Shadow of Night

“You said the city was deserted because of the holidays,” I remarked.

 

“It is,” Matthew replied. After a few steps, we were pitched into an even greater maelstrom. I stopped in my tracks.

 

St. Paul’s windows glimmered in the pale afternoon light. The churchyard around it was a solid mass of people—men, women, children, apprentices, servants, clergymen, soldiers. Those who weren’t shouting were listening to those who were, and everywhere you looked, there was paper. It was hung up on strings outside bookstalls, nailed to any solid surface, made into books, and waved in the faces of onlookers. A group of young men huddled around one post covered with flapping announcements, listening to someone slowly sound out job advertisements. Every now and then, one would break free from the rest, hands slapping him on the back as he pulled his cap down and set off in search of employment.

 

“Oh, Matthew.” It was all I could manage.

 

People continued to swarm around us, carefully avoiding the tips of the long swords my escorts wore at their waists. A breeze caught at my hood. I felt a tingle, followed by a faint pressure. Somewhere in the busy churchyard, a witch and a daemon had sensed our presence. Three creatures traveling together were hard to ignore.

 

“We’ve caught someone’s attention,” I said. Matthew didn’t seem overly concerned as he scanned the nearby faces. “Someone like me. Someone like Kit. No one like you.”

 

“Not yet,” he said under his breath. “You aren’t to come here by yourself, Diana—ever. Stay in the Blackfriars, with Fran?oise. If you go any farther than that passageway”—Matthew nodded behind us—“Pierre or I must be with you.” When he was satisfied that I had taken his warning seriously, he drew me away. “Let’s go see Mary.”

 

We turned south again, toward the river, and the wind flattened my skirts against my legs. Though we were walking downhill, every step was a struggle. A low whistle sounded as we passed by one of London’s many churches, and Pierre disappeared into an alley. He popped out of another just as I spotted a familiar-looking building behind a wall.

 

“That’s our house!”

 

Matthew nodded and directed my attention down the street. “And that is Baynard’s Castle.”

 

It was the largest building I had seen yet except for the Tower, St. Paul’s, and the distant prospect of Westminster Abbey. Three crenellated towers faced the river, linked by walls that were easily twice the height of any nearby houses.

 

“Baynard’s Castle was built to be approached from the river, Diana,” Henry said in an apologetic tone as we traveled down another winding lane. “This is the back entrance, and not how visitors are supposed to arrive—but it is a great deal warmer on a day like this.”

 

We ducked into an imposing gatehouse. Two men wearing charcoal gray uniforms with maroon, black, and gold badges strolled up to identify the visitors. One recognized Henry and grabbed at his companion’s sleeve before he could question us.

 

“Lord Northumberland!”

 

“We’re here to see the countess.” Henry swung his cloak in the direction of the guard. “See if you can get that dry. And find Master Roydon’s man something hot to drink, if you would.” The earl cracked his fingers inside his leather gloves and grimaced.

 

“Of course, my lord,” the gatekeeper said, eyeing Pierre with suspicion.

 

The castle was arranged around two enormous hollow squares, the central spaces filled with leafless trees and the vestiges of summer flowers. We climbed a wide set of stairs and met up with more liveried servants, one of whom led us to the countess’s solar: an inviting room with large, southfacing windows overlooking the river. They provided a view of the same stretch of the Thames that was visible from the Blackfriars.

 

Despite the similarity of the view, there was no mistaking this lofty, bright space for our house. Though our rooms were large and comfortably furnished, Baynard’s Castle was the home of aristocracy, and it showed. Wide, cushioned settles flanked the fireplace, along with chairs so deep that a woman could curl up in one with all her skirts tucked around her. Tapestries enlivened the stone walls with splashes of bright color and scenes from classical mythology. There were signs, too, of a scholar’s mind at work. Books, bits of ancient statuary, natural objects, pictures, maps, and other curiosities covered the tables.

 

“Master Roydon?” A man with a pointed beard and dark hair peppered with gray stood. He held a small board in one hand and a tiny brush in the other.

 

“Hilliard!” Matthew said, his delight evident. “What brings you here?”

 

“A commission for Lady Pembroke,” the man said, waving his palette. “I must put the finishing touches on this miniature. She wishes to have it for a gift at the New Year.” His bright brown eyes studied me.

