Steelheart (The Reckoners #1)

Steelheart didn’t attack other banks, and he hasn’t done anything —either directly or indirectly—to forbid people from wearing jewelry in his presence. Jewelry is common enough among Epics that he’d have to take measures.”

“I agree,” Tia said, “though only in part. It’s possible we’ve missed something. Steelheart has proven subtle in the past; perhaps he has a secret embargo on a certain type of gemstone. I’ll look into it, but I think David’s right. If something did a ect Steelheart, then it’s likely one of the oddities.”

“How many of those are there?”

Prof asked.

“Over three hundred,” Tia said with a grimace. “Mostly mementos or keepsakes of no intrinsic value.

Anything among them could be our culprit, theoretically. But then there’s a chance it was something one of the people in the room was carrying on them. Or it could be, as David seems to think, something about the situation.”

“It’s very rare for an Epic’s weakness to be in uenced just by proximity to something mundane,”

I said, shrugging. “Unless an object in the vault emitted a kind of radiation or a light or a sound— something that actually reached Steelheart—the chances are slim it was the culprit.”

“Look through the items anyway, Tia,” Prof said. “Maybe we can nd a correlation to something Steelheart has done in the city.”

“What about the darkness?”

Cody asked.

“Nightwielder’s darkness?”

“Sure,” Cody said. “I’ve always thought it was strange that he kept it so dark here.”

“That’s probably because of Nightwielder himself,” I said. “He doesn’t want sunlight shining on him and making him corporeal. I wouldn’t be surprised if that was part of the deal between them, one of the reasons Nightwielder serves beneath Steelheart. Steelheart’s government provides infrastructure —food,

electricity,

crime

prevention—to compensate for it always being dark.”

“I suppose that makes sense,”

Cody said. “Nightwielder needs darkness, but can’t have it unless he’s got a good city to work from.

Kind of like a piper needs a good city to support him, so he can stand on the cliff tops and play.”

“A … piper?” I asked.

“Oh please, don’t get him started,” Tia said, raising a hand to her head.

“Bagpiper,” Cody said.

I looked at him blankly.

“You’ve

never

heard

of

bagpipes?” Cody asked, sounding aghast. “They’re as Scottish as kilts and red armpit hair!”

“Um … yuck?” I said.

“That’s it,” Cody said. “Steelheart has to fall so we can get back to educating children properly. This is an o ense against the dignity of my motherland.”

“Great,” Prof said, “I’m glad we now have proper motivation.” He tapped the desk idly.

“You’re worried,” Tia said. She seemed to be able to read Prof pretty well.

“We’re getting closer and closer to a confrontation. If we continue on this course we’ll draw Steelheart out but will be unable to ght him.”

The people at the desk grew still.

I looked up, gazing at the high ceiling; the sterile white lights around the room provided

insu cient glow to reach the room’s farthest corners. It was cold in this room, and quiet. “When’s the last moment we could pull out?”

“Well,” Prof said, “we could draw him to a confrontation with Limelight, then not show.”

“That might be kind of fun on its own merits,” Cody noted. “I doubt Steelheart gets stood up very often.”

“He’d react poorly to the embarrassment,” Prof said. “Right now the Reckoners are a thorn—an annoyance. We’ve only done three hits in his city and have never killed anyone vital to his organization. If we run, what we’ve been doing will get out.

Abraham and I set in place evidence that will prove we’re behind this—that is the only way to make sure our victory, if we obtain one, isn’t attributed to an Epic instead of ordinary men.”

“So if we run …,” Cody said.

“Steelheart will know that Limelight was a fake and that the Reckoners were working on a way to assassinate him,” Tia said.

“Well,” Cody said, “most Epics already want to kill the lot of us.

So maybe nothing will change.”

“This will be worse,” I said, still looking up at the ceiling. “He killed t h e rescue workers, Cody. He’s paranoid. He’ll hunt us actively if he finds out what we’ve been up to.

The thought that we tried to get to him … that we were researching his weakness … he won’t take that sitting down.”

The shadows ickered, and I looked down to see Abraham walking up to our cubicle. “Prof, you asked me to warn you when we reached the hour.”

Prof checked his mobile, then nodded. “We should be getting back to the hideout. Everyone grab a sack and ll it with the things we found. We’ll sort through them further in a more controlled environment.”

We got up from our seats, Cody patting the head of the dead—and steel-frozen—bank patron who slumped beside the wall of this particular cubicle. As they left, Abraham set something down on the desk. “For you.”

It was a handgun. “I’m no good with …” I trailed o . It looked familiar. The gun … the one my father picked up.

“I found it in the rubble beside your father,” Abraham said. “The transfersion turned the grip and frame to metal, but most of the parts were already good steel. I removed the magazine and cleared the chamber, and the slide and trigger still function as expected. I wouldn’t completely trust it until I give it a thorough once-over back at base, but there’s a good chance it will fire reliably.”

I picked up the gun. This was the weapon that had killed my father.

Holding it felt wrong.

But it was also, so far as I knew, the only weapon ever to have wounded Steelheart.

“We can’t know if it was something about the gun that allowed Steelheart to be hurt,”

Abraham said. “I felt it would be worth digging out. I’ll take it apart and clean it for you, check over the cartridges. They should still be good, though I might need to change the powder, if the casings didn’t

insulate

against

the

transfersion. If it all checks out, you can carry it. If the opportunity presents itself, you can try shooting him with it.”

I nodded in thanks, then ran to get a sack and haul out my part of what we’d found.

“Piping is the most sublime sound y’all have ever heard,” Cody explained, gesturing widely as we walked down the corridor toward the hideout. “A sonorous mix of power, frailty, and wonder.”

“It sounds like dying cats being stu ed into a blender,” Tia said to me.Cody looked wistful. “Aye, and a beauteous melody that is, lass.”

“So, wait,” I said, holding up a nger. “These bagpipes. To make them, you … what was it you said?

‘Y’all need to kill yourself a wee dragon, which are totally real and not at all mythological—they live in the Scottish Highlands to this day.’ ”

“Aye,” Cody said. “It’s important y’all pick a wee one. The big ones are too dangerous, you see, and their bladders don’t make good pipes. But you have to kill it yourself, you see. A piper needs to have slain his own dragon. It’s part of the code.”

“After that,” I said, “you need to cut out the bladder, and attach … what was it?”

“Carved unicorn horns to make the pipes,” Cody said. “I mean, you could use something less rare, like ivory. But if you’re going to be a purist, it has to be unicorn horns.”

“Delightful,” Tia said.

“A grand word to choose,” Cody said. “It, of course, is originally a Scottish term. Del coming from Dál Riata, the ancient and great Scottish kingdom of myth. Why, I think one of the great piping songs is from that era. ‘Abharsair e d’a chois e na Dùn èideann.’ ”

“Ab … ha … what?” I asked.

“Abharsair e d’a chois e na Dùn èideann,” Cody said. “It is a sweetly poetic name that doesn’t really translate to English—”

“It means ‘The Devil Went Down to Edinburgh’ in Scottish Gaelic,”

Tia said, leaning in toward me but speaking loudly enough that Cody could hear.

Cody, for once, missed a step.

“You speak Scottish Gaelic, lass?”

“No,” Tia said. “But I looked that up last time you told this story.”

“Er … you did, eh?”