The Girl on the Train

Evening

 

 

I have been thinking about Jess all day, unable to focus on anything but what I saw this morning. What was it that made me think that something was wrong? I couldn’t possibly see her expression at that distance, but I felt when I was looking at her that she was alone. More than alone – lonely. Perhaps she was – perhaps he’s away, gone to one of those hot countries he jets off to to save lives. And she misses him, and she worries, although she knows he has to go.

 

Of course she misses him, just as I do. He is kind and strong, everything a husband should be. And they are a partnership. I can see it, I know how they are. His strength, that protectiveness he radiates, it doesn’t mean she’s weak. She’s strong in other ways; she makes intellectual leaps that leave him open-mouthed in admiration. She can cut to the nub of a problem, dissect and analyse it in the time it takes other people to say good morning. At parties, he often holds her hand, even though they’ve been together years. They respect each other, they don’t put each other down.

 

I feel exhausted this evening. I am sober, stone cold. Some days I feel so bad that I have to drink; some days I feel so bad that I can’t. Today, the thought of alcohol turns my stomach. But sobriety on the evening train is a challenge, particularly now, in this heat. A film of sweat covers every inch of my skin, the inside of my mouth prickles, my eyes itch, mascara rubbed into their corners.

 

My phone buzzes in my handbag, making me jump. Two girls sitting across the carriage look at me and then at each other, with a sly exchange of smiles. I don’t know what they think of me, but I know it isn’t good. My heart is pounding in my chest as I reach for the phone. I know this will be nothing good either: it will be Cathy, perhaps, asking me ever so nicely to maybe give the booze a rest this evening? Or my mother, telling me that she’ll be in London next week, she’ll drop by the office, we can go for lunch. I look at the screen. It’s Tom. I hesitate for just a second and then I answer it.

 

‘Rachel?’

 

For the first five years I knew him, I was never Rachel, always Rach. Sometimes Shelley, because he knew I hated it and it made him laugh to watch me twitch with irritation and then giggle because I couldn’t help but join in when he was laughing. ‘Rachel, it’s me.’ His voice is leaden, he sounds worn out. ‘Listen, you have to stop this, OK?’ I don’t say anything. The train is slowing and we are almost opposite the house, my old house. I want to say to him, Come outside, go and stand on the lawn. Let me see you. ‘Please, Rachel, you can’t call me like this all the time. You’ve got to sort yourself out.’ There is a lump in my throat as hard as a pebble, smooth and obstinate. I cannot swallow. I cannot speak. ‘Rachel? Are you there? I know things aren’t good with you, and I’m sorry for you, I really am, but … I can’t help you, and these constant calls are really upsetting Anna. OK? I can’t help you any more. Go to AA or something. Please, Rachel. Go to an AA meeting after work today.’

 

I pull the filthy plaster off the end of my finger and look at the pale, wrinkled flesh beneath, dried blood caked at the edge of my fingernail. I press the thumbnail of my right hand into the centre of the cut and feel it open up, the pain sharp and hot. I catch my breath. Blood starts to ooze from the wound. The girls on the other side of the carriage are watching me, their faces blank.

 

 

 

 

 

MEGAN

 

 

One year earlier

 

 

 

Wednesday, 16 May 2012

 

 

Morning

 

 

I CAN HEAR THE TRAIN coming; I know its rhythm by heart. It picks up speed as it accelerates out of Northcote station and then, after rattling round the bend, it starts to slow down, from a rattle to a rumble, and then sometimes a screech of brakes as it stops at the signal a couple of hundred yards from the house. My coffee is cold on the table, but I’m too deliciously warm and lazy to bother getting up to make myself another cup.

 

Sometimes I don’t even watch the trains go past, I just listen. Sitting here in the morning, eyes closed and the hot sun orange on my eyelids, I could be anywhere. I could be in the south of Spain, at the beach; I could be in Italy, the Cinque Terre, all those pretty coloured houses and the trains ferrying the tourists back and forth. I could be back in Holkham with the screech of gulls in my ears and salt on my tongue and a ghost train passing on the rusted track half a mile away.

 

The train isn’t stopping today, it trundles slowly past. I can hear the wheels clacking over the points, I can almost feel it rocking. I can’t see the faces of the passengers and I know they’re just commuters heading to Euston to sit behind desks, but I can dream: of more exotic journeys, of adventures at the end of the line and beyond. In my head, I keep travelling back to Holkham; it’s odd that I still think of it, on mornings like this, with such affection, such longing, but I do. The wind in the grass, the big slate sky over the dunes, the house infested with mice and falling down, full of candles and dirt and music. It’s like a dream to me now.

 

I feel my heart beating just a little too fast.

 

I can hear his footfall on the stairs, he calls my name.

 

‘You want another coffee, Megs?’

 

The spell is broken, I’m awake.

 

 

 

 

 

Evening

 

 

I’m cool from the breeze and warm from the two fingers of vodka in my Martini. I’m out on the terrace, waiting for Scott to come home. I’m going to persuade him to take me out to dinner at the Italian on Kingly Road. We haven’t been out for bloody ages.

 

I haven’t got much done today. I was supposed to sort out my application for the fabrics course at St Martins; I did start it, I was working downstairs in the kitchen when I heard a woman screaming, making a horrible noise, I thought someone was being murdered. I ran outside into the garden, but I couldn’t see anything.

 

I could still hear her though, it was nasty, it went right through me, her voice really shrill and desperate. ‘What are you doing? What are you doing with her? Give her to me, give her to me.’ It seemed to go on and on, though it probably only lasted a few seconds.

 

I ran upstairs and climbed out on to the terrace and I could see, through the trees, two women down by the fence, a few gardens over. One of them was crying – maybe they both were – and there was a child bawling its head off too.

 

I thought about calling the police, but it all seemed to calm down then. The woman who’d been screaming ran into the house, carrying the baby. The other one stayed out there. She ran up towards the house, she stumbled and got to her feet and then just sort of wandered round the garden in circles. Really weird. God knows what was going on. But it’s the most excitement I’ve had in weeks.

 

My days feel empty now I don’t have the gallery to go to any longer. I really miss it. I miss talking to the artists. I even miss dealing with all those tedious yummy mummies who used to drop by, Starbucks in hand, to gawk at the pictures, telling their friends that little Jessie did better pictures than that at nursery school.

 

Sometimes I feel like seeing if I can track down anybody from the old days, but then I think, what would I talk to them about now? They wouldn’t even recognize Megan the happily married suburbanite. In any case, I can’t risk looking backwards, it’s always a bad idea. I’ll wait until the summer is over, then I’ll look for work. It seems like a shame to waste these long summer days. I’ll find something, here or elsewhere, I know I will.

 

 

 

 

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