The old brownstone in Brooklyn was not, technically, Katarina Bishop’s home, but Kat was a girl for whom technicalities rarely—if ever—applied. The building itself belonged to a corporation that was a part of a conglomerate that was purchased by a shell company in 1972, and won in a poker game in ’73 by Kat’s uncle Eddie.
And yet his name did not appear on any titles or tax rolls. Utilities were listed in the names of a half dozen different aliases and paid in full on the fifteenth of every month. As far as the city of New York was concerned, the building was the property of a ghost, a figment, a very prompt and responsible illusion. But Kat knew better. Kat knew the building belonged to a legend.
When she pushed open the back door and stepped into the kitchen, Kat was certain what she was going to find. The lights were on and the stove was hot. A pair of ancient Dutch ovens sat over low heat, but for the moment, she and Gabrielle were alone as they carried in the small crate that they’d brought from Buenos Aires.
Rich, sweet smells washed over Kat, so she sank onto a chair and put the crate on the table. They’d gone all the way to Argentina for the painting that lay inside, but Kat felt no sense of accomplishment or relief. The couriers would come for it tomorrow, and in the meantime, Kat was tired and drained and happy to be at least temporarily finished.
“Okay, Kitty Kat, spill it.” Gabrielle walked to the old refrigerator, threw open the door, and studied the food inside. “I’ve been beside you for five thousand miles, and, trust me…you’re in something of a mood.”
Kat thought about her cousin’s words, but she didn’t try to deny them. Changing the subject would be futile, and as tired as she was, there was no use in trying to run. So Kat rested her arms on the crate and her chin on her arms, and thought about all the things she didn’t like in that moment.
Her head hurt.
Her back hurt.
Her hands hurt (but that was her own fault for doing zip-line work with no gloves).
They were the typical aches and pains of any thief a day off the job, and none of them, Kat realized, could possibly compare to the pain inside her heart, so she took a deep breath and whispered, “Hale left me.”
“He didn’t leave you, leave you,” Gabrielle said. “He just made a rapid and ill-timed departure.”
“He left,” Kat snapped.
“He had a sudden change of plans.”
“Do I have to remind you, Gabrielle, that he left me hanging? Literally. Are you seriously not furious right now?”
“Oh, I’m mad at him,” Gabrielle said. She stirred the contents of the largest pot. “I’m just a little surprised that you’re mad at him.”
“What does that mean?”
“It means, dear cousin, that I wouldn’t expect you to be angry. I would expect you to wonder why.…”
Kat had spent twenty-four hours and a very long plane ride across most of two continents fuming at Hale for running off without a moment of thought or a word of explanation. But Gabrielle was right.
Why would he leave so suddenly?
Why would he jeopardize her safety and their job?
Why would Hale, the boy who had been willing to do almost anything to be a part of her world for over two years, suddenly flee without a single clue as to where he might be going?
Somewhere in the house, a door slammed. The floor creaked. On the stove, the contents of the Dutch ovens began to boil. And Kat’s cousin raised an eyebrow.
“Are you going to tell him?” Gabrielle asked. “Or should I?”
“Tell me what?” the old man said, but he didn’t really stop for an answer. “Do not stir my goulash, Gabrielle.”
He moved to the stove slowly, like he’d been dozing in his easy chair and his legs weren’t quite working yet. But even with his gray hair and ratty, moth-eaten cardigan, there was something in Kat’s great-uncle’s eyes—a gravity that could make even a great thief tremble.
“So,” he asked again, “tell me what?”
“It’s good to see you too, Edward,” Gabrielle said in her uncle’s native tongue. Then she pulled a noodle out of one of the pots, plopped it into her mouth, and took her seat at the table.
“So, Katarina, what is wrong?” Uncle Eddie sprinkled some oregano into a pot and stirred, but didn’t look back. “Was it the access? High-rises can be tricky.”
“Access was fine, Uncle Eddie,” Kat said.
“The exit, then,” he said.
“The exit wasn’t a problem.” Kat ran her fingers along the rough pine of the crate, and didn’t bother asking how her uncle had known the details of the job in Buenos Aires. Uncle Eddie knew everything.
He eyed the crate on the table. Kat could see him calculating the value of the painting that lay inside when he asked, “And so you bring me a box I cannot have, and a problem I cannot solve, is that it?”
“The job was fine, Uncle Eddie,” Kat said. “It’s just that—”
“Hale ran off in the middle of it.”
“Gabrielle,” Kat snapped.
“What?” Gabrielle said. “It’s the truth. I’m sure Uncle Eddie won’t kill him. He’ll probably just maim him a little.”
“No,” Eddie said. “I won’t.”
“Okay,” Gabrielle said. “So he’ll maim him a lot. But Hale can take it. I’m sure between Eddie and your dad, Hale’s just looking at a few broken—”
“No, Gabrielle.” Eddie’s voice was stern. “I will do nothing of the kind.”
“But…” Gabrielle gave her uncle a confused glance.
“I value a young man who values family.”
“We are Hale’s family,” Gabrielle said.
“No.” Eddie picked up the newspaper that lay beside the stove and tossed it onto the kitchen table. “We’re not.”
Kat didn’t reach for it. She didn’t have to. The headline was big and bold and looming in black and white: WORLD’S SIXTH WEALTHIEST WOMAN COMATOSE IN MANHATTAN HOME.
“Is this…?” Kat couldn’t pull her eyes away from the photo that accompanied the words. The woman wore her white hair in an elegant updo, a diamond broach at the base of her neck, as she sat beneath a Monet that, if Kat were to guess, was most definitely the real one.
“That, my dear, is Hazel Hale,” Uncle Eddie said. “She is your young man’s grandmother.”
“She’s in a coma?” Gabrielle asked, turning the paper to get a better view.
“She was,” Eddie said. “At six o’clock this morning she died.”
Kat craned her neck and looked straight up at the building, utterly uncertain what to do. The height would not be a problem, of course, but there was something about the penthouse apartment that loomed over the east side of Central Park that left Kat feeling exposed and fragile. So she shivered, staring up, completely unsure how to find her way inside.
Oh, it would have been easy enough to purchase a bouquet of flowers, throw on an apron, and disappear into the parade of florists and caterers that had been filing in and out of the service elevators all morning. A window washer had left his rig on the third floor, easily within Kat’s reach. There were at least a half dozen ways for Kat to access the penthouse, but even Katarina Bishop knew there were some rooms she shouldn’t con or break her way into.
Besides, it was the only Hale family residence into which Kat had never been invited. Like a vampire, she felt that it would be almost impossible to enter. So she stayed on the corner, watching, staring at her phone.
“Hey, Hale,” she told the recording that answered when she tried his number, “it’s me. Again. Like I said in my last message, I’m back in the city and I heard about your grandmother. Hale, I’m so sorry.” Kat ended the call without another word.
Maybe he was busy.
Maybe he was sad.
Maybe he was grounded.
Maybe he was still in Argentina, lying in a roadside ditch and calling out her name.
Or maybe he was…
“Hale?” Kat said when she saw a pack of men emerge through the building’s glistening doors. They all wore dark suits and darker expressions, and they were so uniform in appearance that Kat almost missed the boy among their midst. She stared for a moment, uncertain at first that it was him. She’d seen him in so many situations—playing so many different roles—but Kat couldn’t help but realize that the boy who stood before her was someone she had never seen before.
The men were almost at the limo that sat idling at the curb, so she spoke louder. “Hale!”