The Certainty of Violet & Luke (The Coincidence, #5)

She nods with chaotic frenzy in her eyes. “You need to.”


Shaking, I turn back around and trudge over to the sofa. I take a seat beside her and she pats me on the head several times like I’m her pet. She does that a lot and it makes me wonder how she sees me; if I’m kind of like a pet to her instead of her kid.

“You were a bad boy today,” she says as her fingers continue to touch my hair. I hate it when she does that and it makes me want to shave my head bald so she won’t be able to touch me. “You should have come when I called you.”

“I’m sorry,” I lie, because I’m only sorry I was found. I need to find better hiding spots and stay in them long enough that she’ll stop looking for me, then maybe I can become invisible like Amy.

“It’s okay.” She strokes my cheek and then my neck before pulling her hand away. She places a kiss on my cheek and I shut my eyes, holding my breath, trapping in a scream in because I want to shout: Don’t touch me! “I know deep down you’re a good boy.”

No, I’m not. I’m terrible because I hate you. I really do. I hate you so much I wish you were gone.

She starts humming a song she made up as she removes the lid from the box and carefully sets it aside. I don’t even have to look inside it to know what’s in it. A spoon, a lighter, a small plastic baggie that holds this stuff that looks almost like brown sugar, a thin piece of cotton, a half a bottle of water, a big rubber band thing, and a needle and syringe that she probably stole from the stash I use to give myself insulin shots.

“Now you remember what to do?” she asks, and then starts humming again.

I nod, tears burning in the corners of my eyes because I don’t want to do it—I don’t want to do anything that she tells me. “Yes.”

“Good.” She pats my head again, this time a little rougher.

I don’t watch her as she opens the baggie and puts some of the brown sugary stuff onto the metal spoon along with some water, but I can pretty much visualize her movements since I’ve seen her do this a lot, sometimes twice a day. It really depends on how much she’s talking to herself. If it’s a lot then she brings out the needle a lot. But sometimes, when she gets quieter, it’s not so bad. I like the quieter days, one’s where she’s either focused on cleaning or stuck in her head. Or I’ll even take her being passed out.

She heats the spoon with the lighter as she mutters lyrics under her breath. She actually has a beautiful voice, but the words she sings are frightening. After the spoon is heated enough, she ties the rubber band around her arm, I sit on the couch beside her, tapping my fingers on my leg, pretending I’m in there instead of here. Anywhere but here.

I hate her.

“All right, Luke, help me out, okay,” she finally says after she’s melted her medication into a pool of liquid and sucked some into the syringe.

I turn toward her, shaking nervously. Always shaking. Always nervous, all the time. Always so worried I’ll do something wrong. Mess up. She instantly hands me the syringe and then extends her arm onto my lap. She has these purple marks and red dots all over her upper forearm from all the other times the needles have gone into her. Her veins are really dark on her skin and I don’t like the sight of the needle going in just as much as she does like it. Like a routine, I point the needle toward her arm near where all the other dots on her skin are.

My hand quivers unsteadily. “Please don’t make me do this,” I whisper. “Please Mom.” I don’t know why I even try, though. She’ll do anything to get her medication. And I mean anything. Dark things that normal people wouldn’t do.

“Deep breaths, remember?” She ignores me as she wraps her free arm around the back of my neck. “Remember, don’t miss the vein. You can mess up my arm or even kill me if you’re not careful, okay?” She says it so sweetly like it’s a nice thing to say and will make me less nervous.

But it makes things worse, especially because part of me wishes I’d miss the vein. I have to take a lot of breaths before I can settle down inside and get my thoughts from going to that dark place they always want to go, reminding myself that I don’t want to hurt her. I don’t.

When I get my nerves under control the best that I can, I sink the needle into her vein, like I’ve done hundreds of times. Each time it gets to me, like I’m sticking the needle in my own skin and feeling the sting. I wince as her muscles tense a little underneath the poke of the needle. As I push in the plunger, the medicine enters her veins and seconds later she lets out this weird noise, before sinking back on the couch, pulling me down with her. I hurry and pull the needle out before we fall down completely onto the couch cushions.

“Thank you, Luke,” she says sleepily, patting my head with her hand as she holds me against her. Her throat makes this vibrating noise, like she’s trying to hum again, but the noise is trapped like I am.

I press my lips together, staring at the wall across the room, barely breathing. After a while, her arm falls lifelessly to the side, her hand hitting the floor as her eyelids flutter shut and I’m temporarily freed from her hold.

I sit up, sucking the tears back, hating her for making me do this and hating myself for doing it and being secretly glad she’s passed out. I toss the syringe down on the table, then I push to my feet. Using all my strength, I rotate her to her side because sometimes she throws up. I have a house full of quiet now, just how I like it. Yet, at the same time I don’t like it because the emptiness gets to me. What I really want is what all the other kids have. The ones I see at the park playing on swings while their parents push them higher. They’re always laughing and smiling. Everyone always seems to be, except for me. Every time I get close I always remember this feeling I have inside me right now, this vile, icky feeling, mixed with hatred and sadness that makes me sick all the time. It always wipes the smile right off my face and I don’t even bother trying anymore. Happiness isn’t real. It’s make-believe.

I throw the syringe and spoon into the box, wondering if my life will always be this way. If I’ll always carry so much sadness and hate inside me. I’m shaking by the time I get everything into the box and I feel like I need to flee somewhere—run again. I can’t take this anymore. I can’t take living here. With her.

“I can’t take it!” I shout at the top of my lungs and ram my fist into the coffee table. My hand makes this popping sound and it hurts so bad tears sting at my eyes. I cry out in pain, sinking to the floor, but of course no one hears me.

No one ever does.





Violet


(Thirteen years old)


I hate moving. Not just from house to house, but from family to family. I hate moving my legs and arms, moving forward in my life, because it usually means I’m going to someplace new. If I had my way, I’d remain motionless, never moving forward, never going anywhere. The thing is I always have to, it’s not a choice, and I never know exactly where I’m going or who I’ll be stuck with. Sometimes the families are fine, but sometimes not. Drunks. Religious freaks. Haters. Wandering hands.

The family I’m staying with now always tells me everything I do is wrong and that I should be more like their daughter, Jennifer. I’m not sure why they took me in to begin with. They seem pretty content with the child they have and I’m just a decoration, a flashy object they can show off to their friends so they can get told how great they are for taking in such a messed-up child. I’m the unwanted orphan they took in, hoping to fix me and make their family appear wonderful.