima. Do not drive. You must leave the roads open for the evacuation buses and official vehicles!”

Every family walked slowly down the sidewalk.

“Mrs. Maeda,” Dad said to our neighbor. “Why don’t I carry your luggage for you?”

“I’m very grateful,” the old woman said.

After ten minutes of walking, Mrs. Maeda stopped and leaned against a lamppost.

“It’s just a little longer, Granny,” I said. She nodded but was too out of breath to speak. I tried to cheer her. “Are you looking forward to seeing your grandson in Kagoshima? I miss Michi too. You will be able to sit with him and rest on the spaceships. They say there will be enough seats for everyone.”

Mom smiled at me approvingly.

“How fortunate we are to be here,” Dad said. He gestured at the orderly rows of people moving toward the bus stop, at the young men in clean shirts and shoes looking solemn, the middle-aged women helping their elderly parents, the clean, empty streets, and the quietness—despite the crowd, no one spoke above a whisper. The very air seemed to shimmer with the dense connections between all the people—families, neighbors, friends, colleagues—as invisible and strong as threads of silk.

I had seen on TV what was happening in other places around the world: looters screaming, dancing through the streets, soldiers and policemen shooting into the air and sometimes into crowds, burning buildings, teetering piles of dead bodies, generals shouting before frenzied crowds, vowing vengeance for ancient grievances even as the world was ending.

“Hiroto, I want you to remember this,” Dad said. He looked around, overcome by emotion. “It is in the face of disasters that we show our strength as a people. Understand that we are not defined by our individual loneliness, but by the web of relationships in which we’re enmeshed. A person must rise above his selfish needs so that all of us can live in harmony. The individual is small and powerless, but bound tightly together, as a whole, the Japanese nation is invincible.”

? ? ?

“Mr. Shimizu,” eight-year-old Bobby says, “I don’t like this game.”

The school is located in the very center of the cylindrical habitat module, where it can have the benefit of the most shielding from radiation. In front of the classroom hangs a large American flag to which the children say their pledge every morning. To the sides of the American flag are two rows of smaller flags belonging to other nations with survivors on the Hopeful. At the very end of the left side is a child’s rendition of the Hinomaru, the corners of the white paper now curled and the once bright red rising sun faded to the orange of sunset. I drew it the day I came aboard the Hopeful.

I pull up a chair next to the table where Bobby and his friend Eric are sitting. “Why don’t you like it?”

Between the two boys is a nineteen-by-nineteen grid of straight lines. A handful of black and white stones have been placed on the intersections.

Once every two weeks, I have the day off from my regular duties monitoring the status of the solar sail and come here to teach the children a little bit about Japan. I feel silly doing it sometimes. How can I be their teacher when I have only a boy’s hazy memories of Japan?

But there is no other choice. All the non-American technicians like me feel it is our duty to participate in the cultural-enrichment program at the school and pass on what we can.

“All the stones look the same,” Bobby says, “and they don’t move. They’re boring.”

“What game do you like?” I ask.

“Asteroid Defender!” Eric says. “Now that is a good game. You get to save the world.”

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