The Ocean at the End of the Lane

‘You’re dead,’ I told her.

‘Yes. I was eaten,’ said Ursula Monkton.

‘You’re dead. You aren’t real.’

‘I was eaten,’ she repeated. ‘I am nothing. And they have let me out, just for a little while, from the place inside them. It’s cold in there, and very empty. But they have promised you to me, so I will have something to play with; something to keep me company in the dark. And after you have been eaten, you too will be nothing. But whatever remains of that nothing will be mine to keep, eaten and together, my toy and my distraction, until the end of time. We’ll have such fun.’

A ghost of a hand was raised, and it touched the smile, and it blew me the ghost of Ursula Monkton’s kiss.

‘I’ll be waiting for you,’ it said.

A rustle in the rhododendrons behind me and a voice, cheerful and female and young, saying, ‘It’s okay. Gran fixed it. Everything’s taken care of. Come on.’

The moon was visible now above the azalea bush, a bright crescent like a thick nail paring.

I sat down by the dead tree, and did not move.

‘Come on, silly. I told you. They’ve gone home,’ said Lettie Hempstock.

‘If you’re really Lettie Hempstock,’ I told her, ‘you come here.’

She stayed where she was, a shadowy girl. Then she laughed, and she stretched and she shook, and she was only another shadow: a shadow that filled the night.

‘You are hungry,’ said the voice in the night, and it was no longer Lettie’s voice, not any longer. It might have been the voice inside my own head, but it was speaking aloud. ‘You are tired. Your family hates you. You have no friends. And Lettie Hempstock, I regret to tell you, is never coming back.’

I wished I could have seen who was talking. If you have something to fear, rather than something that could be anything, it is easier.

‘Nobody cares,’ said the voice, so resigned, so practical. ‘Now, step out of the circle and come to us. One step is all it will take. Just put one foot across the threshold and we will make all the pain go away for ever: the pain you feel now and the pain that is still to come. It will never happen.’

It was not one voice, not any longer. It was two people talking in unison. Or a hundred people. I could not tell. So many voices.

‘How can you be happy in this world? You have a hole in your heart. You have a gateway inside you to lands beyond the world you know. They will call you, as you grow. There can never be a time when you forget them, when you are not, in your heart, questing after something you cannot have, something you cannot even properly imagine, the lack of which will spoil your sleep and your day and your life, until you close your eyes for the final time, until your loved ones give you poison and sell you to anatomy, and even then you will die with a hole inside you, and you will wail and curse at a life ill-lived. But you won’t grow. You can come out, and we will end it, cleanly, or you can die in there, of hunger and of fear. And when you are dead, your circle will mean nothing, and we will tear out your heart and take your soul for a keepsake.’

‘P’raps it will be like that,’ I said, to the darkness and the shadows, ‘and p’raps it won’t. And p’raps if it is, it would have been like that anyway. I don’t care. I’m still going to wait here for Lettie Hempstock, and she’s going to come back to me. And if I die here, then I still die waiting for her, and that’s a better way to go than you and all you stupid horrible things tearing me to bits because I’ve got something inside me that I don’t even want!’

There was silence. The shadows seemed to have become part of the night once again. I thought over what I’d said, and I knew that it was true. At that moment, for once in my childhood, I was not scared of the dark, and I was perfectly willing to die (as willing as any seven-year-old, certain of his immortality, can be) if I died waiting for Lettie. Because she was my friend.

Time passed. I waited for the night to begin to talk to me again, for people to come, for all the ghosts and monsters of my imagination to stand beyond the circle and call me out, but nothing more happened. Not then. I simply waited.

The moon rose higher. My eyes had adjusted to the darkness. I sang, under my breath, mouthing the words over and over.

You’re a regular wreck with a crick in your neck

and no wonder you snore for your head’s on the floor

and you’ve needles and pins from your sole to your shins

and your flesh is a-creep for your left leg’s asleep

and you’ve cramp in your toes

and a fly on your nose

you’ve got fluff in your lung and a feverish tongue

and a thirst that’s intense and a general sense that you

haven’t been sleeping in clover …

I sang it to myself, the whole song, all the way through, two or three times, and I was relieved that I remembered the words, even if I did not always understand them.





When Lettie arrived, the real Lettie, this time, she was carrying a bucket of water. It must have been heavy judging from the way she carried it. She stepped over where the edge of the ring in the grass must have been and she came straight to me.

‘Sorry,’ she said. ‘That took a lot longer than I expected. It didn’t want to cooperate, neither, and in the end it took me and Gran to do it, and she did most of the heavy lifting. It wasn’t going to argue with her, but it didn’t help, and it’s not easy …’

‘What?’ I asked. ‘What are you talking about?’

She put the metal bucket down on the grass beside me without spilling a drop. ‘The ocean,’ she said. ‘It didn’t want to go. It gave Gran such a struggle that she said she was going to have to go and have a lie-down afterwards. But we still got it into the bucket in the end.’

The water in the bucket was glowing, emitting a greenish-blue light. I could see Lettie’s face by it. I could see the waves and ripples on the surface of the water, watch them crest and splash against the side of the bucket.

‘I don’t understand.’

‘I couldn’t get you to the ocean,’ she said. ‘But there was nothing stopping me bringing the ocean to you.’

I said, ‘I’m hungry, Lettie. And I don’t like this.’

‘Mum’s made dinner. But you’re going to have to stay hungry for a little bit longer. Were you scared, up here on your own?’

‘Yes.’

‘Did they try and get you out of the circle?’

‘Yes.’

She took my hands in hers, then, and squeezed them. ‘But you stayed where you were meant to be, and you didn’t listen to them. Well done. That’s quality, that is,’ and she sounded proud. In that moment I forgot my hunger and I forgot my fear.

‘What do I do now?’ I asked her.

‘Now,’ she said, ‘you step into the bucket. You don’t have to take your shoes off or anything. Just step in.’

It did not even seem a strange request. She let go of one of my hands, kept hold of the other. I thought, I will never let go of your hand, not unless you tell me to. I put one foot into the glimmering water, raising the water level almost to the edge. My foot rested on the tin floor of the bucket. The water was cool on my foot, not cold. I put the other foot into the water and I went down with it, down like a marble statue, and the waves of Lettie Hempstock’s ocean closed over my head.

I felt the same shock you would feel if you had stepped backwards, without looking, and had fallen into a swimming pool. I closed my eyes at the water’s sting and kept them tightly shut, so tightly.

I could not swim. I did not know where I was, or what was happening, but even under the water I could feel that Lettie was still holding my hand.

I was holding my breath.

I held it until I could hold it no longer, and then I gulped a breath in, expecting to choke, to splutter, to die.