The Diviners (The Diviners #1)

“I usually do,” Memphis said. He swiped a hand across the overhead light, feeling the warmth of the bulb, and then passed through a tunnel into the building next door where all the offices were. Several secretaries sat at long tables, counting money from the morning’s numbers racket. Memphis tipped his cap to them and slipped into Papa Charles’s office. From his seat behind a mahogany desk, Papa Charles waved Memphis toward a waiting chair while he finished his telephone call.

Papa Charles was the undisputed king of Harlem. He controlled the numbers racket, the horse races and boxing matches. He ran the bootlegging and fixed things with the cops. If you needed a loan, you went to Papa Charles. When a church needed a new building, Papa Charles gave them the money. Schools, fraternal organizations, and even Harlem’s professional basketball team, the New York Renaissance, or Rens, were financed in part by Papa Charles, the Dapper Gentleman. And at several clubs and speakeasies, like the Hotsy Totsy, he showcased some of the best musicians and dancers in town.

“Well, as long as I’m running the numbers in Harlem, it’ll stay black,” Papa Charles said firmly into the telephone, “and you can tell Dutch Schultz and his associates that I say so.” He hung up forcefully and opened the lid on a silver box, selecting a cigar. He bit off the end and spat it into his wastebasket. Memphis lit the cigar’s tip, trying not to cough as the first puffs of smoke billowed out.

“Trouble?”

Papa Charles waved the thought and the smoke away. “White bootleggers want to run the Harlem rackets now. I don’t intend to let them. But they’re working hard at it. Heard the police raided one of Queenie’s joints last night.”

“I thought she paid off the police.”

“She does.” He let that land while he drew on the cigar, turning the air thick and spicy. “The white folks’ll lose interest in our games. They’ve got bootlegging to keep them busy. Still, might want to be extra careful out there. I’m telling all my runners. How’s your aunt Octavia doing?”

“Fine, sir.”

“And Isaiah? He getting along all right?”

“Yes, sir.”

“Good, good. And on the streets?”

“Smooth as Gabe’s licks.”

Papa Charles smiled. “Best way to learn the business is from the streets up. Someday, you can be working right here next to me.”

Memphis didn’t want to work for Papa Charles. He wanted to read his poetry at one of Miss A’Lelia Walker’s salons, alongside Countee Cullen, Zora Neale Hurston, and Jean Toomer—maybe even beside Mr. Hughes himself.

“You all right, son? Something the matter?”

Memphis found his smile. “You know me, sir. I don’t wear worry.”

Papa Charles smiled around his cigar. “That’s the Memphis I know.”

Good old Memphis. Reliable Memphis. Charming, easygoing Memphis. Look-after-your-brother Memphis. Memphis had been the star once. The miracle man. And it had ended in sorrow. He wouldn’t ever risk that again. These days, he kept his feelings confined to the pages of his notebook.

“It’s time to collect the gratuities from our grateful friends,” Papa Charles said—code for the protection money every business paid to the Dapper Gentleman if they wanted to stay in business and have his protection. The city ran on corruption as much as on electricity.

“Yes, sir.”

“Memphis, you sure you all right?”

Memphis offered up the smile again. “Never better, sir.”

On the way out of the club, Memphis nodded at Papa Charles’s chauffeur, who stood guard beside a brand-new Chrysler Imperial before blending into the crowds out for a good time on Lenox Avenue. He hit up the various nightclubs Papa Charles ran—the Yeah Man, the Tomb of the Fallen Angels, and the Whoopee—along with smaller speakeasies hidden in brownstone basements on tree-lined side streets. Memphis followed big men through back rooms gray with cigarette smoke where people sat at green felt tables playing cards, hustling pool, or rolling craps. The women would cup his chin, call him handsome, ask him to dance. He’d beg off, using the smile to smooth the rejection. Sometimes the club owners offered him a drink or let him listen in on the jazz or watch the revue girls dance. Other times, they made him wait upstairs in a dimly lit office, where Memphis was never sure if they’d be coming back with money or a Tommy gun. In the neat columns of the ledger, he wrote down the amount paid, dodging questions about whether Papa Charles knew if the fix was in for this fight or that game.

“I’m just a runner,” he’d say and use the smile.

On the streets, he kept an eye out for plainclothes cops. If he got arrested, Papa Charles would have him out in a few hours, but he still didn’t want to take the chance.

It was well after eleven when Memphis returned to the Hotsy Totsy. Gabe came running up to him. “Where you been, boss man?”

“Out on business. Why?”

“Come quick! It’s Jo. She fell and hurt herself.”

“Then call a doctor.”

“She’s asking for you, Memphis.”

Jo sat at the bottom of the stage stairs, crying, surrounded by concerned chorines. Through the crack in the curtain, Memphis could see the audience getting restless. It was time for the next number to start, and already Jo’s ankle was swelling up. “Caught my heel on the second step and turned it,” she burbled through her tears. “Oh, please, Lord, don’t let it be broken.”

“You’d better tell Francine she’s on,” one of the chorines said.

Jo shook her head. “I gotta go on tonight. I need the money!” She looked up at Memphis, her eyes hopeful. “I remembered about you. What you could do. Please, can you help me, Memphis?”

Memphis’s jaw tightened. “I can’t do that anymore.”

Jo sobbed and Gabe put a hand on Memphis’s arm. “Come on, brother. Just try….”

“I told you, I can’t!” Memphis shook off Gabe’s hand and stormed down the stairs as the stage manager cradled Jo in his arms and carried the miserable girl away. Onstage, the emcee announced the next number, the Black Bottom, and the other girls plus Francine scampered out wearing smiles and very little else. Memphis deposited the money he’d collected on his rounds with the secretaries. He pushed out into the night again, his mind troubled by memories of a time when he was someone else, a golden boy with healing hands: Miracle Memphis, the Harlem Healer.

The healing power had come on Memphis suddenly after an illness when he was fourteen. For days, he’d lain in a state of semiconsciousness, seeing the strangest sights as the fever burned through his body. His mother never left his side. When he recovered, they went straight to church to give thanks. On that Sunday morning at the old Mother AME Zion Church, Memphis healed for the first time. His seven-year-old brother, Isaiah, had fallen out of a tree and broken his arm. The bone stuck up under the skin at a terrible angle. Memphis was only trying to quiet his screaming brother when he put his hands on him. He never expected the intense warmth that built suddenly between Isaiah’s skin and his own hands. The trance came on him hard and fast. His eyes rolled back and he felt as if he had left his body and was trapped inside a waking dream. He saw things in that strange empty space he inhabited for those long seconds, things that he didn’t understand: faces in the mist, spectral shadows, and a funny man in a tall hat whose coat seemed to be made of the land itself. There was a bright light and a fluttering of wings, and when Memphis came to, shaking, a crowd had gathered around him in the churchyard. Isaiah had weaseled out from under his brother’s touch and was swinging his arm around in perfect circles. “You fixed it, Memphis. How’d you do that?”

“I-I don’t know.” Despite the New York summer heat soaking the collar on his Sunday best, Memphis shivered.

“It’s a miracle,” someone said. “Praise Jesus!”

Memphis saw his mother standing at the edge of the awestruck congregation, one hand pressed to her mouth, and was afraid she might slap him for what he’d done. Instead, she hugged him close. When she stepped back, there were tears in her eyes. “My son is a healer,” she whispered, cupping his face.

“You hear that? This boy’s a healer,” someone shouted. “Let us pray.”