“I didn’t get that impression. Alice?” He raised his voice. “Alice?”
There was no answer. Eliot had already faded back out into the hall. He didn’t seem to have much patience for Alice lately, as somebody who didn’t share his rigorous dedication to pleasure-seeking. Quentin supposed her unfussy diligence reminded him unpleasantly of the future he was ignoring. Quentin knew it had that effect on him.
He hesitated on the threshold, torn between conflicting loyalties. She would probably be grateful for some quiet time to study.
“I think she’s coming later,” Quentin said. He called in the direction of the bedroom, “Okay! Bye! I’ll see you there!”
There was no answer.
“Bye, Mom!” Eliot yelled.
The door closed.
Like everything else, Eliot was different in New York. At Brakebills he had always been supremely aloof and self-sufficient. His personal charm and odd appearance and talent for magic had raised him up and set him apart. But since Quentin had joined him in Manhattan, the balance of power between them had shifted somehow. Eliot hadn’t survived transplantation unscathed; he no longer floated easily above the fray. His humor was more arch and bitter and childish than Quentin remembered. He seemed to be getting younger as Quentin got older. He needed Quentin more, and he resented Quentin for that. He hated to be left out of anything, and he hated to be included in anything. He spent more time than he should have on the roof of his apartment building smoking his Merits and God knows what else—there wasn’t much you couldn’t find if you had the money, and they had the money. He was getting too thin. He was depressed and turned nasty when Quentin tried to jolly him out of it. When annoyed he was fond of saying, “God, it’s amazing I’m not a dipsomaniac,” and then correcting himself: “Oh, wait, that’s right …” It had been funny the first time. Sort of.
At Brakebills Eliot had started drinking at dinnertime, earlier on weekends, which was fine, because all the upperclassmen drank at dinner, though not all of them bartered their desserts for extra glasses of wine the way Eliot did. In Manhattan, with no professors watching over them, and no classes to be sober for, Eliot was rarely without a glass of something in his hand from one in the afternoon on. Usually it was something relatively innocuous, white wine or Campari or[Rscov with a big dilute tumbler of bourbon and soda clunking with ice. But still. Once when Eliot was nursing a stubborn cold, Quentin remarked lightly that maybe he should consider something more wholesome than a vodka-tonic with which to chase his plastic jigger of DayQuil.
“I’m sick, I’m not dead,” Eliot snapped. And that was that.
At least one of Eliot’s talents had survived graduation: he was still a tireless seeker-out of obscure and wonderful bottles of wine. He was not yet such a lush that he’d abandoned his snobbishness. He went to tastings and chatted up importers and wine-store owners with a zeal that he mustered for nothing else. Once every few weeks, when he had accumulated a dozen or so bottles of which he was especially proud, Eliot would announce that they were having a dinner party. It was one such dinner party that he and Quentin were preparing for today.
They lavished a ridiculous amount of effort on these parties, all out of proportion to any actual fun they might get in return. The venue was always Eliot and Janet’s Soho apartment, a vast prewar warren with an implausible profusion of bedrooms, a set ripe for a French farce. Josh was head chef, with Quentin assisting as apprentice chef and kitchen runner. Eliot acted as sommelier, of course. Alice’s contribution was to stop reading long enough to eat.
Janet dressed the set: she formulated the night’s dress code, chose the music, and hand-wrote and illustrated amazingly beautiful one-off menus. She also confabulated various surreal and sometimes controversial centerpieces. The theme of tonight’s party was Miscegenation, and Janet had promised—over objections aesthetic, moral, and ornithological—to deliver Leda and the Swan staged as a pair of magically animated ice sculptures. They would copulate until they melted.
As with all such evenings, the cleverness of the conceit became annoying somewhere around the middle of the afternoon before the party actually started. Quentin had found a grass skirt at an antique store, which he planned to pair with a tuxedo shirt and jacket, but the skirt was so scratchy that he gave up on it. He couldn’t think of another idea, so he spent the rest of the afternoon brooding and dodging Josh, who had spent the past week researching recipes that included violently disparate ingredients wedded together—sweet and savory, black and white, frozen and molten, Eastern and Western—and was now frantically slamming oven and cabinet doors and making him taste things and sniping at him over the pastry island. Alice arrived at five thirty, and Quentin and Josh both dodged her as well. By the time the party started everybody was drunk and starving and irritable.
But then, as sometimes happens with dinner parties, everything became mysteriously, spontaneously perfect again. The fabric knitted itself back together. The day before, Josh, who by this time had shaved off his beard (“It’s like taking care of a damn pet”), announced that he was bringing a date, which put added pressure on everybody to get their shit together. As the sun set over the Hudson, and sunbeams tinted a delicate rose by their passage through the atmosphere over New Jersey lanced through the apartment’s huge common room, and Eliot handed around Lillet cocktails (Lillet and champagne layered over a velvet hammer of vodka) in chilled martini glasses, and Quentin served miniature sweet-and-sour lobster rolls, everybody suddenly seemed—or maybe they actually were?—wise and funny and good-looking.