 

“I forget, you have not met my wife. Diana, this is Nicholas Hilliard, the limner.”

 

“I am honored,” I said, dipping into a curtsy. London had well over a hundred thousand residents. Why did Matthew have to know everyone that historians would one day find significant? “I know and admire your work.”

 

“She has seen the portrait of Sir Walter that you painted for me last year,” Matthew said smoothly, covering up my too-effusive greeting.

 

“One of his best pieces, I agree,” Henry said, looking over the artist’s shoulder. “This seems destined to rival it, though. What an excellent likeness of Mary, Hilliard. You’ve captured the intensity of her gaze.” Hilliard looked pleased.

 

A servant appeared with wine, and Henry, Matthew, and Hilliard conversed in low voices while I examined an ostrich egg set in gold and a nautilus shell in a silver stand, both of which sat on a table along with several priceless mathematical instruments that I didn’t dare touch.

 

“Matt!” The Countess of Pembroke stood in the doorway wiping inkstained fingers on a handkerchief hastily supplied by her maid. I wondered why anyone would bother, since her mistress’s dove gray gown was already splotched and even singed in places. The countess peeled the simple garment from her body, revealing a far more splendid velvet and taffeta outfit in a rich shade of plum. As she passed the early-modern equivalent of a lab coat to her servant, I smelled a distinct whiff of gunpowder. The countess tucked up a tight curl of blond hair that had drifted down by her right ear. She was tall and willowy, with creamy skin and deep-set brown eyes.

 

She stretched out her hands in welcome. “My dear friend. I have not seen you for years, not since my brother Philip’s funeral.”

 

“Mary,” Matthew said, bowing over her hand. “You are looking well.”

 

“London does not agree with me, as you know, but it has become a tradition that we travel here for the queen’s anniversary celebrations, and I stayed on. I am working on Philip’s psalms and a few other fancies and do not mind it so much. And there are consolations, like seeing old friends.” Mary’s voice was airy, but it still conveyed her sharp intelligence.

 

“You are indeed flourishing,” Henry said, adding his welcome to Matthew’s and looking at the countess approvingly.

 

Mary’s brown eyes fixed on me. “And who is this?”

 

“My happiness at seeing you has pushed my manners aside. Lady Pembroke, this is my wife, Diana. We are recently wed.”

 

“My lady.” I dropped the countess a deep curtsy. Mary’s shoes were encrusted with fantastic gold and silver embroidery that suggested Eden, covered as they were with snakes, apples, and insects. They must have cost a fortune.

 

“Mistress Roydon,” she said, her eyes snapping with amusement. “Now that that’s over with, let us be plain Mary and Diana. Henry tells me that you are a student of alchemy.”

 

“A reader of alchemy, my lady,” I corrected, “that is all. Lord Northumberland is too generous.”

 

Matthew took my hand in his. “And you are too modest. She knows a vast amount, Mary. As Diana is new to London, Hal thought you might help her find her way in the city.”

 

“With pleasure,” the Countess of Pembroke said. “Come, we shall sit by the window. Master Hilliard requires strong light for his work. While he finishes my portrait, you will tell me all the news. Little happens in the kingdom that is beyond Matthew’s notice and understanding, Diana, and I have been at home in Wiltshire for months.”

 

Once we were settled, her servant returned with a plate of preserved fruit.

 

“Ooh,” Henry said, happily wiggling his fingers over the yellow, green, and orange confections. “Comfits. You make them like no one else.”

 

“And I shall share my secret with Diana,” Mary said, looking pleased. “Of course, once she has the receipt, I may never have the pleasure of Henry’s company again.”

 

“Now, Mary, you go too far,” he protested around a mouthful of candied orange peel.

 

“Is your husband with you, Mary, or does the queen’s business keep him in Wales?” Matthew inquired.

 

“The Earl of Pembroke left Milford Haven several days ago but will go to court rather than come here. I have William and Philip with me for company, and we will not linger much longer in the city but go on to Ramsbury. The air is healthier there.” A sad look crossed her face.

 

Mary’s words reminded me of the statue of William Herbert in the Bodleian Library quadrangle. The man I passed on the way to Duke Humfrey’s every day, and one of the library’s greatest benefactors, was this woman’s young son. “How old are your children?” I asked, hoping that the question was not too personal.

