‘What about the station?’ Miranda asks, with a sort of ‘gotcha!’ triumph. ‘Surely you could just get a train?’
The gamekeeper gives her a look. He is quite attractive, I realise. Or at least he would be, only there’s something haunted about his eyes. ‘Trains don’t run so well on a metre of snow, either,’ he says. ‘So they wouldn’t be stopping here.’
And, just like that, the landscape, for all its space, seems to shrink around us.
DOUG
If it weren’t for the guests, this place would be perfect. But he supposes he wouldn’t have a job without them.
It had been everything he could do, when he picked them up, not to sneer. They reek of money, this lot – like all those who come here. As they approached the Lodge, the shorter, dark-haired man – Jethro? Joshua? – had turned to him in a man-to-man way, holding up a shiny silver phone. ‘I’m searching for the Wi-Fi,’ he said, ‘but nothing is coming up. Obviously there’s no 3G: I get that. You can’t have 3G without a signal … Ha! But I would have thought I’d start picking up on the Wi-Fi. Or do you have to be closer to the Lodge?’
He told the man that they didn’t turn the Wi-Fi on unless someone asked for it specifically. ‘And you can sometimes catch a signal, but you have to climb up there’ – he pointed to the slope of the Munro – ‘in order to get it.’
The man’s face had fallen. He had looked for a moment almost frightened. His wife had said, swiftly, ‘I’m sure you can survive without Wi-Fi for a few days, darling.’ And she smothered any further protest with a kiss, her tongue darting out. Doug had looked away.
The same woman, Miranda – the beautiful one – had sat up in front with him in the Land Rover, her knee angled close to his own. She had laid an unnecessary hand on his arm as she climbed into the car. He caught a gust of her perfume every time she turned to speak to him, rich and smoky. He had almost forgotten that there are women like this in the world: complex, flirtatious, the sort who have to seduce everyone they meet. Dangerous, in a very particular way. Heather is so different. Does she even wear perfume? He can’t remember noticing it. Certainly not make-up. She has the sort of looks that work better without any adornment from cosmetics. He likes her face, heart-shaped, dark-eyed, the elegant parentheses of her eyebrows. Someone who hadn’t spent time with Heather might think that there was a simplicity to her, but he suspects otherwise; that with her it is very much a case of still waters running deep. He has a vague idea that she lived in Edinburgh before, that she had a proper career there. He has not tried to find out what her story is, though. It might mean revealing too much of his own.
Heather is a good person. He is not. Before he came here, he did a terrible thing. More than one thing, actually. A person like her should be protected from someone like him.
The guests are now in Heather’s charge, for the moment – and that’s a relief. It took no small effort to conceal his dislike of them. The dark-haired man – Julien, that was the name – is typical of the people that stay here. Moneyed, spoiled, wanting wilderness, but secretly expecting the luxury of the hotels they’re used to staying in. It always takes them a while to process what they have actually signed up for, the remoteness, the simplicity, the priceless beauty of the surroundings. Often they undergo a kind of conversion, they are seduced by this place – who wouldn’t be? But he knows they don’t understand it, not properly. They think that they’re roughing it, in their beautiful cabins with their four-poster beds and fireplaces and underfloor heating and the fucking sauna they can trot over to if they really want to exert themselves. And the ones he takes deer-stalking act as if they’ve suddenly become DiCaprio in The Revenant, battling with nature red in tooth and claw. They don’t realise how easy he has made it for them, doing all the difficult work himself: the observation of the herd’s activities, the careful tracking and plotting … so that all they have to do is squeeze the bloody trigger.
Even the shooting itself they rarely get right. If they shoot badly they could cause a wound that, if left, might cause the animal to suffer for days in unimaginable pain. A misfired headshot for example (they often aim for the head even though he tells them: never go for it, too easy to miss) could cleave away the animal’s jaw and leave it alive in deepest agony, unable to eat, slowly bleeding to death. So he is there to finish it off with an expert shot, clean through the sternum, allowing them to go home boasting of themselves as hunters, as heroes. The taking of a life. The baptism in blood. Something to post on Facebook or Instagram – images of themselves smeared in gore and grinning like lunatics.
He has taken lives, many of them in fact. And not just animal. He knows better than anyone that it is not something to boast about. It is a dark place from which you can never quite return. It does something to you, the first time. An essential change somewhere deep in the soul, the amputation of something important. The first time is the worst, but with each death the soul is wounded further. After a while there is nothing left but scar tissue.
He has been here for long enough to know all the different ‘types’ of guests, has become as much of an expert in them as he is in the wildlife. But he isn’t sure which variety he hates more. The ‘into the wild’ sort, the ones who think they have in a few short days of luxury become ‘at one’ with nature. Or the other kind, the ones who just don’t get it, who think they have been tricked … worse, robbed. They forget what it is they booked. They find problems with everything that deviates from the sort of places they are used to staying in, with their indoor swimming pools and Michelin-starred restaurants. Usually, in Doug’s opinion, they are the ones who have the most problems with themselves. Remove all of the distractions, and here, in the silence and solitude, the demons they have kept at bay catch up with them.
For Doug, it is different. His demons are always with him, wherever he is. At least here they have space to roam. This place attracted him for a rather different reason, he suspects, than it does the guests. They come for its beauty – he comes for its hostility, the sheer brutality of its weather. It is at its most uncompromising now, in the midst of its long winter. A few weeks ago, up on the Munro, he saw a fox slinking through the snow, the desiccated carcass of some small creature clamped in its jaws. Its fur was thin and scabrous, its ribs showing. When it spotted him it did not bolt immediately. There was a moment when it stared back at him, hostile, challenging him to try to take its feast. He felt a kinship with it, a stronger sense of identification than he has had with any human, at least for a long time. Surviving, existing – just. Not living. That is a word for those who seek entertainment, pleasure, comfort out of each day.
He was lucky to get this job, he knows that. Not just because it suits him, his frame of mind, his desire to be as far from the rest of humanity as possible. But also because it is very likely that no one else would have had him. Not with his past. The man sent to interview him by the boss had seen the line on his record, shrugged, and said, ‘Well, we definitely know you’ll be good for dealing with any poachers, then. Just try not to attack any of the guests.’ And then he had grinned, to show that he was joking. ‘I think you’ll be perfect for the job, actually.’