The Diviners (The Diviners #1)

The Manhattan Bridge grew bigger as they pulled onto Pike Street. In front of the tenements, a swarm of kids played stickball. As the car moved through, they watched it with narrow-eyed suspicion.

“Future hooligans,” Detective Malloy said as he parked the police car at the end of the street. “Any of you little sh—” He glanced at Evie. “Little brats touch this car, I promise you they’ll be dragging the river for your teeth.”

The men stepped out of the car, and Evie followed.

“You were to wait in the car,” Will reminded her.

Evie had finagled her way down here. She wasn’t about to get this far and not see the actual murder scene. A murder in Manhattan! Already she imagined writing to Dottie and Louise about her adventures: “Dearest darlings, you won’t believe what I saw today…. Naturally, like any modern girl, I wasn’t afraid….” It would be just like the Agatha Christie novels she adored. But only if she could get closer.

“Oh, Uncle Will, but anything could happen to a girl waiting in the car.” Evie glanced meaningfully at the kids playing stickball. “What would my mother say?”

She mustered up a face of pure innocence.

“Then Jericho can wait with you.”

Evie glanced quickly at Jericho. “I’d feel better staying with you, Uncle Will. I promise I’ll stay out of the way. And you don’t need to worry that I’m one of those Fainting Frannys who goes goofy at the sight of blood. Why, last year, when Betty Hornsby nearly cut her finger clean off trying to juggle steak knives at a party, I was the only one who didn’t wilt on the spot seeing all that blood everywhere. It was a real mess but I was ab-so-lute-ly like a stone. Promise.”

She did her best to look completely nonplussed, as if she saw dead bodies all the time. Uncle Will started to object, but Detective Malloy shrugged. “As long as she promises not to faint, it’s fine by me. But this is no mystery novel, Miss O’Neill. I’m giving you fair warning.”

At the pier, a crowd of onlookers had gathered. Cops in blue uniforms with brass buttons shooed them back. Three oyster houseboats bobbed at the end of the pier where they were tied with hawsers.

“Body’s over here,” Malloy said. “Was some fishermen that found her. The body was dumped here sometime in the past day or so, near as we can tell. It was hidden by a heap of oyster shells, which is why nobody saw it earlier. You okay, Fitz?”

Uncle Will had paled. “I hate the smell of fish.”

“Cheer up. What you’re gonna see will make you forget about the smell. Body’s a real mess.” Malloy glanced at Evie. She refused to give him the satisfaction of a reaction. “Got some kind of weird mumbo-jumbo with it, too, which is why I came for you. I’m telling you, Fitz, I’ve never seen anything like it.”

Malloy led them to a spot piled high with shucked oyster shells, pink-white in the evening sun. A police photographer had set up his tripod. The flash lamp in his hand went off, blinding Evie with its brightness. The lamp’s magnesium powder scorched the air, leaving a sharp tang on Evie’s tongue. As they drew closer, the smells of fish, urine, and rotting flesh overpowered Evie. A violent heaving washed up inside her, which she willed back down. She breathed surreptitiously through her mouth. Black flies swarmed the spot, and Evie waved them away from her face.

“This is as far as you go, Miss,” Detective Malloy said, and it was clear it was an order. He nodded at Jericho in some unspoken male code that indicated Jericho should stay with Evie, which only irritated her further.

Detective Malloy led Will around the wall of oyster shells and she watched her uncle’s face go even paler, saw him put a hand to his mouth to hold back a shout or vomit. He turned away for a minute and bent over to breathe, and Evie saw her chance.

“Unc, are you all right?” she said, rushing at him.

“Evie…” he started, but it was too late. Evie had turned around.

The only time she could recall ever feeling so punched clean of breath was the day the telegram from the war department arrived. It took a moment for her mind to register that what lay sprawled on the old wooden pier had been a human being. She took it in by degrees: A shoe half-off. The filthy, shredded stockings pooling around swollen, blackened ankles. The torn dress and bruised limbs. The skin of her eyelids slack and sunken around empty sockets.

Her eyes. The killer had taken her eyes.

Dizziness whooshed up and over Evie as if someone had swung a hammer hard against a carnival bell. She dug her fingernails into her palms to keep herself alert.

The girl’s battered body had been arranged on the pier with her arms and legs stretched out. Her head was shorn of all hair except for a few tufts the scissors had missed. Cheap five-and-dime-store pearls ringed her neck, and toy rings encircled her fingers. Her blood-drained face was made up in garish fashion—heavy powder and rouge. A red slash of lipstick barely disguised the blue of her dead lips. HARLOT had been scrawled across her forehead.

A policeman had offered Will smelling salts and he stood, a little woozy. Evie hadn’t moved an inch. Back at the apartment, it had seemed very exciting—a real murder scene, something to tell new friends about. But now, looking at the violated corpse, Evie doubted she’d ever want to discuss this. She wished she could unsee it. A single tear trickled down her cheek. She wiped it quickly away and stared down at her shoes.

“She’s been dead about a week, give or take,” Detective Malloy said. His voice seemed to come to Evie through a tunnel. “Pocketbook has a tag inside with a name and address. Ruta Badowski of Brooklyn. Nineteen years old. Family’s been contacted. A little over a week ago, Ruta went to one of those crazy dance marathons with her steady fella, Jacek Kowalski. We pulled him in for questioning, got nothing. He claims he slept on a stoop and went to work at the brick factory the next morning. Boss confirms it.”

Evie chanced another peek at the girl’s disfigured face. Nineteen. Only two years older than Evie. She’d been out dancing. Now she was dead.

“This is what I wanted you to see.” Malloy opened the girl’s dress. On her chest, above her dingy brassiere, was a large brand of a five-pointed star encircled by a snake eating its tail.

“What is that, Fitz, some kind of voodoo charm?” Malloy asked.

“It has nothing to do with voodoo. And voudon is simply West African and Caribbean spiritualism, which is nature based,” Uncle Will said with impatience.

Malloy made a gesture of apology. “Okay, okay. Don’t get sore, Fitz. What is it, then?”

Will crouched low to get a better look. Evie didn’t know how he could do it without screaming. “It’s a pentacle, a symbol of the universe,” Will explained. “Many religions and orders use them—pagans, Gnostics, Eastern religions, ancient Christians, Freemasons. The Seal of Solomon is the most famous such symbol. It’s often used as a form of protection.”

“Didn’t help her much,” Malloy said.

Uncle Will walked around the body. “This one is inverted.” Will gestured to the two points up and the one down. “I’ve heard it said that the inverted pentagram suggests a lack of balance, the triumph of the material over the spiritual. Some claim that such a pentagram can be used for darker purposes, for sorcery or forbidden magic—to call forth demons or angels.” Will stood up and faced away for a minute, taking three big gulps of air and blowing them out again. “Fish. Hate the smell of fish.”

“Here, Unc,” Evie said, passing him a tiny compact of solid perfume from her purse. Will gave it a sniff and passed it back. Evie held it up to her nose as well. She felt faint again, and she forced herself to look up at the magnificent span of steel arching across the river to Brooklyn.

“Could the murderer work in a factory, or with cattle?” Jericho said, breaking his silence. She hadn’t even noticed that he’d come to stand beside her.