 

The countess’s face softened. “William is ten, and Philip is just six. My daughter, Anne, is seven but she has been ill this past month, and my husband felt she should remain at Wilton.”

 

“Nothing serious?” Matthew frowned.

 

More shadows scudded across the countess’s face. “Any sickness that afflicts my children is serious,” she said softly.

 

“Forgive me, Mary. I spoke without thinking. My intention was only to offer what assistance I can.” My husband’s voice deepened with regret. The conversation was touching on a shared history unknown to me.

 

“You have kept those I love from harm on more than one occasion. I haven’t forgotten it, Matthew, nor would I fail to call on you again if necessary. But Anne suffered from a child’s ague, nothing more. The physicians assure me she will recover.” Mary turned to me. “Do you have children, Diana?”

 

“Not yet,” I said, shaking my head. Matthew’s gray glance settled on me for a moment, then flitted away. I tugged nervously at the bottom of my jacket.

 

“Diana has not been married before,” Matthew said.

 

“Never?” The Countess of Pembroke was fascinated by this piece of information and opened her mouth to question me further. Matthew cut her off.

 

“Her father and mother died when she was young. There was no one to arrange it.”

 

Mary’s sympathy increased. “A young girl’s life is sadly dependent upon the whims of her guardians.”

 

“Indeed.” Matthew arched an eyebrow at me. I could imagine what he was thinking: I was lamentably independent, and Sarah and Em were the least whimsical creatures on earth.

 

The conversation moved on to politics and current events. I listened attentively for a while, trying to reconcile hazy recollections of a long-ago history class with the complicated gossip that the other three exchanged. There was talk of war, a possible Spanish invasion, Catholic sympathizers, and the religious tension in France, but the names and places were often unfamiliar. As I relaxed into the warmth of Mary’s solar, and comforted by the constant chatter, my mind drifted.

 

“I am done here, Lady Pembroke. My servant Isaac will deliver the miniature by week’s end,” Hilliard announced, packing up his equipment.

 

“Thank you, Master Hilliard.” The countess extended her hand, sparkling with the jewels from her many rings. He kissed it, nodded to Henry and Matthew, and departed.

 

“Such a talented man,” Mary said, shifting in her chair. “He has grown so popular I was fortunate to secure his services.” Her feet twinkled in the firelight, the silver embroidery on her richly colored slippers picking up hints of red, orange, and gold. I wondered idly who had designed the intricate pattern for the embroidery. Had I been closer, I would have asked to touch the stitches. Champier had been able to read my flesh with his fingers. Could an inanimate object provide similar information?

 

Though my fingers were nowhere near the countess’s shoes, I saw the face of a young woman. She was peering at a sheet of paper with the design for Mary’s shoes on it. Tiny holes along the lines of the drawing solved the mystery of how its intricacies had been transferred to leather. Focusing on the drawing, my mind’s eye took several steps backward in time. Now I saw Mary sitting with a stern, stubborn-jawed man, a table full of insect and plant specimens before them. Both were talking with great animation about a grasshopper, and when the man began to describe it in detail, Mary took up her pen and sketched its outlines.

 

So Mary is interested in plants and insects, as well as alchemy, I thought, searching her shoes for the grasshopper. There it was, on the heel. So lifelike. And the bee on her right toe looked as though it might fly away at any moment.

 

A faint buzzing filled my ears as the silver-and-black bee detached itself from the Countess of Pembroke’s shoe and took to the air.

 

“Oh, no,” I gasped.

 

“What a strange bee,” Henry commented, swatting at it as it flew past.

 

But I was looking instead at the snake that was slithering off Mary’s foot and into the rushes. “Matthew!”

 

He shot forward and lifted the snake by the tail. It extended its forked tongue and hissed indignantly at the rough treatment. With a flick of his wrist, he tossed the snake into the fire, where it sizzled for a moment before catching light.

 

“I didn’t mean . . .” I trailed off.

 

“It’s all right, mon coeur. You cannot help it.” Matthew touched my cheek before he looked at the countess, who was staring down at her mismatching slippers. “We need a witch, Mary. There is some urgency.”

 

“I know no witches,” was the Countess of Pembroke’s swift reply.

 

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