She held out her hand. Three white pearls flashed in her palm.
"I know you journey to Hades's realm," she said. "Few mortals have ever done this and survived: Orpheus, who had great music skill; Hercules, who had great strength; Houdini, who could escape even the depths of Tartarus. Do you have these talents?"
"Urn ... no, ma'am."
"Ah, but you have something else, Percy. You have gifts you have only begun to know. The oracles have foretold a great and terrible future for you, should you survive to manhood. Poseidon would not have you die before your time. Therefore take these, and when you are in need, smash a pearl at your feet."
"What will happen?"
"That," she said, "depends on the need. But remember: what belongs to the sea will always return to the sea."
"What about the warning?"
Her eyes flickered with green light. "Go with what your heart tells you, or you will lose all. Hades feeds on doubt and hopelessness. He will trick you if he can, make you mistrust your own judgment. Once you are in his realm, he will never willingly let you leave. Keep faith. Good luck, Percy Jackson."
She summoned her sea horse and rode toward the void.
"Wait!" I called. "At the river, you said not to trust the gifts. What gifts?"
"Good-bye, young hero," she called back, her voice fading into the depths. "You must listen to your heart." She became a speck of glowing green, and then she was gone. I wanted to follow her down into the darkness. I wanted to see the court of Poseidon. But I looked up at the sunset darkening on the surface. My friends were waiting. We had so little time....
I kicked upward toward the shore.
When I reached the beach, my clothes dried instantly. I told Grover and Annabeth what had happened, and showed them the pearls.
Annabeth grimaced. "No gift comes without a price."
"They were free."
"No." She shook her head. "'There is no such thing as a free lunch.' That's an ancient Greek saying that translated pretty well into American. There will be a price. You wait." On that happy thought, we turned our backs on the sea.
With some spare change from Ares's backpack, we took the bus into West Hollywood. I showed the driver the Underworld address slip I'd taken from Aunty Em's Garden Gnome Emporium, but he'd never heard of DOA Recording Studios.
"You remind me of somebody I saw on TV," he told me. "You a child actor or something?"
"Uh ... I'm a stunt double ... for a lot of child actors."
"Oh! That explains it."
We thanked him and got off quickly at the next stop.
We wandered for miles on foot, looking for DOA. Nobody seemed to know where it was. It didn't appear in the phone book.
Twice, we ducked into alleys to avoid cop cars.
I froze in front of an appliancestore window because a television was playing an interview with somebody who looked very familiar—my stepdad, Smelly Gabe. He was talking to Barbara Walters—I mean, as if he were some kind of huge celebrity. She was interviewing him in our apartment, in the middle of a poker game, and there was a young blond lady sitting next to him, patting his hand.
A fake tear glistened on his cheek. He was saying, "Honest, Ms. Walters, if it wasn't for Sugar here, my grief counselor, I'd be a wreck. My stepson took everything I cared about. My wife ... my Camaro ... I—I'm sorry. I have trouble talking about it."
"There you have it, America." Barbara Walters turned to the camera. "A man torn apart. An adolescent boy with serious issues. Let me show you, again, the last known photo of this troubled young fugitive, taken a week ago in Denver."
The screen cut to a grainy shot of me, Annabeth, and Grover standing outside the Colorado diner, talking to Ares.
"Who are the other children in this photo?" Barbara Walters asked dramatically. "Who is the man with them? Is Percy Jackson a delinquent, a terrorist, or perhaps the brainwashed victim of a frightening new cult? When we come back, we chat with a leading child psychologist. Stay tuned, America."
"C'mon," Grover told me. He hauled me away before I could punch a hole in the appliancestore window. It got dark, and hungry-looking characters started coming out on the streets to play. Now, don't get me wrong. I'm a New Yorker. I don't scare easy. But L.A. had a totally different feel from New York. Back home, everything seemed close. It didn't matter how big the city was, you could get anywhere without getting lost. The street pattern and the subway made sense. There was a system to how things worked. A kid could be safe as long as he wasn't stupid. L.A. wasn't like that. It was spread out, chaotic, hard to move around. It reminded me of Ares. It wasn't enough for L.A. to be big; it had to prove it was big by being loud and strange and difficult to navigate, too. I didn't know how we were ever going to find the entrance to the Underworld by tomorrow, the summer solstice.