Josh had refused to reveal the identity of his date in advance, so when the elevator doors opened—they had the entire floor—Quentin had no idea gifted ones and shoved and the in one handg that he would recognize her: it was the girl from Luxembourg, the curly-haired captain of the European team that had administered the deathblow to his welters career. It turned out (they told the story collaboratively, a set piece they’d evidently been working on) that Josh had bumped into her in a subway station where she was trying to bewitch a vending machine into adding money to her Metrocard. Her name was Ana?s, and she wore a pair of snakeskin pants so ravishing that nobody asked her what if anything they had to do with the theme. She had blond ringlets and a tiny pointy nose, and Josh was obviously besotted with her. So was Quentin; he felt a wild pang of jealousy.
He barely talked to Alice all night anyway, what with ducking in and out of the kitchen warming and plating and serving things. By the time he emerged with the entrées—pork chops dusted with bitter chocolate—it was dark, and Richard was making a speech about magical theory. The wine and the food and the music and the candles were almost enough to make what he was saying seem interesting.
Richard, of course, was the mysterious stranger who turned up with the other former Physical Kids on graduation day. He was a one-time Physical Kid, too, of the generation that preceded Eliot and Josh and Janet, and of them all he was the only one who had actually entered the world of respectable professional wizardry. Richard was tall, with a big head, dark hair, square shoulders, and a big square chin, and he was handsome in a Frankensteinian way. He was friendly enough to Quentin—firm handshake, lots of eye contact with his big, dark eyes. In conversation he liked to address Quentin directly as “Quentin” a lot, which made him feel kind of like they were having a job interview. Richard was employed by the trust that managed the collective financial assets of the magical community, which were vast. He was, in a quiet way, an observant Christian. They were rare among magicians.
Quentin tried to like Richard, since everybody else did, and it would just be simpler. But he was so damn earnest. He wasn’t stupid, but he completely lacked any sense of humor—jokes derailed him, so that the whole conversation had to stop while somebody, usually Janet, explained what everybody else was laughing at, and Richard knitted his thick Vulcan eyebrows in consternation at his companions’ merely human foibles. And Janet, who could usually be counted on to ruthlessly flense anybody who made the mistake of taking anything seriously, Janet waited on Richard hand and foot! It annoyed him to think that she might look up to Richard the same way he had once looked up to the older Physical Kids. He had the definite sense that Janet must have slept with Richard once or twice back at Brakebills. It was entirely possible that they slept together once in a while now.
“Magic,” Richard announced slowly, flushed, “is the tools. Of the Maker.” He almost never drank, and two glasses of viognier had put him well over his limit. He looked first left and then right to make sure the whole table was listening. What a fatuous ass. “There’s no other way of looking at it. We are dealing with a scenario where there is a Person who built the house, and then He left.” He rapped the table with one hand to celebrate this triumph of reason. “And when He left, He left His tools lying around in the garage. Then we found them, and we picked them up, and we started making guesses about how they work. Now we’re learning to use them. And that’s magic.”
“There are so many things wrong with that I don’t even know where to start,” Quentin distinctly heard himself say.
“So? Start. think about itNG pretendg”
Quentin put down the food he was carrying. He had no idea what he was about to say, but he was happy to be publicly contradicting Richard.
“Okay, well, first of all, there’s a huge scale problem. Nobody’s building universes here. We’re not even building galaxies or solar systems or planets. You need cranes and bulldozers to build a house. If there is a ‘Maker,’ which I frankly don’t see much evidence for, that’s what He had. What we’ve got are hand tools. Black and Decker. I don’t see how you get from there to what you’re talking about.”
“If it’s a question of scale,” Richard said, “I don’t see that as insurmountable. Maybe we’re just not”—he searched in his wine glass for the right metaphor—“we’re not plugging our tools into the right socket. Maybe there’s a much bigger socket—”
“I think if you’re talking about electricity,” Alice put in, “you have to talk about where energy comes from.”
That’s what I should have said, Quentin thought. Alice relished theoretical arguments as much as Richard, and she was much better at them.
“Any heating spell, you’re demonstrably drawing energy from one place and putting it in another. If somebody created the universe, they actually created energy from somewhere. They didn’t just push it around.”
“Fine, but if—”
“Plus, magic just doesn’t feel like a tool,” Alice went on. “Can you imagine how boring it would be if casting a spell were like turning on an electric drill? But it’s not. It’s irregular and beautiful. It’s not an artifact; it’s something else, something organic. It feels like a grown thing, not a made thing.”
She looked radiant in a silky black sheath that she knew he liked. Where had she been all night? He seemed to keep forgetting what a treasure she was.
“I bet it’s alien tech,” Josh said. “Or fourth-dimensional, like weather or something. From a direction we can’t even see. Or we’re in some kind of really high-tech multiplayer video game.” He snapped his fingers. “So that’s why Eliot’s always humping my corpse.”
“Not necessarily,” Richard finally broke in. He was still processing Alice’s argument. “It’s not necessarily irregular. Or I would argue that it partakes of a higher regularity, a higher order, that we haven’t been allowed to see.”
“Yeah, that’s the answer.” Eliot was visibly drunk. “That’s the answer to everything. God save us from Christian magicians. You sound just like my parents. That is exactly what my ignorant Christian parents would say. Just, if it doesn’t fit with your theory, well, that’s just because, oh, it actually does, but God is mysterious, so we can’t see it. Because we’re so sinful. That’s so fucking easy.”
He fished around in the remnants of Janet’s centerpiece with a long serving fork. Leda and the Swan were indistinguishable from each other now, two rounded Brancusi forms still gamely humping away as a tide of slush rose up to drown them.