—and he heard the cry go up an octave and then cut off sharply.
Then the room was silent, and he was alone except for drifting motes of couch-fluff in the air. At the same moment his tattoo lit up with cold fire; it was like somebody had dumped liquid nitrogen on his back. When Fogg put a cacodemon in his back the night before graduation he’d felt nothing at all, but this wasn’t nothing. This hurt. And there was pressure inside him, massive pressure. He couldn’t breathe. He groaned like a woman in labor, trying to let some of it out, but it only got worse.
He could feel Alice in there. He felt her rage and her power and something like ecstasy. Quentin pressed his back against the coolness of the wall to try to ease the burning, but it did nothing. He felt like his rib cage was cracking. The veins were glowing in the backs of his hands.
The front door slammed open.
“What did you do? Where’s Alice?”
Plum and Eliot were staring at him. They’d burst in ready for the fight of their lives.
“And you took your shirt off,” Plum added.
“She’s in my back,” he whispered. He couldn’t speak any louder. “I know.”
He detached himself from the wall and began walking stiffly up the stairs. Sweat was starting out across his forehead, trickling down his chest.
“You should go,” he whispered.
“What are you doing?” Plum asked, but he couldn’t even answer her. He could feel Alice stirring inside him like a genie in her lamp. She wanted out by whatever exit she could find or make. In his mind he was putting things together, doing back-of-the-envelope calculations and then ignoring the answers when they weren’t reassuring.
“What are you doing?” Plum shouted after him.
“Come on,” Eliot said. “We have to help him.”
They followed him up. He couldn’t stop them, and Eliot was right, he needed their help. He climbed the stairs to the fourth-floor workroom, the skin on his back sore and stretched tight like a third-degree sunburn.
“Coins,” he whispered. “Mayakovsky’s.”
There was enough room here. The spell came to him easily, automatically, like it had worn a deep channel right down the middle of him, even though he was casting it for the first time. He could see the page from the Neitherlands in front of him in his mind: the columns of numbers, the turning orbits that spun around each other like a magician juggling rings, the plant with its long leaves rustling demurely in a wind from somewhere out of frame. He knew the whole thing by heart. Until now he just hadn’t understood why.
This was what it was for. This was why he’d snatched it out of the air and saved it. Matter and magic. He’d thought it was about making matter magical, but now he had something that was pure magic, and he was going to give it matter. Reverse the flow. He was going to bring Alice back into the world of the physical.
He snapped out orders—there was no time to be polite—and Plum and Eliot handed him things as he called for them: powders, liquids, books open to such and such a page, one of the gold coins. He took them without looking, like a surgeon up to his elbows in a patient.
It was like he’d been assembling the pieces without knowing it. He couldn’t have done it without his newfound strength, and not without minor mendings either: he knew how to knit broken things together. He scraped at his insides for every last scintilla of magical strength. He was feverish, and his knees felt like they could buckle at any moment, but his mind was clear. He knew what he had to do, if he could just stay upright long enough.
When everything was complete, when the enchantment was hovering latent in the air like a thundercloud about to burst, he turned his back to the room and opened the trap.
It was like letting out an enormous breath that he’d been holding for way too long. The room flooded with blue light, the light in a swimming pool on a summer afternoon. Quentin almost blacked out with relief. Later he would look at his tattoo and find a raised, blackened scar in the center of the star.
Alice’s blue form was floating limp in the center of the room, on its back, listless but stirring. She wasn’t smiling now, not at all. Her expression, when she focused on him, was black. She was angry, a wasp who’d been trapped in a jar and then shaken, and she was ready to sting. She was the most beautiful, terrible thing he’d ever seen, like an acetylene flame, an incandescent filament, a fallen star right in front of him.
He met her gaze and held it and spoke a word in a language so old that the linguists of the world believed it to be lost and forgotten forever. But magicians had not forgotten.
Mayakovsky’s coin, the second coin, flared in his hand, and he forced himself to grip it tight even though it felt like a fistful of molten gold or dry ice—like his fingers must be melting or blackening and curling up. Alice startled as if she’d heard a sound. Not his voice, but something else, something far off. A distant church bell tolling at dawn.
Then the air around her darkened, and the world began falling into her. It had begun: the spell was pulling atoms from the room around her. Her skin darkened and became dull and opaque. She writhed as particles swarmed around her like insects, embedding themselves in her form. Matter rushed at her, crowded into her, substituting crude substance for her luminous, translucent blue flesh.
Quentin stumbled back, and Plum and Eliot caught him, and together they staggered out through the doorway; it wouldn’t do to be too close, to have any of their atoms pulled into Alice. The spell would do it if it had to, the spell didn’t care. Alice was convulsing now, growing heavier, condensing out of the air, being forcibly embodied. She moaned, a deep agony moan, already half human. Her niffin-light was fading. She sounded like she was dying, and for a horrific second Quentin wondered if he’d been wrong, if he was killing her instead of saving her. But it was too late to take it back.
When it was finished, when the blue was all gone, Alice fell to the wooden floor with a dull smack, hard enough to bounce once and lie still. The room reeked of rarefied gases, sharp spikes in his nostrils.
Alice lay sprawled on the floor on her back, her eyes closed, breathing shallowly. She was flesh again. The old Alice, human Alice, pale and real and naked.
He knelt down next to her. Her eyes opened, just barely, narrowed against the light.
“Quentin,” she said hoarsely. “You changed your hair.”