We climb the steps to the great doors, Mother waiting patiently as Jally labours up them, his legs—my legs—a touch too short to take them in his stride, though mostly it’s reluctance that holds him back. The doors themselves tower into the shadowed heights beneath the portico, huge slabs of rosewood depicting, in inlaid brass, the long march of our people from the east to claim the promised lands as the shadows of a thousand suns retreated. The red march that gave our kingdom its name.
Two guards, half-plate gleaming, elaborate poleaxes held to the side, blades skyward, affect not to notice us, though Mother has married a son of the queen. They’re Grandmother’s personal guard, loath to show deference to anyone but her. They’re also a sign that she might truly be waiting for us in the Poor Palace.
The left door opens on noiseless hinges as we approach, just wide enough for us to slip within, a grudging acknowledgment of our right to enter. Inside we pause, sun-blind in the comparative gloom of the reception hall. As my vision clears I see at the far end of the foyer an old man, bent by age but very tall. He shambles toward us from the bank of votive candles by the opposite wall. His tunic is mis-tied and grey from too many washes, the stubble of his beard white against dark red skin. He seems uncertain.
“Come away, Ullamere.” A young woman, a nurse maybe, comes from the far doorway and steers the ancient out of sight. As he turns a pale scar is revealed, so broad I can see it even at this distance, running from the bridge of his nose past the corner of his mouth.
Mother turns from the aisle of marble columns, from the mosaiced splendour of the floor, and takes a small, unguarded arch leading onto a tight spiral of steps. Winding our way up the stairs makes me dizzy. Jally counts them to keep his fear at bay, but the Silent Sister’s colourless face keeps surfacing between the numbers. I hate her on his account with an intensity I’ve never quite managed on my own.
“A hundred and seven!” And we’re there, a small landing, a heavy oak door, a narrow window showing only sky. I know it for the tower room atop the western spire, one of two rising spear-like above the entrance to the Poor Palace. This is deduction rather than experience for I’ve never climbed these steps—or at least I had thought that I hadn’t until this moment of recollection.
“Wait here, Jalan.” Mother directs me to one of the two high-backed chairs to the side of the entrance. I clamber into the seat, too nervous to complain, and the door opens. Just like the grand portals this door opens narrowly—few doors it seems are flung wide in royal circles—this one reveals the angular features of Nanna Willow. Mother slips through and the old woman closes the door behind her, shooting me a hard look through the thinning gap. Clunk—and I’m alone on the landing.
I say the boy and I share nothing save a name . . . but he’s off that chair and crouched with his ear to the door fast enough. I would perhaps have been slower, more scared of being caught, but I’d have listened even so!
“—why make me bring Jalan? You know how badly he reacted when—”
“That was . . . unfortunate. But he must be tested again.” An old voice, deeper, and more stern even than Nanna Willow’s but still a woman’s. My grandmother then.
“Why?” Mother asks. A pause, perhaps remembering herself. “Why must he be, your highness?”
“I didn’t have you brought all the way from the Indus to question me, Nia. I bartered dynasties with your cantankerous raja to make a match for my fool of a son in the hope that if I bred eastern wolf with Red March ass the promise of my line might out once more in a third generation.”
“But you tested him, your highness. He doesn’t have what you hoped for. He’s a sensitive boy and it took so long for him to recover . . . Is it really necessary for him—”
“The Lady Blue has thought him important enough to send assassins after. Perhaps she has seen in her crystals and mirrors something that my sister missed in her own examination.”
“Assassins?”
“Three so far, two this month. My sister saw them coming, and they were stopped. Not without cost though. The Lady Blue has dangerous individuals in her employ.”
“But—”
“This is the long game, Nia. The future burns and those who might save us are children or have yet to be born. In many futures the Ancraths are the key. Either the emperor comes from their line or finds his throne because of the deeds of that house. They carry change with them, these Ancraths, and change is needed. The future-sworn agree that two Ancraths are required—working together. The rest is harder to see.”