Stillhouse Lake (Stillhouse Lake #1)

It’s a tentative thing at first, until we both get our confidence and our bearings. His lips are soft and strong at once, and I can’t help but remember Mel’s kisses, always somehow plastic. There’s none of that studied movement. Sam kisses like someone who means it. He tastes of the rich, dark cherry flavors of the Bordeaux. Everything about that kiss makes me realize how little I know about life, how much I lost in marrying Melvin Royal. How much time I’ve wasted on him.

Sam is the one to break it, and he pulls back, breathing hard, saying nothing at all. I lean against him. He puts his arms around me, and instead of feeling confined, I feel included. Protected.

“Sam—”

He whispers in my ear, “Shh,” and I don’t say anything else. It occurs to me that maybe he’s as afraid of this as I am.

I walk him outside after the movie. When he kisses me again at the foot of the house steps, it feels like a wonderful promise of better things to come.



A letter arrives from the remailing service the next day. I feel my pulse jump, but I’m not as anxious as before. I still take all the usual precautions: I slit the envelope open carefully, wear my blue nitrile gloves, and use utensils to unfold and hold open the paper.

This one is the second kind in the cycle, which I expected. Mel’s words are blandly normal, like the mask of humanity. He talks about the books he’s reading (he’s always been a big reader, generally of obscure philosophy and the sciences); he laments the wretched, tasteless food in the cafeteria. He says he’s fortunate to have friends who put money in his commissary account, so he can buy things to make his prison experience more pleasant. He talks about his lawyer.

But then . . . with a quiet curl of disquiet, I realize something is different about this letter. Something new.

When I get to the bottom, I see it. It’s a stinger in the tail, and when it strikes me, it plunges its barb in deep.

You know, sweetheart, the thing I most regret is that we never got to have that house by the lake that you and I talked about so often. It sounds like paradise, doesn’t it? I can almost see it, you sitting on the porch in the moonlight, watching the lake at night. That image gives me peace. I hope you’re not sharing it with anyone else but me.

I think about the nights I’ve sat out there on my porch, drinking my evening beer and watching the ripples across the lake in the sunset. That image gives me peace, he says. I hope you’re not sharing it with anyone else but me.

He’s seen us—a photograph, at least. Seen me and Sam together on the porch.

He knows where we are.

“Mom?”

I flinch and drop the two spoons I’m holding to pin the letter down. When I look up, Connor is standing on the other side of the kitchen counter, staring at me. Behind him are Billy, Trent, Jason, and Daryl, his Thursday-night friends. I’ve forgotten what night it is. I’d intended to make Rice Krispies marshmallow treats, and I’ve forgotten that, too.

I quickly fold up the note, slip it back into the envelope, and strip off the gloves to three-point them in the corner trash can. I slip the envelope in my back pocket and say, “Boys, how about some snacks?” And they all cheer.

All except Connor, who’s gone still and quiet, watching me. He knows something’s wrong. I try a smile to reassure him, but I can tell he isn’t fooled. With a sick sense of desperation, I try to order my thoughts while I whip together the marshmallow cream and Rice Krispies into their sticky pan, to the delight of the young men. My mind isn’t on it, or on them, or on anything but what to do.

Run, all my instincts are screaming at me. Just get the van. Put the kids in it. Run. Start over. Make him find you again.

But the cold fact is that we have run. We’ve run and run and run. I’ve forced my children into an unnatural, damaging life that’s cut them off from family, friends, even from themselves. Yes, I’ve done it to save them, but at what cost? Because looking at where they are now, a full year into being settled, I see them blooming. Growing.

Running cuts them off at the roots, again, and sooner or later, everything good in them will turn stunted and stained from it.

I don’t want to run anymore. Maybe it’s the house, which has become—despite my best efforts—home. Maybe it’s the lake, or the peace I feel here.

Maybe it’s the fragile, breakable, careful attraction I finally feel to a good man.

No. No, I’m not running, goddamn you, Mel. Not again. It’s time to trigger a plan that I set in place a long time ago, one I’d hoped never to have to use.

As the boys eat their gooey snacks and roll dice, I step out and call a number that Absalom gave me years ago. I don’t know whom it belongs to, and I don’t even know if it will work at all. It’s a failsafe, a nuclear option. Onetime use, and I paid dearly for it.

It rings, rings, goes straight to voice mail. There’s no greeting, just a beep.

“This is Gina Royal,” I say. “Absalom says that you’ll know what I need done. Do it.”

I hang up, feeling sick and dizzy, as if I’m standing on the edge of a very steep drop. That name, Gina Royal, it makes me feel like I’m falling backward, into darkness and a time I’d rather never existed. Makes me feel like all the progress I’ve made has been an illusion, something Melvin could take away from me anytime he wanted.

In the morning, I call the prison where Melvin is being held, and I make an appointment for the next visiting day.





5


I have to get someone to stay with the kids.

I think about it. I agonize about it for hours, staring into space, gnawing the inside of my lip raw. I have a few people I could ask, but few . . . so few. I could put the kids on a plane to their grandmother, I think, but when I check with her I find she’s out of town on a trip. I need to make a decision. I can’t leave Lanny and Connor alone, and I can’t take them where I’m going.

It’s an enormous step to take, a gigantic step for someone who doesn’t trust anymore. I want to ask Sam. I question that very desire, because Mel has taught me I can’t trust my own judgment, and the last thing I want, the very last, is to risk my kids.

I wish I knew more women, but the only ones I’ve become acquainted with in Norton or around the lake so far are chilly and unlikable, or outright hostile toward strangers.

I don’t know what to do, and it paralyzes me for a long, long time until finally Lanny throws herself into the chair in my office and stares at me for so long that I have to engage. “What, honey?”

“That was my question, Mom. What the hell?”

“I don’t understand.”

“Yes, you do,” she says, staring harder. Narrows her eyes, in a way I know she got from me. “You’re sitting in here chewing your thumbnail off. You hardly slept. What’s wrong? And don’t tell me I’m too young to know. Flush that noise.”

Flush that is her newest phrase, and it makes me laugh. I imagine that will change to something much more direct by the time she’s sixteen, but for now, it’s a funny, useful phrase. “I need to go out of town,” I tell her. “Just for the day. You’ll mostly both be in school, but . . . but I need to leave super early, and I’m back very late. I need someone to be here for you.” I take a deep breath. “Who would you suggest?”

She blinks, because she probably can’t remember the last time I asked. And she won’t, because that’s not a normal question from me. “Where are you going?”

“Not important. Stay on topic, please.”

“Okay, are you going to see Dad?”

I hate to hear her say that, like he’s still Dad, with that hopeful upward curl in her tone. I makes me shudder, and I know she sees that, too. “No,” I lie, with as bland and even a tone as I can. “Just business.”

“Uh-huh.” I can’t tell if my own daughter believes me. “Okay. Well . . . I guess Sam would be okay. I mean, he’s over here anyway, fixing stuff. He and Connor are still working on the deck, you know.”

Hearing her say Sam’s name is a huge relief. And besides, she’s right; Sam would normally be here anyway. The deck project has taken on a leisurely pace, a little here, a little there. “I’m just—honey, I won’t be here to watch out for you. If you feel at all uncomfortable . . .”