Sharp Objects

This time it was Alan waiting for me when I got home. He was sitting on the Victorian love seat, white brocade and black walnut, dressed in white slacks and a silk shirt, dainty white silk slippers on his feet. If he’d been in a photograph, it would be impossible to place him in time—Victorian gentleman, Edwardian dandy, ’50s fop? Twenty-first-century househusband who never worked, often drank, and occasionally made love to my mother.

 

Very rarely did Alan and I talk outside of my mother’s presence. As a child, I’d once bumped into him in the hallway, and he’d bent down stiffly, to my eye level, and said, “Hello, I hope you’re well.” We’d been living in the same house for more than five years, and that’s all he could come up with. “Yes, thank you,” was all I could give in return.

 

Now, though, Alan seemed ready to take me on. He didn’t say my name, just patted the couch beside him. On his knee he balanced a cake plate with several large silvery sardines. I could smell them from the entryway.

 

“Camille,” he said, picking at a tail with a tiny fish fork, “you’re making your mother ill. I’m going to have to ask you to leave if conditions don’t improve.”

 

“How am I making her ill?”

 

“By tormenting her. By constantly bringing up Marian. You can’t speculate to the mother of a dead child how that child’s body might look in the ground right now. I don’t know if that’s something you can feel detached from, but Adora can’t.” A glob of fish tumbled down his front, leaving a row of greasy stains the size of buttons.

 

“You can’t talk to her about the corpses of these two dead little girls, or how much blood must have come out of their mouths when their teeth were pulled, or how long it took for a person to strangle them.”

 

“Alan, I never said any of those things to my mother. Nothing even close. I truly have no idea what she’s talking about.” I didn’t even feel indignant, just weary.

 

“Please, Camille, I know how strained your relationship is with your mother. I know how jealous you’ve always been of anyone else’s well-being. It’s true, you know, you really are like Adora’s mother. She’d stand guard over this house like a…witch, old and angry. Laughter offended her. The only time she ever smiled was when you refused to nurse from Adora. Refused to take the nipple.”

 

That word on Alan’s oily lips lit me up in ten different places. Suck, bitch, rubber all caught fire.

 

“And you know this from Adora,” I prompted.

 

He nodded, lips pursed beatifically.

 

“Like you know that I said horrible things about Marian and the dead girls from Adora.”

 

“Exactly,” he said, the syllables precisely cut.

 

“Adora is a liar. If you don’t know that, you’re an idiot.”

 

“Adora’s had a hard life.”

 

I forced out a laugh. Alan was undaunted. “Her mother used to come into her room in the middle of the night and pinch her when she was a child,” he said, eyeing the last slab of sardine pitifully. “She said it was because she was worried Adora would die in her sleep. I think it was because she just liked to hurt her.”

 

A jangle of memory: Marian down the hall in her pulsing, machine-filled invalid’s room. A sharp pain on my arm. My mother standing over me in her cloudy nightgown, asking if I was okay. Kissing the pink circle and telling me to go back to sleep.

 

“I just think you should know these things,” Alan said. “Might make you be a bit kinder to your mother.”

 

I had no plans for being kinder to my mother. I just wanted the conversation to end. “I’ll try to leave as soon as I can.”

 

“Be a good idea, if you can’t make amends,” Alan said. “But you might feel better about yourself if you tried. Might help you heal. Your mind at least.”

 

Alan grabbed the last floppy sardine and sucked it into his mouth whole. I could picture the tiny bones snapping as he chewed.

 

 

 

 

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